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"Phone Call from a Stranger" tells the tale of four passengers (Merrill, Rennie, Wynn, and Winters) on a cross-country airplane trip. The four become friends and share personal thoughts before the plane crashes, killing all except Merrill, who sets out to contact the relatives of his dead friends. He finds that each family has a very different story to tell, and each has its own issues arising from the deaths of their relatives.

Extremely well-acted, directed and scripted film also has harrowing airplane footage and a very good ending. Merrill is top form, as is Winters and especially Rennie, who is haunted by an accident in which a colleague was killed years earlier. Unlike many modern movies, this one really leaves you with a profound message--the void that is left behind when someone suddenly dies.

Try to see it if you can, my AMC tape is several years old and I've enjoyed this film many times. Just be warned--people scared of flying may cringe at the nighttime approach to the Vega airport.

Gary Merrill is the stranger making the phone calls in "Phone Call from a Stranger," a 1952 film directed by Jean Negulesco and also starring Shelley Winters, Keenan Wynn, Michael Rennie, Beatrice Straight, Craig Stevens and Bette Davis. Unable to forgive his wife for an affair, David Trask gets on a plane, where, due to the plane being late and an unexpected stopover because of bad weather, he becomes friendly with three passengers: a performer (Winters), a salesman (Wynn) and an alcoholic attorney (Rennie) and hears their stories. The salesman seems a happy man with a knockout for a wife; the performer has a horrid mother-in-law, a former vaudeville star with whom she competes, but she loves her husband; and the attorney has resolved to go to the DA and admit responsibility for an accident that happened a few years earlier which has destroyed his marriage. When the plane crashes, Trask is the only survivor of the four. He visits each of the victims' families to pay his condolences and possibly put some matters right. Then he learns from one of the family members the importance of putting his own life back together.

This isn't a particularly big-budget film - it's in black and white; some of these actors were under contract to Fox; others are not huge names with the exception of Davis. Her role is short but worth the entire film, though all the performances are very good and the stories heartfelt. The attorney's family story is heavy drama, with the son believing his mother drove his father away. The performer's family story is the comic relief as the mother-in-law right out of hell gets her comeuppance. And the tear-jerker is the scene with the salesman's wife. Davis is often criticized for being overblown and mannered, and yet she was always capable of giving a restrained performance as she does here and also did in "All This and Heaven Too" and "Watch on the Rhine." There are other treats as well. Shelley Winters is pretty and vivacious in a wonderful role for her, Keenan Wynn is excellent as the loud salesman, and as the attorney, Rennie is an appropriately sad and reflective figure. Gary Merrill is very likable as Trask. Though he never really made it to big star status, he was a dependable actor, very handsome and masculine. Of course he and Davis had sparks in "All About Eve" - so much so that they got married in real life - and there's a nice chemistry between them here as well. It's nice to see them when they were happy together. They also did a very good British film together, "Another Man's Poison." My only complaint is the at times overpowering musical score.

Very entertaining and highly recommended, especially for Davis fans.

Various passengers (Shelley Winters , Gary Merrill , Keenan Wynn, Michael Rennie) meet at an airport and all of them make friendship. Having survived an air crash , one of the survivors visits the bereaved families of three fellow passengers with whom he had become friendly during the fateful flight . Five great stars in a masterpiece of bold and beloved emotions !

An interesting and decent but hardly ever outstanding dramatic compendium , dealing with a simple and plain plot about a survivor after a plane accident visits the families of three of the victims whom he met during the flight , being paced in good sense , sensibility and with plenty of emotion . Maudlin and adorable film with emotion , deep feeling and and intense drama . Compellingly performed by a nice main cast as Gary Merrill , Shelley Winters , Michael Rennie and Keenan Wynn .These great stars being well accompanied by a good support cast , such as : Evelyn Varden , Warren Stevens, Beatrice Straight , Craig Stevens , John Doucette , Nestor Paiva and Helen Westcott . Brief appearance by George Nader as a pilot and Bette Davis , then Gary Merrill's wife, shows up in a subordinate role as Keenan Wynn's spouse and moves things up a gear or two .

Being well written and produced by Nunnally Johnson. Displaying a stirring and memorable musical score by classic composer Franz Waxman . Equally , an atmospheric and evocative cinematography by Milton R. Krasner. This agreeable and sentimental weepie was competently directed by Jean Negulesco . This classy Hollywood director Jean Negulesco was an elegant and brilliant filmmaker who made notorious films with penchant for Musical, Comedy and Drama, such as : The invincible six, The best everything, Daddy long legs, Three coins in the fountain, How to marry a millionaire, Titanic, Phone call from a stranger, A woman's world, Three came home , Road house, Humoresque, among others. And of course his successful Belinda with the Oscarized Jane Wyman. Phone Call from a Stranger (1952) rating : 7.5/10. Better than average.

Phone Call from a Stranger (1952)

Well, the studio system is crumbling, and the great Golden Age stars like Bette Davis are finding new kinds of roles, but veteran directors like Jean Negulesco are still able to use all the great talents of Hollywood to put together what is a classic kind of movie. It's not a great movie at all, but it's tightly constructed, filled with twists, is dramatic and poignant in turns (and funny, too), and all in all makes for an entertaining and interesting movie.

Not mind-blowing adjectives, I know, but appropriate.

The key player here is a strong and silent type, Gary Merrill, a really steady and impressive actor every time I've seen him, though he usually plays secondary roles. But he calmly holds together a series of stories (there are four main threads here, with a unifying link that is quite a surprise). All the other actors have brief roles, as the movie is really broken into sections a little like A Letter to Three Wives from three years earlier (a better movie, but sharing a nice sense of interweaving stories). But this means Bette Davis, whose name appears in big letters as a star, appears fairly briefly. But she's fabulous, even in this limited role.

There a some odd flaws, like an odd shift to soft focus on an actress for some close-ups of but not others. And the story for all its strengths feels a little forced, too, which you just go along with. But if you are glass half full person you'll see the strengths of acting and filming here (cinematographer Milton Krasner is among the best) as well as the music (Franz Waxman), and you'll really enjoy it start to finish.

This is an interesting story with a great cast. The survivor of a plane crash meets the other people in the lives of those he met on the plane before the crash. This framework provides a fascinating study in conscience and human nature.