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IMDbPro

De la misma carne

Título original: The Marrying Kind
  • 1952
  • Approved
  • 1h 32min
CALIFICACIÓN DE IMDb
6.9/10
1.8 k
TU CALIFICACIÓN
De la misma carne (1952)
Ver Official Trailer
Reproducir trailer2:33
1 video
9 fotos
ComediaDrama

Florence y Chet Keefer han tenido un matrimonio problemático. Mientras se encuentran en medio de una vista de divorcio, el juez les anima a recordar los buenos momentos que han pasado, con l... Leer todoFlorence y Chet Keefer han tenido un matrimonio problemático. Mientras se encuentran en medio de una vista de divorcio, el juez les anima a recordar los buenos momentos que han pasado, con la esperanza de que el matrimonio pueda salvarse.Florence y Chet Keefer han tenido un matrimonio problemático. Mientras se encuentran en medio de una vista de divorcio, el juez les anima a recordar los buenos momentos que han pasado, con la esperanza de que el matrimonio pueda salvarse.

  • Dirección
    • George Cukor
  • Guionistas
    • Ruth Gordon
    • Garson Kanin
  • Elenco
    • Judy Holliday
    • Aldo Ray
    • Madge Kennedy
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.9/10
    1.8 k
    TU CALIFICACIÓN
    • Dirección
      • George Cukor
    • Guionistas
      • Ruth Gordon
      • Garson Kanin
    • Elenco
      • Judy Holliday
      • Aldo Ray
      • Madge Kennedy
    • 42Opiniones de los usuarios
    • 13Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Nominada a1 premio BAFTA
      • 3 premios ganados y 2 nominaciones en total

    Videos1

    Official Trailer
    Trailer 2:33
    Official Trailer

    Fotos8

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    Elenco principal68

    Editar
    Judy Holliday
    Judy Holliday
    • Florence 'Florrie' Keefer
    Aldo Ray
    Aldo Ray
    • Chet Keefer
    Madge Kennedy
    Madge Kennedy
    • Judge Anne B. Carroll
    Sheila Bond
    • Joan Shipley
    John Alexander
    John Alexander
    • Howard Shipley
    Rex Williams
    • George Bastian
    Phyllis Povah
    Phyllis Povah
    • Mrs. Derringer
    Mickey Shaughnessy
    Mickey Shaughnessy
    • Pat Bundy
    Griff Barnett
    Griff Barnett
    • Charley
    Wallace Acton
    • Newhouse
    • (sin créditos)
    Shirlee Allard
    • Undetermined Secondary Role
    • (sin créditos)
    Leon Alton
    Leon Alton
    • Party Guest
    • (sin créditos)
    George Auld
    • Spec
    • (sin créditos)
    Larry J. Blake
    Larry J. Blake
    • Benny
    • (sin créditos)
    Chet Brandenburg
    Chet Brandenburg
    • Man Writing on Chalkboard
    • (sin créditos)
    Charles Brewer
    • Musician
    • (sin créditos)
    Charles Bronson
    Charles Bronson
    • Eddie
    • (sin créditos)
    Vera Burnett
    • Undetermined Secondary Role
    • (sin créditos)
    • Dirección
      • George Cukor
    • Guionistas
      • Ruth Gordon
      • Garson Kanin
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios42

    6.91.7K
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    Opiniones destacadas

    rsternesq

    very good and knowing film

    Some reviewers note that any couple thinking divorce should see this film and while that is good advice, the truth is few husbands about to leave are as conflicted as this one who really never wants to go and whose affection is demonstrated by the jealousy that is the last straw. I agree with those who say Judy is a charmer. That is a fact with which no one should even quibble. By the way, the accent was exaggerated here and elsewhere and could easily have been tamed had it not been in keeping with her roles. Aldo on the other hand is a revelation. He is natural, impressive and very believable. More's the pity that his career was so uneven but here he happens to be perfect. He is blond (not unusual in Hollywood's past, think Steve McQueen) but rare now for a macho star. It turns out that his look is perfect for this part and his manliness comes through just fine. In this role this reviewer thinks he was perfect and the facial expression when buying the whirly-gig is proof that had his career and persona been better managed he would have been a far bigger star. That said, watch, enjoy and remember how much love can survive and endure when people understood that divorce was the cowardly way out and usually bad for all concerned. Again, highly recommended.
    alan-morton

    Strange film, worth seeing

    The dizzy title of this film might suggest a screwball comedy, but it's deceptive. Despite claims to the contrary, this is definitely not a screwball comedy. It starts with plenty of jokes and humorous moments, but among other things, the pacing is all wrong. Also, screwballs often involve moneyed folk with big houses and good accents, and these are working-class characters in a small and under-furnished apartment. Knocking a few drinks back is an amusing foible in screwballs: here it usually complicates the lives of the characters. Instead of driving places, they take the bus or feel guilty about spending money on cabs. Screwball couples may have a pet dog or a leopard in tow; how many of them have small children (as here) whose sleep is interrupted by the bitter arguments of their parents? This might even be called anti-screwball.

    The unevenness of tone certainly disconcerted me the first time I saw it, and it has clearly worried several of the other people who've commented on the film. Though Judy Holliday is great (as usual), it helps an appreciation of the film if one does not expect a replay of Born Yesterday's raucous laughter or even the gentler-paced humour of Bells Are Ringing.

    Scenes of the discordance and trials of married life are played for laughs, but with an increasingly harder edge until the comedy has very nearly been wrung out of the whole thing. Slowly, the humour departs from the story and we're left with a very watchable study of a marriage spiralling into crisis, even if the treatment does become rather soapy at times.

    After several viewings of this strange film, I'm still not sure if I've enjoyed the experience, though I constantly feel that I've been watching something significant. I can't give it a score, as I really don't know how to estimate an accurate score. It's worth seeing, even if you don't expect to like it: that's the only way I can summarise it.
    7planktonrules

    With a bit of editing, this could be a much better film--and it's certainly NOT for all tastes

    This film is highly reminiscent of Judy Holliday's other film, PHFFFT! because both films concern a divorcing couple that down deep still love each other dearly. Also, in many ways it is reminiscent of THE WAR OF THE ROSES in that it appears to be a cautionary tale about marital discord, but unlike this Danny DeVito movie, THE MARRYING KIND is more upbeat and doesn't have the same dark sensibilities as WAR OF THE ROSES.

    The film begins with a husband and wife in divorce court. Instead of just granting the divorce, the judge brings them both into her chambers to discuss why they want the divorce since it isn't readily apparent. Both Holliday and Aldo Ray (who plays the husband) then begin to recount their marriage through a series of flashbacks. The flashbacks are incredibly well-acted and realistic--like a real honest to goodness family. While most of their ups and downs seem pretty normal, great tragedy strikes later in their marriage (get out the tissues!).

    All of this is wonderfully done, but also VERY tough to watch as things turn from bad to much worse. Plus, after a while, the tragedy and pain becomes a little too much and seems to drag on a bit too long. Shortening up the film by about fifteen minutes would have greatly helped the pacing. Despite these problems with the film, though, the film is marvelously realistic and great film-making. In many ways, this is a must-see film for young couples or anyone contemplating divorce, as it gives an unusual perspective and insights you just don't normally see addressed in films.
    7masonfisk

    HOLLIDAY & RAY MADE FOR EACH OTHER...?

    From 1952 director George Cukor (A Star is Born/The Philadelphia Story) directs Judy Holliday (who he reunites w/after her Oscar winning turn in his Born Yesterday) & Aldo Ray (in his screen debut) in this drama about a marriage fraying at the edges. Opening up at a divorce hearing at court, a judge takes the feuding couple into an office & there they lay out the genesis of their union & what led up to where they are now. We see their blue collar straits, he works at the post office while she's a stay at home Mom rearing a boy & a girl. She wants to move ahead & yearns for a chance to do so (in one episode she calls into a radio show to answer a question & Ray feeds her the wrong answer) while he seems to be happy at his status quo. Things take a turn when their son dies in a freak accident at a lake which causes all the recriminations & regrets to boil over into constant arguments which culminates when she receives a check from a deceased boss which stirs Ray to think the worst of Holliday figuring she was romantically linked to him. Will the union give up the ghost or save itself in the final moments? Cukor was wise to cast these earthy actors (in the heated throes of argument you can almost hear your neighbors going at it in any big city) dig into these meaty roles (a turning of the tide was on the horizon for the accurate portrayal of real people, working class American accents & all, to be seen on the big screen). Co-written by Ruth Gordon (the some time actress) & Garson Kanin, this yarn set in the boroughs of the Big Apple crackles w/authenticity & heart.
    laffinsal

    Excellent

    This is a real gem of a film. It is a comedy/tragedy, but in such a way as to be able to flow easily from the two formats. Thus the viewer is never fully laughing or crying throughout the film, but at different moments. It works. The film is told in flashback, and each of the remembrances are told in short vignettes. Judy Holliday is wonderful in her role, and the much underrated Aldo Ray is also brilliant, they are a perfect match. The acting by both the leads is terrific and believable, and there is some wonderful location photography of early 1950s New York. A really great film worth seeking out.

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    Intereses relacionados

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    Comedia
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    Drama

    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      George Cukor recommended that star Aldo Ray go to ballet school because he walked too much like a football player.
    • Errores
      In his narration of his marriage, Mr. Keeefer states they took an apartment in Peter Cooper Village when they first married. That housing development opened in 1947 but the film takes place in 1950 and by that time they were married much longer than 3 years.
    • Citas

      Judge Anne B. Carroll: You know, counselor, there's an old saying, there are three sides to every story: yours, his, and the truth.

    • Créditos curiosos
      At the film comes to the classical "The End" over the final shot of the two main characters in background, instead of the usual fade-out, Columbia Pictures added the advertisement: "You have just seen our New Personality - ALDO RAY - Please watch for his next picture." In the background, a short sequence of Aldo Ray speaking (no dialogue heard - simply the remaining ending score) in a bedroom setting seen in the movie.
    • Conexiones
      Featured in 100 Years of Comedy (1997)
    • Bandas sonoras
      Dolores
      (uncredited)

      Music by Louis Alter

      Lyrics by Frank Loesser

      Performed by Judy Holliday while playing a ukulele

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    Preguntas Frecuentes15

    • How long is The Marrying Kind?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 21 de enero de 1953 (México)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • The Marrying Kind
    • Locaciones de filmación
      • 339 Greenwich St, Nueva York, Nueva York, Estados Unidos(A.L. Bazzini Co. - where Flo goes back to work)
    • Productora
      • Columbia Pictures
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 32min(92 min)
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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