Una Horrible Pesadilla

Bugs Bunny is too sound a sleeper to notice that a sudden rainstorm has flooded his rabbit hole and sent his mattress, with him on it, floating downstream toward a castle with helpful neon signs that say "Evil Scientist" and "Boo." Said Evil Scientist needs a brain for his mechanical monster, and when he sees Bugs Bunny floating by, decides a rabbit's brain is as good as any other. Bugs Bunny awakens to the horror of reposing mummies, an Evil Scientist with a huge, green head and an enormous robot waiting for its brain. Bugs tries to escape, but the scientist sends Rudolph after him. Rudolph is an unlikely beast covered with orange fur; it wears sneakers, but why not? Who says monsters don't have sensitive feet? Bugs poses as a chatty hairdresser, uses vanishing fluid on himself, and pours reducing fluid on the beast to thwart him. But Bugs's only weapon against the Evil Scientist will be a broken bottle of ether. Will it be enough?

"Water, Water Every Hare" is an amusing short with excellent artwork. (Love that mechanical monster!) But it's not as funny or as well plotted as the earlier, and very similar, "Hair-Raising Hare," which also featured a castle, an evil scientist, the same furry orange beast (with a different name), a scene where Bugs narrowly escapes a trap door and a scene where Bugs poses as a chatty beautician.

Silent movie fans will recognize the ether gag, a standard for that era, jazzed up with sound effects and cartoon animation. Bugs Bunny fans will notice that the beast from "Hair-Raising" has changed its name from Gossamer to Rudolph. Finally, horror movie fans will think the scientist is a prescient creation. Supposedly he's meant to evoke Boris Karloff. But he sounds much more like Vincent Price, who had not quite become the horror icon that he is now. How did Chuck Jones and company know? That's even spookier than this spooky-funny film.

Chuck Jones's 'Water, Water Every Hare' is significantly better than its truly dreadful title. Pitting Bugs against a bulbously headed green faced scientist and his furry orange, sneaker wearing monster (later dubbed Gossamer but here referred to as Rudolph), 'Water, Water Every Hare' features some breathtaking visuals in the opening minutes. His home beset by flooding, an oblivious, soundly-sleeping Bugs is washed away on his mattress. This sequence is glorious to behold with its flowing water and cascading waterfall. Ultimately, this watery subplot plays only a small part in the cartoon, making the dreadful title even more unforgivable. Most of the action takes place inside the castle. The most famous sequence is the hairdressing scene in which Bugs assumes the role of a camp beautician spouting a monologue about all the "inter-resting" monsters he's met (this is actually a rehash of a similar routine in the previous Gossamer cartoon 'Hair-Raising Hare'). Far more memorable, however, is the climactic chase scene in which Bugs and the green faced scientist are both under the influence of ether and bound across the screen in slow motion. It's an appropriately striking climax to a particularly handsome and dreamlike cartoon which proves to be inventive and entertaining in equal measures. A lesser talked-about classic, no less.

Classic Bugs Bunny short from the great Chuck Jones. Bugs' rabbit hole is flooded while he's sleeping and his bed is sent down river to the castle of a mad scientist modeled off of Boris Karloff (although the voice sounds more like Vincent Price). The scientist intends to take Bugs' brain and put it inside the mechanical man he's created. When Bugs wakes up and tries to escape, the scientist sics his big orange hairy monster on him. This monster is called Rudolph here but today we know him as Gossamer. Wonderful voice work from Mel Blanc and John T. Smith. Lovely music from Carl Stalling. The animation is beautiful with well-drawn characters and backgrounds. Love the mad scientist's lab and whatnots, including mummy sarcophagi he has lying around for some reason. Very funny short with some great gags and lines. Bugs does his "IN-teresting hairdresser" routine, which is always a treat. Definitely a short to seek out if you're a fan of Chuck Jones.

Water, Water Every Hare (1952)

*** 1/2 (out of 4)

A great imagination is really what pushes this Looney Tunes short into the classic territory. A flood forces Bugs Bunny out of his hole when he ends up in a strange castle where a deranged scientist puts Rudolph, a red headed monster onto him. This is one of the more famous shorts in the series and it's easy to see why because of the brains known as Chuck Jones. Not only is his animation of Rudolph, the scientist and the robot monster all perfect but he also does plenty of small things that many might not notice. One of my favorite moments is when the hole is flooded and Bugs gets up to get a drink of water. While walking back the top of his ears are outside the water and while many might not see the comedy here I see it as a small, magical moment by Jones. There are plenty of laughs from start to finish as Bugs is in classic shape and he's got two great villains to work with.

Water Water Every Hare is a great Looney Tunes cartoon, helped by chiefly the beautiful artwork, the voice work and the script.

The story I do think is the weakest element here. Don't get me wrong, it is great and compelling enough, but everything else was even stronger.

The artwork is a thing of true beauty. You can never go wrong with beautiful backgrounds and sharp character features and this cartoon succeeded in both areas.

The music is also beautiful. Featured is the Raindrop Prelude by Frederic Chopin, and you know what, it works orchestrated. It gives a somewhat lyrical feel to it.

The script is fine, Bugs has some very snappy lines and the Evil Scientist is really sinister with his appearance, lines and especially his voice. The monster is hideous at first, but really is quite cute.

The voices are perfect. Mel Blanc excels as always, and John T Smith does a superb job as the evil scientist. All in all, excellent cartoon. 10/10 Bethany Cox