Opiniones de Metacritic

Inventive, economic, masterly.

Charles Crichton’s direction is subtle but inventive – check out the snaking, near-single-take opening in a Rio cabana – and the performances, writing and plotting are faultless.

Alec Guinness shines in this hilarious British comedy.

Helped by a peerless script and a great team of actors (Alfie Bass and Sid James as professional thieves; Stanley Holloway as an oratory-inclined artist-scamster), the film is both a joyous comedy and a tense thriller.

Though [Guinness's] performance may not immediately announce itself as his best, it's certainly one of his most representative, a thoroughly recognizable character of unseen depths and unexpected capabilities.

Ultimately, The Lavender Hill Mob remains an unblemished gem that proves that the period wasn’t just one of fertility on the other side of the atlantic.

It's tremendously good fun, though lighter in tone than Ealing's two scabrous masterpieces Kind Hearts and Coronets and The Ladykillers, and not quite matching their elegant perfection; I've never been able to rid myself of the feeling that, however superbly set up, the aftermath of the heist itself is ever so slightly lacking in tension.

Except for a couple of places, there is no hilarity in The Lavender Hill Mob. But its humors are so ingenious and persistent that it is one big chuckle from beginning to end.

A hilarious tongue-in-cheek crime comedy, one of the finest to come out of the Ealing Studios during their most prolific years.

With The Lavender Hill Mob, Ealing clicks with another comedy winner.