El camino del gaucho

A different kind of western, on Argentine's Pampas, an ill-tempered Gaucho Martin (Rory Calhoun) killed on a knife's fight a man who insulted is "brother" (Hugh Marlowe) his was sentenced to serve the Army, there he meets a tough Major Salinas (Pat Boone) the clash between them is matter of time, due the nature of both, he deserts and becomes an outlaw as Valverde, he gathered a bunch of all sort of the men, including his former inmates at prison, meanwhile he falling in love by the beauty Teresa (Gene Tierney), Major Salinas wounded on right hand was a crippled on fight on Martin's escape pursued him on the edge of the Pampas, however the sudden pregnancy of Teresa will change their destiny, it seems odd at first look, therefore has something magic on this unusual western, mainly by the priceless direction of the master Jacques Tourneur and the beautiful Argentine's landscape, compelling story with religious oriented!!!

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First watch: 2019 / How many: 1 / Source: DVD / Rating: 7.5

Tyrone Power was probably right to bow out of doing Way Of A Gaucho. This would have been a great part for him ten years earlier, but by 1952 Power was 38 years old would not have been all that convincing any more as one wild and woolly gaucho who prizes freedom above all things.

So 30 year old Rory Calhoun got the part and he looked even younger than that. Calhoun plays a young man who was taken in by a large estancia owner and raised as a stepson along with his real son Hugh Marlowe. The film opens with Marlowe returning from getting a European education in Spain and Marlowe has adopted European ways.

Civilization is coming to the Pampas, a fact that a lot of the gauchos resent, none more so than Calhoun. When he kills a man in a brawl, he's arrested, but Marlowe goes to bat for him and he gets army service with Richard Boone trying to make a soldier out of him. Naturally Calhoun doesn't take to that kind of discipline and he deserts and becomes the notorious bandit leader Valverde. Along the way he meets Gene Tierney and the two of them get something going.

20th Century Fox starting in the early Forties did a whole slew of films with a Latin American setting, the idea being to promote a Good Neighbor policy with Latin American countries who all declared war on the Axis powers after December 7. In fact Argentina was the only country not to declare war, at least until 1945. Because of that the Juan Peron government had few post war friends outside of Franco's Spain.

So with that in mind they no doubt welcomed 20th Century Fox to do a film with a real Latin American location. The cinematography of the Pampas is first rate and the American players who also included Everett Sloane as Calhoun's sidekick blend nicely in with the Argentine cast. The first lady of Argentina Eva Peron who was a film star before she married Juan took a personal interest in this project even though she was dying during the shooting of Way Of A Gaucho.

For its exotic location and good performances Way Of A Gaucho is definitely worth your time for a look.

"Way of a Gaucho" was filmed in the wild Argentina of 1950. The beauty of the locations is fantastic and alone makes the movie worth a view. Not only the endless Pampas and the awesome Andes are breathtaking, also the towns and farms, with their ancient, decadent, cracking Spanish-style buildings and churches are incredibly evocative.

The photography is accurate, the colors are magnificent. The story is quick and entertaining, but perhaps too melodramatic. The dialogue is somewhat declamatory. The characters of Martin - Rory Calhoun and Salinas - Richard Boone are not fully realistic: one is too sullen and gruffy to be a youngster, the other is over-bad.

Then, of course, there is Gene Tierney, as Teresa. Her unparalleled splendor wins the beauty of Argentine landscapes (I admit I'm not a fair judge in this matter). At first we see a dishevelled Gene with her shirt torn on a shoulder (she has just been abducted by an Indio, you know). How I like these old-fashioned, good-taste erotic touches! Martin has the incomparable luck to save her. Follows a long ride together in the Pampas, with a pair of my most favorite romantic scenes: Gene sleeping on the high grass, close to a pond with exotic birds, then waking up and looking for her rescuer, with a dreaming look; later, at sunset, Gene resting in the shade of one of those lonely, huge, marvellous trees of the Pampas, silently contemplating Miguel. Love is sprouting: how beautifully romantic.

Let me remark a theme of the movie, much creditable in rendering the climate of the 19th century. Teresa is pregnant, and Miguel repeatedly endangers his life to get to a church, trying to marry her, in order that the coming child could have a "real, legitimate father". The necessity to face death, to get a legal wedding, for both Teresa and Miguel is utter matter-of-factness: another option is inconceivable. This was the actual way people were in the 19th century! By contrast, how preposterous is the show of anachronistic feelings (such as feminist ideology, dislike for religion etc.) in many current movies placed at that epoch.

"Way of a Gaucho" is a good way of spending 90 minutes for everybody, and, of course, a must-see for Gene Tierney's fans.

Jacques Tourneur makes very stylish Westerns, from CANYON PASSAGE before to WICHITA after, and WAY OF A GAUCHO is about the "original cowboys," the titular Spanish Argentine bandits who "Go with God" and are as patriotic as they come, and go: Making the famous "last refuge of a scoundrel" quote more pro than con, at least for one in particular who rides in the glory of the Old Days...

That we never really learn about so we can only follow the intrepid horse-clopping footsteps of Rory Calhoun's "condor eyed" Martin Penalosa as the best scenes have our anti-hero breaking the law, sent under Richard Boone's harsh military command and eventually finding his own way...

This is where things slowly collapse upon an overly grandiose soundtrack and a maze of plotlines marring what should've been a more simple, honest Western that Tourneur's good at. Painted with broad strokes, the surrounding countrysides feel like another world entirely, so there's a Fantasy element underneath the deep brown saddles and painted red scarves, as if Penalosa's more a lean Barbarian than maverick horseman, and with Tourneur, a Gothic undertone lurks as well...

But our man needed more of a goal, an urgency, than to ride along (with forced ingenue Gene Tierney when guitar-strumming Everette Sloane would've made a terrific sidekick) full of stubborn, woeful pride. This GAUCHO looks terrific though.

Rory Calhoun is found guilty of murder. His sentence, a term in the army. This is 19th Century Argentina, however, so he prefers to turn bandit and court aristocratic Gene Tierney.

Sounds like a good idea to me, particularly the part about Miss Tierney. I was expecting one of those Shaky A westerns that Calhoun starred in, but that's not what I got. This was originally planned for Henry King to direct Tyrone Power Jr. in, so Fox went all in. After King and Power walked, Rory Calhoun took the lead role, and he does a surprisingly good job with it. If you think that Fox Technicolor is all overlit and bright colors like a Grable musical, you'll be surprised too. DP Harry Jackson, who shot a bunch of those Grable pix offers a color palette with lots of black in it, offering a richness rarely seen outside of British Technicolor. After shooting in Argentina wrapped, the crew was getting ready to head back to the US when Eva Peron died and they stayed to shoot her funeral.