CALIFICACIÓN DE IMDb
7.0/10
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TU CALIFICACIÓN
Un joven planea vengarse de la mujer que cree que asesinó a su primo, pero sus planes se tambalean cuando se encuentra cara a cara con la enigmática belleza.Un joven planea vengarse de la mujer que cree que asesinó a su primo, pero sus planes se tambalean cuando se encuentra cara a cara con la enigmática belleza.Un joven planea vengarse de la mujer que cree que asesinó a su primo, pero sus planes se tambalean cuando se encuentra cara a cara con la enigmática belleza.
- Dirección
- Guionistas
- Elenco
- Nominado a 4 premios Óscar
- 1 premio ganado y 5 nominaciones en total
Olivia de Havilland
- Rachel Ashley
- (as Olivia deHavilland)
Chet Brandenburg
- Townsman at Church Service
- (sin créditos)
Margaret Brewster
- Mrs. Pascoe
- (sin créditos)
Argentina Brunetti
- Signora
- (sin créditos)
Hamilton Camp
- Philip - Age 15
- (sin créditos)
James Fairfax
- Servant
- (sin créditos)
Robert Haines
- Townsman at Church Service
- (sin créditos)
Lumsden Hare
- Tamblyn
- (sin créditos)
Nicolas Koster
- Philip - Age 10
- (sin créditos)
Alma Lawton
- Mary Pascoe
- (sin créditos)
Ola Lorraine
- Pascoe Daughter
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Thanks to an excellent cast, lavish production and a screenplay that remains remarkably faithful to the novel, Daphne du Maurier's romantic suspense novel _My Cousin Rachel_ becomes a very effective film. Ever-elegant Olivia de Havilland displays just enough cool reserve and mystery as the ambiguous title character, while the young Richard Burton is appropriately brooding as he falls under her spell even though he half believes her to be a murderess. Fans of gothic romance will enjoy the period setting and the Cornwall location as well as the suspenseful, surprising plot, which resolves in an ending you will want to talk about with everyone you know.
As others have pointed out over the years, Richard Burton does indeed seem too mature and experienced for his character's naïve infatuation with his cousin Rachel, played by Olivia de Havilland. But his performance, his first starring role in an American film, still is accomplished and has the power and gradual evolution to make the film mildly effective, despite a few other shortcomings. Like Hitchcock's Rebecca, the other 'Cornwall estate mystery' adapted from a Daphne de Maurier novel, My Cousin Rachel doesn't quite flow. It's almost as if the many psychological aspects of the story and the characters were too complex for the filmmakers to convey, and so they simplified and rushed many of them. This gives the picture an academic, somewhat distanced feel, and only occasionally does the mystery and the love story really come alive with full force. Another problem is that Olivia de Havilland, for all her beauty and technical skill, lacks the sexual magnetism and seductiveness which would help explain why a young, inexperienced man would become so mesmerized by her. There's a miscalculation in the casting here, and director Henry Koster is never quite able to disguise and make up for it. Peculiarly, Burton was nominated for an Academy Award in the 'Best Supporting Actor' category despite being in virtually every scene in the movie. Remade in 2017 with Rachel Weisz as the title character.
This film, based on the Daphne du Maurier's novel is practically unknown, as it appears to have been forgotten; it never turns on reruns, but it's worth a look nevertheless.
"My Cousin Rachel" was directed by Henry Koster, based on the adaptation by Nunnally Johnson, who did a good job in creating the right atmosphere for the film. The great cinematography of Joseph LaShelle enhances what the director set out to do in more ways than he probably imagined. Mr. LaShelle was one of the most elegant cinematographers of that era. Just look at his seascapes to appreciate his art.
This film marks the beginning of Richard Burton's career in the American Cinema. While it was not his first film, the actor brought such an intensity to his role that earned an acting nomination for best supporting actor. He should have been nominated as the best actor, since his role is the whole movie!
Olivia DeHavilland makes an excellent Rachel, at times loving, at others sly and calculating. She had a special beauty. Her eyes express a lot in her close ups. Ms. DeHavilland was totally convincing in her take of this woman who comes back to claim her inheritance when everything is taken away from her.
The rest of the cast is good as they play in ensemble fashion. Audrey Dalton makes a lovely Louise, the loyal friend. Also John Sutton, who unfortunately doesn't stay around too long to make justice of his role of Ambrose.
As a Gothic mystery, this film will not disappoint.
"My Cousin Rachel" was directed by Henry Koster, based on the adaptation by Nunnally Johnson, who did a good job in creating the right atmosphere for the film. The great cinematography of Joseph LaShelle enhances what the director set out to do in more ways than he probably imagined. Mr. LaShelle was one of the most elegant cinematographers of that era. Just look at his seascapes to appreciate his art.
This film marks the beginning of Richard Burton's career in the American Cinema. While it was not his first film, the actor brought such an intensity to his role that earned an acting nomination for best supporting actor. He should have been nominated as the best actor, since his role is the whole movie!
Olivia DeHavilland makes an excellent Rachel, at times loving, at others sly and calculating. She had a special beauty. Her eyes express a lot in her close ups. Ms. DeHavilland was totally convincing in her take of this woman who comes back to claim her inheritance when everything is taken away from her.
The rest of the cast is good as they play in ensemble fashion. Audrey Dalton makes a lovely Louise, the loyal friend. Also John Sutton, who unfortunately doesn't stay around too long to make justice of his role of Ambrose.
As a Gothic mystery, this film will not disappoint.
If Gothic romance is your thing, you won't find a more absorbing and intriguing tale than this adaptation of Daphne DuMaurier's best-selling novel, MY COUSIN RACHEL. Not only is the atmosphere completely realized, but the elegant performances make the story even more compelling to watch as it unfolds a tale of possible murder and cunning deceit. The film was nominated for four Academy Awards for best costumes, B&W cinematography, art decoration and Burton's supporting role performance (which is actually a leading role).
RICHARD BURTON cuts a fine figure as the romantic hero of the piece--brooding, intense and passionate, reminding one of Heathcliff in the Bronte novel, "Wuthering Heights." He's an angry and impressionable youth who intends to accuse his cousin of murder based on his suspicious nature, but instead falls wildly in love with her the instant they meet.
OLIVIA DE HAVILLAND matches Burton scene by scene, her charming manners and poise as a woman of the world understandably provoking his interest. At first, he assumes she wants to claim her inheritance when she visits Cornwall. But soon he is able to see her in a different light and when he falls in love with her, he decides to leave his entire inheritance to her on his 25th birthday. It is then that the story becomes even more compelling when the ambiguous nature of Rachel comes at long last to the surface.
Franz Waxman has written a very dramatic and powerful background score that adds dimension to the Gothic tale that begins when a boy and his guardian walk across the moors and come to a gibbet where a man is hanging. "Always remember, Philip, death is the price for murder." And that's how the film's brief prologue begins.
It's richly scored, well directed by Henry Koster and features two outstanding performances from Olivia de Havilland and Richard Burton. Equally fine are John Sutton as Rachel's ill-fated husband, Audrey Dalton, Ronald Squire and George Dolenz.
Despite the ambiguous ending, it's an absorbing tale that is satisfying in its execution
RICHARD BURTON cuts a fine figure as the romantic hero of the piece--brooding, intense and passionate, reminding one of Heathcliff in the Bronte novel, "Wuthering Heights." He's an angry and impressionable youth who intends to accuse his cousin of murder based on his suspicious nature, but instead falls wildly in love with her the instant they meet.
OLIVIA DE HAVILLAND matches Burton scene by scene, her charming manners and poise as a woman of the world understandably provoking his interest. At first, he assumes she wants to claim her inheritance when she visits Cornwall. But soon he is able to see her in a different light and when he falls in love with her, he decides to leave his entire inheritance to her on his 25th birthday. It is then that the story becomes even more compelling when the ambiguous nature of Rachel comes at long last to the surface.
Franz Waxman has written a very dramatic and powerful background score that adds dimension to the Gothic tale that begins when a boy and his guardian walk across the moors and come to a gibbet where a man is hanging. "Always remember, Philip, death is the price for murder." And that's how the film's brief prologue begins.
It's richly scored, well directed by Henry Koster and features two outstanding performances from Olivia de Havilland and Richard Burton. Equally fine are John Sutton as Rachel's ill-fated husband, Audrey Dalton, Ronald Squire and George Dolenz.
Despite the ambiguous ending, it's an absorbing tale that is satisfying in its execution
Richard Burton falls for his uncle's widow in "My Cousin Rachel," a beautifully produced 1952 movie starring Olivia de Havilland in the title role. Burton is Philip Ashley, whose beloved uncle Ambrose moves to Italy for his health, marries a widow, and dies of a brain tumor...or did he? Philip is very suspicious of his uncle's wife and the doctor she brought in to care for her husband, Rainaldi. de Havilland plays the widow Ashley who comes to visit Philip and quickly makes him regret his doubts, as he falls madly in love with her.
This is a highly atmospheric, well acted film with a very intriguing story that keeps the viewer guessing as to the true character of Mrs. Ashley. Is she a greedy, conniving seductress/killer, or a warm, loving woman? Several movie stars have demonstrated the ability of doing period pieces realistically, and Richard Burton was definitely one of them. Handsome, romantic, and boyish in appearance, with a wonderful voice and fine acting ability, he brings Philip to life with a passionate performance. Olivia de Havilland is magnificent as Rachel - hers is a subdued, gentle performance that gives nothing away as to Rachel's true character or motivations. The attraction between the two is entirely believable.
The final moments of the film are its best. Highly recommended.
This is a highly atmospheric, well acted film with a very intriguing story that keeps the viewer guessing as to the true character of Mrs. Ashley. Is she a greedy, conniving seductress/killer, or a warm, loving woman? Several movie stars have demonstrated the ability of doing period pieces realistically, and Richard Burton was definitely one of them. Handsome, romantic, and boyish in appearance, with a wonderful voice and fine acting ability, he brings Philip to life with a passionate performance. Olivia de Havilland is magnificent as Rachel - hers is a subdued, gentle performance that gives nothing away as to Rachel's true character or motivations. The attraction between the two is entirely believable.
The final moments of the film are its best. Highly recommended.
¿Sabías que…?
- TriviaRichard Burton's posthumously-published diaries reveal that he accepted the role of Philip in this film because it was being planned as a comeback vehicle for Greta Garbo under the direction of his friend George Cukor, whom he regarded as one of the great Hollywood directors. He claims that Garbo personally told him she would only do the film with him as her leading man. After negotiations with both Garbo and Cukor fell through (Garbo never made another film, and Cukor was replaced by Henry Koster and he and Burton never worked together), Burton remained attached to the project, which was re-fashioned as a vehicle for Olivia de Havilland. Burton claims that de Havilland was impossibly arrogant following her recent Oscar win for La heredera (1949), insisted on having sole above-the-title billing, and would not allow anyone to address her by her first name, only by "Miss de Havilland". He found this state of affairs preposterous and was rude about her for the rest of his life whenever the film (which he also disliked) came up in interviews.
- ErroresAmbrose's death is recorded as 1832 on his gravestone. Within a few months Philip, Rachel and others are shown celebrating Christmas in front of a decorated tree. The Christmas tree was not introduced into England until 1840 by Prince Albert.
- Citas
Philip Ashley: Because I love her and nothing else! It isn't a little loving. It isn't a fancy. It isn't something you'd turn on and off. It's everything I think and feel and want and know. And there's no room in me for anything else. And never will be again.
- ConexionesFeatured in Great Performances: Richard Burton: In from the Cold (1988)
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- My Cousin Rachel
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 1,200,000 (estimado)
- Tiempo de ejecución
- 1h 38min(98 min)
- Color
- Relación de aspecto
- 1.37 : 1
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