Secreto cumbre

Cornel Wilde stars in this World War II drama Operation Secret in which most of the film is done in flashback by witnesses at a post war French tribunal. The object of the inquiry is to determine who killed Maquis resistance leader Paul Picerni.

This film was about the only Marine who may have served in the European Theater of World War II. Wilde is quite the colorful character and what a background he has. He does a hitch in the Marine Corps during peacetime and then enlists in the French Foreign Legion where he and fellow Legionaire Karl Malden just simply refuse to surrender until wounded and ordered to by Captain Steve Cochran. After a stint in a Prison Camp he's repatriated back to France whereupon he flees to Great Britain and tries to enlist in the Marines again. The Marines take him, but rather than send him to the Pacific, Wilde is given spy training and sent back to France where he eventually hooks up with the Maquis.

That the Maquis had a lot of Communists in it is a given fact. But remember this was the beginning of the Cold War so some anti-Communism gets worked into the plot. Many members of the Resistance do not want to give plans for the new Nazi jet airplanes to the Americans and British. That sets up the conflict as Wilde has to deal with both Germans and people in the Maquis who want to do him in.

To say the least I found the whole premise quite bizarre. But I've always liked Cornel Wilde on the screen and this is far from the worst film he ever did. In fact his portrayal of a spy who has to think fast on his feet is quite good.

Tstifying at the tribunal are Malden, Cochran, Jay Novello playing a former Gestapo man, and an ersatz nun played by Phyllis Thaxter. Eventually the murder of Picerni is solved and the perpetrator faces French justice.

Why they had to invent such a wild (no pun intended)background for Wilde is beyond me. If they had just made him a Frenchman in the first place it would have made more sense. Not like Wilde never did a French accent effectively on the screen.

This is a WWII swashbuckler!

I remember seeing it as the second half of the double bill at the Avalon in Brooklyn in 1952. The feature was something "serious" like Winchester '73. Anyway, as the film progressed, I said more than once: " This is really a good movie!" – I was 15.

Forrester (Cornel Wilde) is the man of mystery. He is a Marine who does a stint with the French Foreign Legion. This was all in the European Theater. He is recruited by, maybe, the OSS to parachute into Nazi territory and check on the devastation wrought by our B 17's.

With the help of a phony nun (Phyllis Thaxter) he is able to secure films of a German top secret weapon. These real weapon films are truly fascinating. Even the combat footage of the 17's is better than average. The whole thing ends with a shoot out on a beach where the main characters are to be picked up by a submarine. We then pan to an executive board type hearing to find out ---- Who is Forrester?

Phyllis Thaxter was beautiful. Cornel Wilde was adequate but quite dashing. Karl Malden, as the Legion's Maj. Latrec, shows some of the charisma that would blossom into his great talent.

Yes. It was a B black and white movie. It WAS a good one!

Most of the film consists of flashbacks. It begins at a court in France investigating the death or murder of one Armand (Paul Picerni) of the resistance, supposedly committed by an American (Cornel Wilde) assisting the resistance by secret missions conducted from England. The stage here is very international, involving French, English, American and German actors, and all the proper languages are spoken authentically. The story is based on true adventures of a French-American working for the French resistance inside France, and the film exhibits the story clear enough with authentic documentary materials to underline the realism. All the actors are good if not excellent, you didn't see Phyllis Thaxter in many films, but she always made a sincerely honest and tender impression, here both as a nun and a resistance fighter with guts, but the character you will enjoy most and remember best from this film is Karl Malden as a 100% jovial Frenchman always enjoying his Cognac and never flinching from a battle or decision. He brings cheers into the film into every scene of his appearance. The division within the resistance does not enter the story until towards the end, but when it does that becomes the major interest of the film and the main thriller. What did really happen, who did what, what happened to whom, who survived and how and so forth - that's the extensive investigation here and all questions are answered - nothing is left unsolved. To bring clearance into this complicated confusion of destinies is actually the major feat of the film.

This film has all the necessary ingredients to be a good WW 2 movie. However, the script is a bit suspect from two angles; it bites off far more than it can chew, and it smacks of anti-communist sympathies; most likely because it was made during the McCarthy period of communist witch hunts.

Cornell Wilde and Karl Malden are excellent in their roles, and the storyline, if not very believable, is still quite interesting from a cinematic point of view. Wilde's character gets out of more jams than a taxi driver in Midtown New York City. However, if one can suspend disbelief, the film can be entertaining.

I hate when I read about a film and learn that it was based LOOSELY on a real life person. This means you have no idea what's fact and what's fiction...and if the person's life is exciting enough to merit a film, why fictionalize it?! Apparently, this is what they did in "Operation Secret" as it's based loosely on the WWII exploits of Colonel Peter Julien Ortiz.

The story is told through a series of flashbacks at a hearing. Apparently, Peter Forrester (Cornel Wilde) is accused of murdering someone in the French underground during the war...and now that it's over, his loyalty is in some doubt. The story you see is about the French underground and Forrester's exploits....all of which are very exciting.

The movie is quite enjoyable and shows it's Cold War roots, as the film is not only anti-Fascist but anti-Communist as well. My only complaints are very minor...such as the overused of some archive footage. In one case, it also was used poorly, as you see an early model Me-163 rocket plane turn into a later model mid-flight....and the two planes are extremely dissimilar...so much so that non-airplane nuts would see the difference as well. But this is minor...and the film quite enjoyable and worth seeing.