CALIFICACIÓN DE IMDb
5.8/10
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TU CALIFICACIÓN
La versión de Abbott and Costello del famoso cuento de hadas, sobre un niño que cambia la vaca familiar por judías mágicas.La versión de Abbott and Costello del famoso cuento de hadas, sobre un niño que cambia la vaca familiar por judías mágicas.La versión de Abbott and Costello del famoso cuento de hadas, sobre un niño que cambia la vaca familiar por judías mágicas.
Bud Abbott
- Mr. Dinkel
- (as Abbott)
- …
Lou Costello
- Jack
- (as Costello)
- …
Arthur Shields
- Patrick the Harp
- (voz)
- (as ?)
Bobby Barber
- Man Running Down Street
- (sin créditos)
Mel Blanc
- Farm Animals
- (voz)
- (sin créditos)
Claire Du Brey
- Villager
- (sin créditos)
Jack Perry
- Villager
- (sin créditos)
Almira Sessions
- Mrs. Mergatroyd
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Bud Abbott and Lou Costello always had a good following among children, but in their careers I think you could say that they only made one film that could be designated for kids. Jack and the Beanstalk was that one film.
It was part of a two picture independent deal from Warner Brothers, the second film being Abbott and Costello Meet Captain Kidd. These were the only two films the boys made in color.
The two of them, out of work as usual, take a job for a very precocious and obnoxious young David Stollery as a babysitter. Although it starts out with Costello wanting to read the kid, Jack and the Beanstalk as a bedtime story, the young lad winds up reading it to Costello. Lou falls asleep and in his dreams he fantasizes he's indeed Jack the Giant Killer.
Buddy Baer who menaced the boys in Africa Screams plays the giant and he's got a giant size Dorothy Ford as his housekeeper. Dorothy was a big girl, 6'2", and you can imagine she had some difficulty being cast except when her height was used as a joke. One of the only players who ever looked down at her was John Wayne in Three Godfathers at 6'4". Henry Fonda and James Stewart in On Our Merry Way also stood barely above her, but again her height was part of a gag.
Shaye Cogan and James Alexander were the princess and prince of the fantasy and they sang beautifully, but couldn't act worth anything. This was the last film of William Farnum who's career dated from the early silent screen days and even to the turn of the last century on stage. He played princess Shaye's father the king.
Some not terribly memorable musical numbers came from Jack and the Beanstalk, save the title song. I well remember as a kid having the 78 record of Bud and Lou singing the song and reciting the story. I was in my early single digit years, but became a lifelong fan of their's through that and their television series.
Jack and the Beanstalk is still a good children's picture for the very young, though I would warn parents to warn their little urchins not to imitate young master Stollery.
It was part of a two picture independent deal from Warner Brothers, the second film being Abbott and Costello Meet Captain Kidd. These were the only two films the boys made in color.
The two of them, out of work as usual, take a job for a very precocious and obnoxious young David Stollery as a babysitter. Although it starts out with Costello wanting to read the kid, Jack and the Beanstalk as a bedtime story, the young lad winds up reading it to Costello. Lou falls asleep and in his dreams he fantasizes he's indeed Jack the Giant Killer.
Buddy Baer who menaced the boys in Africa Screams plays the giant and he's got a giant size Dorothy Ford as his housekeeper. Dorothy was a big girl, 6'2", and you can imagine she had some difficulty being cast except when her height was used as a joke. One of the only players who ever looked down at her was John Wayne in Three Godfathers at 6'4". Henry Fonda and James Stewart in On Our Merry Way also stood barely above her, but again her height was part of a gag.
Shaye Cogan and James Alexander were the princess and prince of the fantasy and they sang beautifully, but couldn't act worth anything. This was the last film of William Farnum who's career dated from the early silent screen days and even to the turn of the last century on stage. He played princess Shaye's father the king.
Some not terribly memorable musical numbers came from Jack and the Beanstalk, save the title song. I well remember as a kid having the 78 record of Bud and Lou singing the song and reciting the story. I was in my early single digit years, but became a lifelong fan of their's through that and their television series.
Jack and the Beanstalk is still a good children's picture for the very young, though I would warn parents to warn their little urchins not to imitate young master Stollery.
I turn to this movie when I'm feeling down. My 5-year old niece (with no prompting from me) prefers it to any Disney you care to name. It's one of those movies that's so bad it's brilliant. And why Jack's Mother's line, uttered in sheer frustration, "Plant the Beans, Jack!" has not become a revered movie catchphrase I'll never know. I always shout "Plant the Beans, Jack!" at the Kiefer Sutherland character in "24", especially when he's a little slow on the uptake. Abbott and Costello's "Jack and the Beanstalk" is a little gem and does not deserve the criticism levelled at it on IMDB. The humour may be basic, the characters may be of the cardboard variety, but the director has managed to create a special little world that children and adults can enjoyable enter .
The often-told fable gets amusingly tweaked with Bud Abbott and Lou Costello in the leads, singing, dancing, and messing with a really nasty ogre. Opening in sepia tone, Bud and Lou somehow walk into a job as babysitters for a problem child; Lou wants a bedtime story read to him, quickly falling asleep and dreaming he and his mother live in a colorful storybook village, growing a magical beanstalk and attempting to rescue a kidnapped princess from a giant. Devised and co-produced by Lou's brother, Pat, this was an independently-financed production from the comedy duo which Warner Bros. distributed. It has some kooky songs and even kookier sequences (such as a masochistic Minuet between Lou and the giant's equally lanky female cook), but it does appear as a paste-up job. Filmed in just over three weeks, some of the scenes are so sloppy, one doesn't know if they were hastily left that way or if the clumsiness was perhaps intentional (the editing, too, is awful, leaving the cook and her cow behind in fantasy limbo). The sets, leftovers from Ingrid Bergman's "Joan of Arc", are fine, but the costumes are atrocious--hopefully, this venture scared Costello away from tights for the remainder of his life! It's kinda cute in a bumbling, ramshackle sort of way, and Lou gets a lot of funny business to do, but it isn't as imaginative as it should have been. ** from ****
Little Donald Larkin is a hand full. His sister Eloise is desperate for a babysitter so that she could go out with her boyfriend Arthur. Mr. Dinkel (Bud Abbott) and Jack Strong (Lou Costello) arrive at the employment agency just in time to scoop up the job. Costello tries to read the classic fairytale to little Donald but Donald ends up reading to Lou. Lou falls asleep and dreams himself to be Jack in the story. The butcher Mr. Dinkelpuss (Bud Abbott) sells him the magical beans.
Like Wizard of Oz, the movie opens with the black and white real world and then goes into the Technicolor dream world. That's about where the qualities diverge. The technical aspect looks a bit inferior despite over a decade difference. That's almost besides the point. I don't know about the princess addition. I don't like selling his beloved cow for meat. Why would they be poor if their hen laid golden eggs? These are a few of the unlikeable additions. They should have stuck closer to the fairytale. Costello as Jack is a no-brainer but he does need to be funnier. He's been funnier. Abbott should probably play both the bean seller and the giant. Instead, the giant is played by a very big actor. At the end of the day, this rises and falls on whether it's funny or not. The egg cooking is pretty funny but the movie needs more of that. The rest of the cast is limited in their acting skills. It does have some slapstick fun. It could have been great but it's only passable.
Like Wizard of Oz, the movie opens with the black and white real world and then goes into the Technicolor dream world. That's about where the qualities diverge. The technical aspect looks a bit inferior despite over a decade difference. That's almost besides the point. I don't know about the princess addition. I don't like selling his beloved cow for meat. Why would they be poor if their hen laid golden eggs? These are a few of the unlikeable additions. They should have stuck closer to the fairytale. Costello as Jack is a no-brainer but he does need to be funnier. He's been funnier. Abbott should probably play both the bean seller and the giant. Instead, the giant is played by a very big actor. At the end of the day, this rises and falls on whether it's funny or not. The egg cooking is pretty funny but the movie needs more of that. The rest of the cast is limited in their acting skills. It does have some slapstick fun. It could have been great but it's only passable.
I used to watch the "Abbott and Costello" movies a lot when I was younger, particularly the Universal Monster crossovers. For the first time in probably thirty years I watched this one recently - it was a little disappointing, I have to admit.
Whilst reading a story to a boy he's babysitting for, Jack (Lou Costello) leaps into the world of Jack and the Beanstalk. Struggling for food, Jack sell's his family cow to Mr Dinkelpuss (Bud Abbott), the town butcher, in return for some magic beans. Planting the beans, they grow into a massive beanstalk, that reaches all the way up to the castle of the fearsome giant (Buddy Baer) who has been plundering the town and has kidnapped both the Princess (Shaye Cogan) and her betrothed Prince Arthur (James Alexander). Jack and Mr Dinkelpuss climb the stalk, with the aim of getting at the Giant's treasure and rescuing the couple.
I appreciate that it was only ever going to be gentle family-friendly comedy, but even so this feels underneath my recollection of those slapstick farces that I watched in my youth. I'm not sure the colour helps, I get that it's to work as a gentle parody of "The Wizard Of Oz" but the colour work here (at least on the dvd I've seen) was much more gaudy than It needed to be. There's some decent moments, such as the animation integration on the beanstalk scenes - the eggs with gunpowder in them works well and the wordplay is occasionally amusing.
The giant is a disappointment though, I'm not expecting full CGI creatures, but they could have kept him in shadow and superimposed him into scenes, and made him truly a giant. The physical comedy at the end of the film is a bit of an anti-climax and the individual romance songs are poor, though the ensemble ones in the village are a bit better, but there the dancers there are strikingly terrible. The Irish harp too doesn't add much to the plot and could have been dropped.
I need to revisit a few more of their films, but I won't be back to "Jack and the Beanstalk" in a hurry.
Whilst reading a story to a boy he's babysitting for, Jack (Lou Costello) leaps into the world of Jack and the Beanstalk. Struggling for food, Jack sell's his family cow to Mr Dinkelpuss (Bud Abbott), the town butcher, in return for some magic beans. Planting the beans, they grow into a massive beanstalk, that reaches all the way up to the castle of the fearsome giant (Buddy Baer) who has been plundering the town and has kidnapped both the Princess (Shaye Cogan) and her betrothed Prince Arthur (James Alexander). Jack and Mr Dinkelpuss climb the stalk, with the aim of getting at the Giant's treasure and rescuing the couple.
I appreciate that it was only ever going to be gentle family-friendly comedy, but even so this feels underneath my recollection of those slapstick farces that I watched in my youth. I'm not sure the colour helps, I get that it's to work as a gentle parody of "The Wizard Of Oz" but the colour work here (at least on the dvd I've seen) was much more gaudy than It needed to be. There's some decent moments, such as the animation integration on the beanstalk scenes - the eggs with gunpowder in them works well and the wordplay is occasionally amusing.
The giant is a disappointment though, I'm not expecting full CGI creatures, but they could have kept him in shadow and superimposed him into scenes, and made him truly a giant. The physical comedy at the end of the film is a bit of an anti-climax and the individual romance songs are poor, though the ensemble ones in the village are a bit better, but there the dancers there are strikingly terrible. The Irish harp too doesn't add much to the plot and could have been dropped.
I need to revisit a few more of their films, but I won't be back to "Jack and the Beanstalk" in a hurry.
¿Sabías que…?
- TriviaBud Abbott and Lou Costello made an independent, two-picture deal in which they agreed that this was to be "Lou's film" and the next to be "Bud's". They retained individual ownership of the respective films.
- ErroresThe makeup and lipstick on Henrietta the cow disappears between shots.
- Créditos curiososInstead of the usual "The characters and events depicted are fictitious, etc." disclaimer, are these four simple words, "This is a fable".
- Versiones alternativasOriginal press screenings featured a print that ran 83 minutes and 45 seconds. An uncut 35mm preview print survives in a private archive, but has not been released on DVD. The deleted sequences include some dialogue between Jack and his mother about how to bid while selling the cow and his strange choice to give a male name to a cow; an extra section of 'Dreamer's Cloth' sung by the Princess and the complete song 'Darlene'. Some video versions have parts of the missing scenes, but not all missing sequences.
- ConexionesEdited into Muchachada nui: Episode #4.1 (2010)
- Bandas sonorasJack and the Beanstalk
Written by Lester Lee and Bob Russell
Sung over the opening credits
Sung again by Lou Costello, Barbara Brown, and the Villagers while he is climbing the beanstalk
Danced by Johnny Conrad and The Johnny Conrad Dancers (four women)
Sung in the finale by Bud Abbott, Lou Costello, Barbara Brown, James Alexander, Shaye Cogan, and the Villagers
Danced by Johnny Conrad and The Johnny Conrad Dancers
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Jack and the Beanstalk
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 683,000 (estimado)
- Tiempo de ejecución
- 1h 18min(78 min)
- Relación de aspecto
- 1.37 : 1
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