The Ring

While obviously made as a "B" feature in its day, "The Ring" is a surprisingly good little flick deserving of far better than the relatively low rating (a 5.6 as I write this) it is currently receiving here on the IMDb.

"The Ring" starts off as a typical boxing "rags to riches" story. A young kid gets into a street fight just as a boxing manager happens to be passing by. Liking what he sees, the manager vows to turn the fiery youngster into a star.

Halfway through the film, however, the "rags to riches" storyline begins to turn and a much deeper side is revealed. More than a decade before the civil rights movement became a large issue in American society, "The Ring" tackled head-on topics such as stereotypes and racial discrimination.

The issues raised are still very relevant today, 56 years after this film was made. Are professional sports truly a way out for impoverished minorities? Or just an unobtainable illusion? And is becoming white the only way for minorities to become accepted into our society? (What could be whiter than a ring name of Tommy Kansas?) All this and a young Rita Moreno, too!...as the "girl next door" love interest.

"The Ring" is not a perfect 5 star film, but it was a movie truly ahead of its time. If you give it a try sometime I think you will be pleasantly surprised.

Outstanding overlooked boxing film with an outstanding cast of B actors. Lalo Rios stands out and it seems his fictional boxing career mirrored his real life acting career, in that he showed alot of potential, but for some unexplained reason, never became successful. Filmed on location in early 1950s California in glorious black and white. Very realistic and unromantizied look at boxing and ethnic discrimination. Honestly, I think this film is better then Raging Bull.

Writer Irving Shulman was a talented screenwriter and novelist (including the classic "The Amboy Dukes"), and this is an adequate if cliched boxing story of his. Lead actor Lalo Rios is weak as a young Mexican-American in Los Angeles who learns the hard way that boxing is not such an attractive ticket to the American dream, but Rita as his girlfriend steals the show.

Sure, her part is underwritten, but what beauty from an iconic talent still going strong 72 years later! Director Kurt Neumann does a workmanlike job, obviously not on the level of his sci-fi and fantasy classics like "Kronos", "The Fly" and "She Devil".

Sticking out here is a memorable early scene where Rita takes our hero out to a movie but they're turned away at the box office, pointing to the sign that lists "Colored Night" and "Mexican Night" for segregation -it's not their night!

Vidal Cantanios struggles to find honorable work in East Los Angeles. He's been laid off by the Anglo boss. Rebellious son Tomas 'Tommy' Cantanios gets into a street fight with a couple of racists and gets picked up by boxing promoter Pete Ganusa. He starts prize fighting despite his father's disapproval. Lucy Gomez (Rita Moreno) is his girlfriend.

It's an early film examining institutional racism with a boxing film. It's a little jarring to see overt racism against Mexicans done so plainly. The lead's acting is rather amateurish. He does act opposite future star Rita Moreno. This is one of her first non-dancing acting jobs in a non-racist role. Overall, this is an important indie for the themes of racism and lower class struggles. The lead's poor acting does hold this back. If only, they had somebody real.

East LA local Lalo Rios has a quick temper and quick hands. When a fight promotor (Gerald Mohr) gets him out of a street scrap arrest he takes him on as a boxer, much to his proud father's chagrin. Things start out rosy as "Kid Kansas" wins his first three fights. The undisciplined Rios soon goes diva as his skills dull and his beatings increase.

The Ring is a sincere little effort that shows brief flourishes of style but is unable to go the distance or rank with the heavyweights of the genre. There are split second shots that evoke Raging Bull and Mohr's manager is a switch from the usual exploitive orgre to down to earth realist but Lalo Rios's pugnacious Tomas is a flat lead unable to go the distance.

The film's most notable feature is the injection of institutional racism that culminates in a Beverly Hills restaurant scene which not only comments on race but status as well. Neither champ or tomato can The Ring is a game low-budget effort.