Ninguna mujer vale tanto

Alan Ladd heads a fine cast in this film biography of Jim Bowie, a life that was marked by thrilling adventure and violence which ended at the Alamo. Bowie's travels take him to New Orleans where fate takes a hand and changes the course of his life and American history. A central figure in the film is a beautiful but vain and selfish Creole girl with whom Bowie is hopelessly smitten. This girl is responsible for the deaths of several men over a period of many years, because of duels, accidental killings or outright murders. Bowie himself is obliged to fight duels for various reasons and his expertise with a knife becomes legendary. His reputation, forged by the iron mistress, follows him like a shadow throughout his life as he tries to put the young woman and his violent past behind him. The film has beautiful color, lavish sets and Max Steiner's brooding music score.

Western adventure with Jim Bowie (Alan Ladd) a man with his name on a knife and two women (Virginia Mayo , Phyllis Kirk) with a weapon all their own . This is a mini-biography of the life of Jim Bowie in which he faces off bloody duels . It starts In 1825, Jim Bowie travels to New Orleans to sell the lumber output from the sawmill he runs with his brothers . He soon meets the gorgeous as well as manipulating Judalon De Bornay (Virginia Mayo) and falls in love for her . Jim attempts to wed Jedualon , but the woman has wed playboy Phillipe (Alf Kjellin) . Jim's business interests lead to violent fights where a lot of people are killed and there takes place a struggle with local saloon owner and nasty Black Jack (Anthony Caruso) . Then , Bowie is rescued by an attractive Mexican girl (Phyllis Kirk) , the daughter of the Vice-Governor of San Antonio .

Barely historical presentation about the mythic character , Jim Bowie , who invented the famed frontier knife . This colorful as well as spotty picture contains action , thrills , soap opera , knife-fights , luxurious balls and results to be entertaining ; however , being also mediocre . Slightly interesting screenplay by James R. Webb , Western usual , being based on a novel by Paul Wellman . Passable acting by the main starring Alan Ladd , and gorgeous Virginia Mayo who subsequently reprised her film role in Lux Radio Theater broadcast , a 60 minute radio adaptation of the movie. Support cast is frankly well , such as Joseph Calleia as Juan Moreno , Phyllis Kirk as Ursula De Varamendi , Alf Kjellin as Phillipe De Cabanal , Douglas Dick as Narcisse de Bornay and special mention to Anthony Caruso playing as crook Black Jack . Atmospheric and thrilling musical score by the classic composer Max Steiner . Colorful as well as evocative cinematography by John F. Seitz , filmed on location in New Orleans and surrounds .

The motion picture lavishly produced by Henry Blanke was regularly directed by Gordon Douglas . He was an expert on adventure genre as ¨Black arrow¨ , ¨Fortunes of Captain Blood¨ , both starred by Louis Hayward and Western , as he proved in the films starred by Clint Walker such as ¨Fort Dobbs¨, ¨Yellowstone Kelly¨ , ¨Gold of seven Saints¨ , Gregory Peck as ¨Only the valiant¨ , ¨Chuka¨ with Rod Taylor , ¨Rio Conchos¨ starred by Richard Boone , being considered his best Western , and about bandits legendary as ¨Doolins of Oklahoma¨ , ¨Great Missouri raid¨, among others .

The real events about James Bowie's life are the followings : Texas hero and knife-fighter whose name was made world famous by the type of broad-bladed knife he used and is said to have originated . Born in Georgia , he made money by selling black slaves before going Texas , where he settle in San Antonio , legend tells us he searched for and found the lost Spanish silver mine in the San Saba region . In 1830, he became a Mexican citizen married the daughter of the Vice-Governor of San Antonio and became a wealthy landowner . He lost his wife and children in a cholera epidemic . When the Texans rebelled against Spanish rule he joined the rebels and was made captain , engaging in several victories over Mexicans . With the rank of colonel he held joint command of The Alamo fortress with Colonel Travis until stricken down with fever , he died fighting , from his sickbed , with the rest of the garrison while defending the Alamo against an overwhelming Mexican army . Bowie made his reputation as a formidable knife-fighter in a number of duels , but it is not clear if he or his brother , actually designed the original Bowie Knife .

Okay so let's first get this fiction out of the way. Jim Bowie as portrayed in The Iron Mistress as the true romantic and a gentlemen hero is more fiction than fact based on folklore and "he said, she said". In real life historians have acclaimed Jim Bowie as a somewhat shady land purveyor who in 1831 after he married nineteen- year-old Maria Ursula de Veramendi, then in 1983 he lost his wife and two children to cholera and began to drink a lot and thereafter not caring anymore about his attire.

But film producers do not necessarily have to note in advance and/or clarify that some parts of their film may be embellished or that the facts may not all be known. I for one really enjoyed Alan Ladd in the lead role as the folklore hero Jim Bowie and his long lost love affair with the attractive Judalon de Bornay played by Virginia Mayo. There were at least three (3) different scenes in the film where Judalon de Bornayand and adventurer Jim Bowie were caught in an embrace and Judalon can be deliberately seen rolling her eyes and smirking directly towards her film audiences in our seats and telling us that she does not really love Jim Bowie and is just using him to get what she wants...money, murder, and to cause more trouble.

As Jim Bowie would eventually say to his former love Judalon de Bornay "no Judalon I don't think we can be together, you have caused the death of at least eight (8) men and that is enough." I am a big fan of Alan Ladd and especially the classic westerns (Shane) and adventure films (Boy on a Dolphin) that he starred in. There is one scene in particular in The Iron Mistress near the end of the film that is a very clever twist where by accident or by premonition Jim Bowie is indirectly responsible for the sudden fate of two of his male combatants and his former love, Judalon. This particular scene for me wrapped up the film in a neat little and justifiable bow that reminds me that this is only a film based on a real life person whose reputation precedes him as a dashing, handsome and daring adventurer.

Alan Ladd and Virginia Mayo played their parts exceptionally well so if you like good adventure/westerns/biographies then you will most likely enjoy The Iron Mistress which the title is based not on a woman, but on Jim Bowie's specially designed hunting knife.

I give the film an 8 out 10 rating.

The Iron Mistress (1952)

I don't get the whole call of honor that leads to duels at the slightest provocation (or less). In some movies it's a fabulous dramatic point, but here it's a nagging and recurring trick, a reason for some male chest-thumping and a little bloodshed. It also represents the way the movie depends on forced drama to make the events jump.

There are exceptions, like a really beautiful and unusual hand-to-hand knife/sword fight occurring in a darkened room, with an occasional bolt of lightning like a strobe going off. This is cinema trickery, a real pleasure, not part of the real story, but it's a moment of relief from the costume drama and dueling the rest of the time.

This is how this movie goes. Moments of unique drama are followed by long stretches of stiff plot development. I'm not sure how the movie reflects the real story of James Bowie, whose name was given to the famous Bowie knife (knives naturally have a big role in the movie, including the forging of the first true Bowie knife). But what works best is the sense of period sets and time-travel to pre-Civil War Louisiana. The romance isn't highly romantic, and the plot is generally stiff, but it is a kind of history story come to life. If you overlook the obvious liberties and gaffes, it's not an unwatchable movie, just a routine one. Alan Ladd, it must be said, is a little cool even for Alan Ladd (an understated actor).

The film does lay out the gradual shift in cultivation of the South to cotton farming, and brings out lots of old rules like the fact divorce was impossible in Louisiana without an act of the legislature. People interested in this certain kind of movie making, for its own sake, should check out "Drums Along the Mohawk" (a better movie by far, but with a similar feel somehow). Here, the camera-work by the talented John Seitz is strangely dull (though it is in true Technicolor), and the scored music by the incomparable Max Steiner is straight up functional. Most of all, the many ordinary parts are put together without great art or intensity.

This is an adventure story using fiction to tell about the early years of James Bowie,prior to his martyrdom at the Alamo a few years after this film ends. This is a typical romantic adventure story with Alan Ladd giving an erstwhile honest portrayal in the role that Richard Widmark did years later in THE ALAMO. Mr Ladd was short in stature,but you would never really know that,. as all of the actors were either his height or 1 or 2 inches either way. Virginia Mayo is as usual very beautiful & well dressed,She was never considered a great actress but she could portray a very selfish woman with perfect ease. The rest of the cast is just what you would expect in this type of vehicle. Good production values with a very good knife fight in a dark room with only lightning bolts to highlight the action. A bit long at 112 minutes, but entertaining. a low *** rating or a 7 on the IMDB scale

as always

Jay Harris.