CALIFICACIÓN DE IMDb
8.1/10
30 k
TU CALIFICACIÓN
Un anciano y su perro luchan por sobrevivir en Roma con su pensión del gobierno.Un anciano y su perro luchan por sobrevivir en Roma con su pensión del gobierno.Un anciano y su perro luchan por sobrevivir en Roma con su pensión del gobierno.
- Nominado a 1 premio Óscar
- 3 premios ganados y 3 nominaciones en total
Alberto Albani Barbieri
- L'amico di Antonia
- (sin créditos)
De Silva
- Battistini
- (sin créditos)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This is storytelling at its simplest and most beautiful. An old man - his sole companion, a dog - tries to survive on a fixed, tight income while being mistreated by his landlady.
DeSica brilliantly captures the despair of his protagonist and makes this film unforgettably powerful. This film deserves to be seen by everyone, not just those who enjoy foreign-language films.
This film is touching, memorable and manages to draw us into Umberto's life without ever becoming maudlin. The denouement is heartbreaking, but the film never lapses into sentimentality. "Umberto D" truly is one of the greatest films ever made.
DeSica brilliantly captures the despair of his protagonist and makes this film unforgettably powerful. This film deserves to be seen by everyone, not just those who enjoy foreign-language films.
This film is touching, memorable and manages to draw us into Umberto's life without ever becoming maudlin. The denouement is heartbreaking, but the film never lapses into sentimentality. "Umberto D" truly is one of the greatest films ever made.
10kwongers
Vittorio DeSica's wonderful "Umberto D" was one of the last films of the Italian neo-realism movement and by far its best one. It is also one of my favorite movies ever. The movie's premise is simple: it is a slice of the life of a poor lonely pensioner, Umberto. Throughout the movie, we see Umberto struggle to find money to pay rent to his horrible landlady, love his dog Flike, and deal with the loneliness and disillusionment of the postwar era.
"Umberto D" is a character-driven film. It works very well because of its sharp observations on loneliness and poignant gestures. The gestures evoke powerful feelings without necessitating dialogue. Many of the scenes, even the ones that do not necessarily advance the plot, are hypnotically beautiful in their simplicity. Take, for example, a beautiful scene where Umberto finally needs to beg for money but cannot physically bring himself to do it. He extends his palm up, but when a passer-by stops to give him money, Umberto quickly flips his hand over, as if testing for rain. The film is full of these small gestures that quietly emphasize the desperate loneliness and poignancy of Umberto's situation.
The acting in this film is absolutely superb. Carlo Battisti, despite having never acted before, is wonderful as the titular character; his face is a fascinating blend of stubborn dignity and weariness of life. Maria Pia-Casilio, who plays the maid, is just as good as evoking life's loneliness and quiet desperation. The supporting cast is also very strong.
One of the very few criticisms I have heard of this film is that it is too sentimental and borderline sappy. While some scenes with Umberto and his dog Flike are sentimental, never is it "too" sentimental. DeSica knows how far he can push his film without making it sappy, and he wisely shows it as it is. Nothing feels forced. The subject material itself and the simplicity in which it is presented will bring tears. (If you don't cry in this movie, you need to have your heart professionally de-thawed.) But "Umberto D" is never dumbed down into sappiness and clichéd corniness. It is a very powerful film.
"Umberto D" is the masterpiece of the Italian neo-realist era. It's a rather bleak and very realistic movie, but it makes some fascinating commentary on the human condition, specifically the loneliness we face. Highly, highly recommended. 10/10.
"Umberto D" is a character-driven film. It works very well because of its sharp observations on loneliness and poignant gestures. The gestures evoke powerful feelings without necessitating dialogue. Many of the scenes, even the ones that do not necessarily advance the plot, are hypnotically beautiful in their simplicity. Take, for example, a beautiful scene where Umberto finally needs to beg for money but cannot physically bring himself to do it. He extends his palm up, but when a passer-by stops to give him money, Umberto quickly flips his hand over, as if testing for rain. The film is full of these small gestures that quietly emphasize the desperate loneliness and poignancy of Umberto's situation.
The acting in this film is absolutely superb. Carlo Battisti, despite having never acted before, is wonderful as the titular character; his face is a fascinating blend of stubborn dignity and weariness of life. Maria Pia-Casilio, who plays the maid, is just as good as evoking life's loneliness and quiet desperation. The supporting cast is also very strong.
One of the very few criticisms I have heard of this film is that it is too sentimental and borderline sappy. While some scenes with Umberto and his dog Flike are sentimental, never is it "too" sentimental. DeSica knows how far he can push his film without making it sappy, and he wisely shows it as it is. Nothing feels forced. The subject material itself and the simplicity in which it is presented will bring tears. (If you don't cry in this movie, you need to have your heart professionally de-thawed.) But "Umberto D" is never dumbed down into sappiness and clichéd corniness. It is a very powerful film.
"Umberto D" is the masterpiece of the Italian neo-realist era. It's a rather bleak and very realistic movie, but it makes some fascinating commentary on the human condition, specifically the loneliness we face. Highly, highly recommended. 10/10.
An elderly retired civil servant in Rome is about to be forced onto the streets due to the loss of his pension, with only his little dog to comfort him. I'm not even a dog lover and this movie STILL got to me. I rented this on video when I was in high school and my mom ended up watching it with me. The ending (which I won't spoil for those who haven't seen it yet) is the only time I can remember when we have both been crying at the same time during a movie. This is truly a beautiful film and I have to see again soon.
A sad but at the same time, touching and meaningful, movie like few I have seen, I came across this gem in the cable today. But instead other movies which use all kind of possible gestures to invoke the tears of the public, this movie is a real show of humanity like I've hardly seen before.
Geez, 50 years after, this movie has not dated in its subject of loneliness and aging. In the age of selfishness, a simple display of profound human feelings like this is completely necessary.
Would hope everyone was ready to appreciate this magnificent piece of Human Art. Thanks, Vittorio.
Geez, 50 years after, this movie has not dated in its subject of loneliness and aging. In the age of selfishness, a simple display of profound human feelings like this is completely necessary.
Would hope everyone was ready to appreciate this magnificent piece of Human Art. Thanks, Vittorio.
This touching story of a poor man in Italy after the war. The director, De Sica has also done the masterpiece "The bicycle thief". A very good and simple film that almost perfectly shows his fight to live a decent life his last years. The end is VERY sad(still I felt it had some hope). A highly recommended film. Also Carlo Battisti's performance is masterful. 9/10
¿Sabías que…?
- TriviaThis is the first and only film for non-actor Carlo Battisti, who plays the leading role in the film. His real occupation was that of a Professor of Linguistics at the Università degli Studi di Firenze.
- ErroresNear the beginning when he is eating with the other old men he hands the plates of everyone near to him to the waitress. In the next shot everyone has plates in front of them again.
- Citas
Maria, la servetta: What's the matter, Mr. Umberto?
Umberto Domenico Ferrari: I'm tired.
Maria, la servetta: Of her?
Umberto Domenico Ferrari: it's a little of everything.
- ConexionesEdited into Histoire(s) du cinéma: La monnaie de l'absolu (1999)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Umberto De
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 71,816
- Total a nivel mundial
- USD 72,433
- Tiempo de ejecución
- 1h 29min(89 min)
- Color
- Relación de aspecto
- 1.37 : 1
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