Nunca el amor fue más bello

there is really very little to recommend. The young Taylor is beautiful, but Larry Parks in the lead it totally unbelievable. Perhaps the fact he looks like a clone of Regis Philbin doesn't help. How could Taylor's character fall for this guy?? And, what is Gene Kelly doing in this flick? It is just a cameo, but I don't see the point.

Supporting performances are fine, and there is a limited amount of location filming.

I'm not sure why Taylor agreed to this MGM B movie - perhaps due to contract obligations. Probably my least favorite Taylor film from the 50s/60s.

In my opinion, this was one of Elizabeth Taylor's best movies she ever starred in. In this film she was young, talented and even funny. I was fortunate enough to have caught this movie while it was playing on Turner Classic Movies, and fell in love with the movie. When I first saw it coming on Turner Classic Movies, I was hesitant to watch it, as I have not been a huge fan of Elizabeth Taylor's movies and don't normally follow her films or her career. This movie was better than my expectations and when it ended I wanted to watch it again. I have even tried to watch a few more films that Elizabeth Taylor starred in. I have been trying to catch another showing of the film ever since. The movie is not available on DVD and was only released on VHS back in 1993 so it is hard to find for home viewing. I hope that they release the movie onto DVD or Blu-Ray DVD in the near future and until then I hope that Turner Classic Movies continues to show it once in a while. I do think that the movie deserves more credit than it has received. If you get a chance to watch it, you will not be disappointed.

I just saw this film this morning on Turner Movie Classics, and was actually very surprised. The film is certainly pleasant to watch, and some of it is actually funny and very appealing. The two stars merit comment. Larry Parks, of course, turned out to be a truly tragic figure in Hollywood, and he was virtually decimated by the Hollywood black list in the 1950's. As the head reviewer on this page said, Parks would probably have evolved into an excellent character actor had his career not been destroyed (his wife, actress Betty Garrett, herself said in an interview that Park's life was ruined by the Hollywood blacklisting. To our country's shame, many others shared the same fate. In this film, he is convincing and moderately successful, but opposite Elizabeth Taylor, one would have expected a more handsome leading man. Elizabeth Taylor, at age 20, is, of course, drop-dead gorgeous, but more importantly, she exudes an appeal and demeanor that is altogether winning. She had this same quality in such films as "The Last Time I Saw Paris", "Father of the Bride", and "Giant". Then she entered her most intense period with the films that brought her Oscar nominations (as well as two Oscars). It's a shame that after "Virginia Woolf", her second Oscar-winning performance, she essentially kept repeating the same loudmouthed strident type of demeanor. She was never able to regain the vulnerability and tenderness that she so beautifully demonstrated during the early and middle 1950's. Of course her much publicized personal life played a major part. In essence, she became a parody of herself in the late 1960's and never recovered. Whatever the case, "Love is Better than Ever" is worth watching for the light entertainment, the uniqueness of Larry Parks, and above all, for the charm and sweetness Elizabeth Taylor brought to the screen at this stage of her career.

I went into this with the full expectation of turning it off once I got the gist of it, and got a good look at Elizabeth Taylor just at the point her career and her beauty were reaching their heights. Surprisingly, I watched it all the way through and enjoyed several mildly humorous moments--no great belly laughs, but solidly amusing moments nonetheless.

The plot is paper thin, and it's a compliment that director Stanley Donen was able to get a full length feature out of what could easily been a short pilot for a sitcom. Also escalating the material are Old Pro character actors at the top of their game, such as Kathleen Freeman as a loyal seamstress and Ann Doran as the meddling mother of Elizabeth Taylor's dance rival, played by a very young (and blond) Elinor Donihue. It is no wonder these ladies enjoyed very lengthy careers in literally hundreds of films.

But the real heart of the film is Taylor's lovable, understanding father played by Tom Tully, as the type of Dad we wish we all had, but few actually did.

The only part of this film that hasn't aged well is the lead character, played by Larry Parks. This film was made at a time when male characters got away with far more sexist behavior than any man would get away with today. In fact, if a man in New York--no matter how well dressed or handsome--behaved in such ways toward a woman he just met today...well, she'd probably summon the nearest police officer! If you're willing to overlook that major flaw, you might enjoy this romantic comedy, especially the madcap children's dance recital at the end. The kids are terrible throughout the film, which makes it all the more funny.

Jud Parker (Larry Parks) is a heartless agent on Broadway. He meets dance teacher Anastacia "Stacie" Macaboy (Elizabeth Taylor) in Connecticut. She comes to New York City for a convention where she runs into him again. They start going out which gets into the papers and rumors spread.

Of course, I'm watching this for Elizabeth Taylor. She is radiant. She deserves so much better than Larry Parks. Jud is a cold agent and Larry plays that well. That's a side character. That's not a romantic lead. Elizabeth Taylor is a superstar even at that time. She's young. She's hot. At best, she's 20 and trying to transition into adult roles but she is way above him in any case. Watching them side by side actually hurts my eyes. The movie keeps trying to say that she's desperate to get him when in reality, he's lucky to be in the same room.