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Anna y Poppy Rose, una pareja de Nueva Jersey adopta a varios niños desfavorecidos, incluida una chica infeliz de 13 años y un niño discapacitado físico propenso a meterse en problemas grave... Leer todoAnna y Poppy Rose, una pareja de Nueva Jersey adopta a varios niños desfavorecidos, incluida una chica infeliz de 13 años y un niño discapacitado físico propenso a meterse en problemas graves.Anna y Poppy Rose, una pareja de Nueva Jersey adopta a varios niños desfavorecidos, incluida una chica infeliz de 13 años y un niño discapacitado físico propenso a meterse en problemas graves.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 nominaciones en total
Mary Treen
- Grace Roberts
- (as Mary Lou Treen)
William Bakewell
- Milkman
- (escenas eliminadas)
Douglas Fowley
- Ice Man
- (escenas eliminadas)
Mary Alan Hokanson
- Minor Role
- (escenas eliminadas)
Hayden Rorke
- The Doctor
- (escenas eliminadas)
John Alban
- Parent at Meeting
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Heartwarming tale which proves that environment is a great factor than heredity with regard to placement of children.
Cary Grant and Betsy Drake are absolutely fabulous as the couple with 3 children and limited finances; despite this, they take in two difficult foster children.
With patience and a firm hand, they are able to succeed beyond the expectation of what many would feel.
They did a wonderful job raising their own three children as well. The three knew when to help out.
The film excellently pointed out the problems of coping with a foster children; one who comes into your home with an array of problems looking for love and understanding.
This is definitely a film that will tug at your heart. It is so nostalgic yet it represents the best of human kindness and dignity. You'll have a tear in your eye, but you will certainly come away with that good feeling of accomplishment.
Bless those who take in foster children and are able to work with them.
Cary Grant and Betsy Drake are absolutely fabulous as the couple with 3 children and limited finances; despite this, they take in two difficult foster children.
With patience and a firm hand, they are able to succeed beyond the expectation of what many would feel.
They did a wonderful job raising their own three children as well. The three knew when to help out.
The film excellently pointed out the problems of coping with a foster children; one who comes into your home with an array of problems looking for love and understanding.
This is definitely a film that will tug at your heart. It is so nostalgic yet it represents the best of human kindness and dignity. You'll have a tear in your eye, but you will certainly come away with that good feeling of accomplishment.
Bless those who take in foster children and are able to work with them.
I have been a grouchy, childless, curmudgeon for the last 30 years. OK, 40. I especially get cranky with movies of easy sentimentality and clumsy "messages", eg., about patriotism or religion or love or whatever.
So, I have no idea why I bothered to tune into this movie, (other than it featuring Cary Grant), since the listing told me everything I needed to not watch it: children, family, adoption, disabilities, etc. Once into it, however, I just had to keep watching. It surely has all sorts of sentimentality, and blatant messages about adoption and the Boy Scouts; however the writing is so wonderfully deft, and the performances (including those of the children) so perfectly understated that I was fully engaged and easily able to forgive the more obvious "message moments" such as Jane being the belle of the ball, and Jimmy-John's predictable physical and emotional transformation into an Eagle Scout.
Perhaps being a boy scout, and perhaps remembering a sister's first big dance helps to suck you in, but there are eye-stinging moments enough for anyone, such as Jane refusing her (foster)mother's kiss, and the kids in the orphanage playground stopping their noisy play to watch anxiously the visitors looking at them from the balcony.
Next Sunday I'm going to watch the golf, dammit.
So, I have no idea why I bothered to tune into this movie, (other than it featuring Cary Grant), since the listing told me everything I needed to not watch it: children, family, adoption, disabilities, etc. Once into it, however, I just had to keep watching. It surely has all sorts of sentimentality, and blatant messages about adoption and the Boy Scouts; however the writing is so wonderfully deft, and the performances (including those of the children) so perfectly understated that I was fully engaged and easily able to forgive the more obvious "message moments" such as Jane being the belle of the ball, and Jimmy-John's predictable physical and emotional transformation into an Eagle Scout.
Perhaps being a boy scout, and perhaps remembering a sister's first big dance helps to suck you in, but there are eye-stinging moments enough for anyone, such as Jane refusing her (foster)mother's kiss, and the kids in the orphanage playground stopping their noisy play to watch anxiously the visitors looking at them from the balcony.
Next Sunday I'm going to watch the golf, dammit.
Pushover engineer Cary Grant (as George "Poppy" Rose) and pretty housewife Betsy Drake (as Anna Perrott Rose) live comfortably with their three kids, dog, and pregnant cat. Then, the couple decide to become foster parents to a couple of needy children. First, they take in disagreeable, neglected Iris Mann (as Jane Miller). Next, they bring in sullen, crippled Clifford Tatum Jr. (as James "Jimmy John" Wilson). Prepare to get your heart tugged as the kids learn to fit in with their new family, and visa versa...
If you've ever wondered how a TV situation comedy series starring Cary Grant would have played, this is your chance. Looking like a pilot for a series planned for Mr. Grant and Ms. Drake, who was his wife at the time, it's like "My Three Sons" and "Father Knows Best" meets "The Brady Bunch". In fact, "Room for One More" finally did become a series, in 1962. But, since Grant was a perennial box office attraction in theaters, there was no reason for him to do television. Watch it for the kids, they're terrific.
****** Room for One More (1/10/52) Norman Taurog ~ Cary Grant, Betsy Drake, Clifford Tatum Jr., Iris Mann
If you've ever wondered how a TV situation comedy series starring Cary Grant would have played, this is your chance. Looking like a pilot for a series planned for Mr. Grant and Ms. Drake, who was his wife at the time, it's like "My Three Sons" and "Father Knows Best" meets "The Brady Bunch". In fact, "Room for One More" finally did become a series, in 1962. But, since Grant was a perennial box office attraction in theaters, there was no reason for him to do television. Watch it for the kids, they're terrific.
****** Room for One More (1/10/52) Norman Taurog ~ Cary Grant, Betsy Drake, Clifford Tatum Jr., Iris Mann
If you're family enjoyed "Yours, Mine & Ours", "Father Goose", "With six You Get Eggroll", "Cheaper by the Dozen" and "The Trouble With Angels", seek this movie out on late-late night TV. It is sometimes listed under its original title "The Easy Way".
I have always loved Cary Grant. I think he is wonderful with children.
Father Goose was truly enjoyable. I remember seeing Room for One More when I was child. I get nostalgic thinking about it. I haven't seen it for years. It's not on video and I haven't seen it listed. If you ever get chance to see it, I recommend that you do! Good family
Father Goose was truly enjoyable. I remember seeing Room for One More when I was child. I get nostalgic thinking about it. I haven't seen it for years. It's not on video and I haven't seen it listed. If you ever get chance to see it, I recommend that you do! Good family
¿Sabías que…?
- TriviaCary Grant and Betsy Drake were married to each other when they made this film.
- ErroresWhen George opens the book of "collected poems" he gave his son as a birthday present, the visible pages are clearly prose, not poetry.
- Citas
George 'Poppy' Rose: [talking to summer school teacher] Sister, if it had been me, I'd have bitten *both* your ankles!
- Créditos curiososInstead of the traditional "The End", this film ends with the French word "Bonsoir", which means "Good Evening" and is repeatedly said by the Cary Grant's character during the movie.
- ConexionesFeatured in American Masters: Cary Grant: A Class Apart (2004)
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- How long is Room for One More?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Room for One More
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 38 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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By what name was Uno más no importa (1952) officially released in India in English?
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