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Las hazañas del pionero del siglo XIX Jim Bowie tras establecerse en Nueva Orleans.Las hazañas del pionero del siglo XIX Jim Bowie tras establecerse en Nueva Orleans.Las hazañas del pionero del siglo XIX Jim Bowie tras establecerse en Nueva Orleans.
- Dirección
- Guionistas
- Elenco
Anthony Caruso
- Black Jack Sturdevant
- (as Tony Caruso)
Nedrick Young
- Henri Contrecourt
- (as Ned Young)
John Alban
- Casino Patron
- (sin créditos)
John Albright
- Casino Patron
- (sin créditos)
Leon Alton
- Riverboat Passenger
- (sin créditos)
John Alvin
- Impatient Man in Tailor's Shop
- (sin créditos)
Ernest Anderson
- Riverboat Cabin Boy
- (sin créditos)
Walter Bacon
- Casino Patron
- (sin créditos)
Salvador Baguez
- Mexican Artist
- (sin créditos)
Richard Bartell
- Horse Race Starter
- (sin créditos)
John Barton
- Gambling House Patron
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The Iron Mistress (1952)
I don't get the whole call of honor that leads to duels at the slightest provocation (or less). In some movies it's a fabulous dramatic point, but here it's a nagging and recurring trick, a reason for some male chest-thumping and a little bloodshed. It also represents the way the movie depends on forced drama to make the events jump.
There are exceptions, like a really beautiful and unusual hand-to-hand knife/sword fight occurring in a darkened room, with an occasional bolt of lightning like a strobe going off. This is cinema trickery, a real pleasure, not part of the real story, but it's a moment of relief from the costume drama and dueling the rest of the time.
This is how this movie goes. Moments of unique drama are followed by long stretches of stiff plot development. I'm not sure how the movie reflects the real story of James Bowie, whose name was given to the famous Bowie knife (knives naturally have a big role in the movie, including the forging of the first true Bowie knife). But what works best is the sense of period sets and time-travel to pre-Civil War Louisiana. The romance isn't highly romantic, and the plot is generally stiff, but it is a kind of history story come to life. If you overlook the obvious liberties and gaffes, it's not an unwatchable movie, just a routine one. Alan Ladd, it must be said, is a little cool even for Alan Ladd (an understated actor).
The film does lay out the gradual shift in cultivation of the South to cotton farming, and brings out lots of old rules like the fact divorce was impossible in Louisiana without an act of the legislature. People interested in this certain kind of movie making, for its own sake, should check out "Drums Along the Mohawk" (a better movie by far, but with a similar feel somehow). Here, the camera-work by the talented John Seitz is strangely dull (though it is in true Technicolor), and the scored music by the incomparable Max Steiner is straight up functional. Most of all, the many ordinary parts are put together without great art or intensity.
I don't get the whole call of honor that leads to duels at the slightest provocation (or less). In some movies it's a fabulous dramatic point, but here it's a nagging and recurring trick, a reason for some male chest-thumping and a little bloodshed. It also represents the way the movie depends on forced drama to make the events jump.
There are exceptions, like a really beautiful and unusual hand-to-hand knife/sword fight occurring in a darkened room, with an occasional bolt of lightning like a strobe going off. This is cinema trickery, a real pleasure, not part of the real story, but it's a moment of relief from the costume drama and dueling the rest of the time.
This is how this movie goes. Moments of unique drama are followed by long stretches of stiff plot development. I'm not sure how the movie reflects the real story of James Bowie, whose name was given to the famous Bowie knife (knives naturally have a big role in the movie, including the forging of the first true Bowie knife). But what works best is the sense of period sets and time-travel to pre-Civil War Louisiana. The romance isn't highly romantic, and the plot is generally stiff, but it is a kind of history story come to life. If you overlook the obvious liberties and gaffes, it's not an unwatchable movie, just a routine one. Alan Ladd, it must be said, is a little cool even for Alan Ladd (an understated actor).
The film does lay out the gradual shift in cultivation of the South to cotton farming, and brings out lots of old rules like the fact divorce was impossible in Louisiana without an act of the legislature. People interested in this certain kind of movie making, for its own sake, should check out "Drums Along the Mohawk" (a better movie by far, but with a similar feel somehow). Here, the camera-work by the talented John Seitz is strangely dull (though it is in true Technicolor), and the scored music by the incomparable Max Steiner is straight up functional. Most of all, the many ordinary parts are put together without great art or intensity.
Western adventure with Jim Bowie (Alan Ladd) a man with his name on a knife and two women (Virginia Mayo , Phyllis Kirk) with a weapon all their own . This is a mini-biography of the life of Jim Bowie in which he faces off bloody duels . It starts In 1825, Jim Bowie travels to New Orleans to sell the lumber output from the sawmill he runs with his brothers . He soon meets the gorgeous as well as manipulating Judalon De Bornay (Virginia Mayo) and falls in love for her . Jim attempts to wed Jedualon , but the woman has wed playboy Phillipe (Alf Kjellin) . Jim's business interests lead to violent fights where a lot of people are killed and there takes place a struggle with local saloon owner and nasty Black Jack (Anthony Caruso) . Then , Bowie is rescued by an attractive Mexican girl (Phyllis Kirk) , the daughter of the Vice-Governor of San Antonio .
Barely historical presentation about the mythic character , Jim Bowie , who invented the famed frontier knife . This colorful as well as spotty picture contains action , thrills , soap opera , knife-fights , luxurious balls and results to be entertaining ; however , being also mediocre . Slightly interesting screenplay by James R. Webb , Western usual , being based on a novel by Paul Wellman . Passable acting by the main starring Alan Ladd , and gorgeous Virginia Mayo who subsequently reprised her film role in Lux Radio Theater broadcast , a 60 minute radio adaptation of the movie. Support cast is frankly well , such as Joseph Calleia as Juan Moreno , Phyllis Kirk as Ursula De Varamendi , Alf Kjellin as Phillipe De Cabanal , Douglas Dick as Narcisse de Bornay and special mention to Anthony Caruso playing as crook Black Jack . Atmospheric and thrilling musical score by the classic composer Max Steiner . Colorful as well as evocative cinematography by John F. Seitz , filmed on location in New Orleans and surrounds .
The motion picture lavishly produced by Henry Blanke was regularly directed by Gordon Douglas . He was an expert on adventure genre as ¨Black arrow¨ , ¨Fortunes of Captain Blood¨ , both starred by Louis Hayward and Western , as he proved in the films starred by Clint Walker such as ¨Fort Dobbs¨, ¨Yellowstone Kelly¨ , ¨Gold of seven Saints¨ , Gregory Peck as ¨Only the valiant¨ , ¨Chuka¨ with Rod Taylor , ¨Rio Conchos¨ starred by Richard Boone , being considered his best Western , and about bandits legendary as ¨Doolins of Oklahoma¨ , ¨Great Missouri raid¨, among others .
The real events about James Bowie's life are the followings : Texas hero and knife-fighter whose name was made world famous by the type of broad-bladed knife he used and is said to have originated . Born in Georgia , he made money by selling black slaves before going Texas , where he settle in San Antonio , legend tells us he searched for and found the lost Spanish silver mine in the San Saba region . In 1830, he became a Mexican citizen married the daughter of the Vice-Governor of San Antonio and became a wealthy landowner . He lost his wife and children in a cholera epidemic . When the Texans rebelled against Spanish rule he joined the rebels and was made captain , engaging in several victories over Mexicans . With the rank of colonel he held joint command of The Alamo fortress with Colonel Travis until stricken down with fever , he died fighting , from his sickbed , with the rest of the garrison while defending the Alamo against an overwhelming Mexican army . Bowie made his reputation as a formidable knife-fighter in a number of duels , but it is not clear if he or his brother , actually designed the original Bowie Knife .
Barely historical presentation about the mythic character , Jim Bowie , who invented the famed frontier knife . This colorful as well as spotty picture contains action , thrills , soap opera , knife-fights , luxurious balls and results to be entertaining ; however , being also mediocre . Slightly interesting screenplay by James R. Webb , Western usual , being based on a novel by Paul Wellman . Passable acting by the main starring Alan Ladd , and gorgeous Virginia Mayo who subsequently reprised her film role in Lux Radio Theater broadcast , a 60 minute radio adaptation of the movie. Support cast is frankly well , such as Joseph Calleia as Juan Moreno , Phyllis Kirk as Ursula De Varamendi , Alf Kjellin as Phillipe De Cabanal , Douglas Dick as Narcisse de Bornay and special mention to Anthony Caruso playing as crook Black Jack . Atmospheric and thrilling musical score by the classic composer Max Steiner . Colorful as well as evocative cinematography by John F. Seitz , filmed on location in New Orleans and surrounds .
The motion picture lavishly produced by Henry Blanke was regularly directed by Gordon Douglas . He was an expert on adventure genre as ¨Black arrow¨ , ¨Fortunes of Captain Blood¨ , both starred by Louis Hayward and Western , as he proved in the films starred by Clint Walker such as ¨Fort Dobbs¨, ¨Yellowstone Kelly¨ , ¨Gold of seven Saints¨ , Gregory Peck as ¨Only the valiant¨ , ¨Chuka¨ with Rod Taylor , ¨Rio Conchos¨ starred by Richard Boone , being considered his best Western , and about bandits legendary as ¨Doolins of Oklahoma¨ , ¨Great Missouri raid¨, among others .
The real events about James Bowie's life are the followings : Texas hero and knife-fighter whose name was made world famous by the type of broad-bladed knife he used and is said to have originated . Born in Georgia , he made money by selling black slaves before going Texas , where he settle in San Antonio , legend tells us he searched for and found the lost Spanish silver mine in the San Saba region . In 1830, he became a Mexican citizen married the daughter of the Vice-Governor of San Antonio and became a wealthy landowner . He lost his wife and children in a cholera epidemic . When the Texans rebelled against Spanish rule he joined the rebels and was made captain , engaging in several victories over Mexicans . With the rank of colonel he held joint command of The Alamo fortress with Colonel Travis until stricken down with fever , he died fighting , from his sickbed , with the rest of the garrison while defending the Alamo against an overwhelming Mexican army . Bowie made his reputation as a formidable knife-fighter in a number of duels , but it is not clear if he or his brother , actually designed the original Bowie Knife .
After a decade at Paramount Sue Carol negotiated a new studio contract for Alan Ladd at Warner Brothers. Sad to because her husband's greatest film was ready for release at Paramount and they had no great urgency to feature him in the publicity. But that's another story.
Alan Ladd became another one of a good list of players to take on the role of Jim Bowie. He plays him as heroic as Richard Widmark, MacDonald Carey, Sterling Hayden or Jim Arness did. Problem was of all the legends of the American frontier, Jim Bowie was probably the one who got the biggest whitewash in history.
The man was a thoroughgoing scoundrel. As a merchant he was as unscrupulous as a latter day robber baron. He was involved in several land swindle scams. He also bought and sold slaves as well. And he wasn't even honest in that. He and Jean Lafitte had a fine racket for a while with Lafitte capturing runaways in Texas and bringing them back to the U.S. for Bowie to sell, not necessarily back to their original masters.
He did have a knife built to his specifications as per the film and with his activities he did tend to get into a lot of violent disagreements. That's the Bowie knife, the Arkansas toothpick, the Iron Mistress of the title.
But Ladd plays Bowie as heroically as the legends have him and as the novel by Paul Wellman has him. He's caught between two women, the selfish French creole aristocrat Virginia Mayo and the daughter of the Governor of the province of Coahuila in Mexico which included Texas, Phyllis Kirk.
Bowie was a violent man in a violent era. Ladd plays him like he was Shane and he was being faithful to the novel if not the real Bowie. But then we've never seen the real one on screen any time.
Still for those who liked Ladd's portrayal of Shane, The Iron Mistress is a good film for you.
Alan Ladd became another one of a good list of players to take on the role of Jim Bowie. He plays him as heroic as Richard Widmark, MacDonald Carey, Sterling Hayden or Jim Arness did. Problem was of all the legends of the American frontier, Jim Bowie was probably the one who got the biggest whitewash in history.
The man was a thoroughgoing scoundrel. As a merchant he was as unscrupulous as a latter day robber baron. He was involved in several land swindle scams. He also bought and sold slaves as well. And he wasn't even honest in that. He and Jean Lafitte had a fine racket for a while with Lafitte capturing runaways in Texas and bringing them back to the U.S. for Bowie to sell, not necessarily back to their original masters.
He did have a knife built to his specifications as per the film and with his activities he did tend to get into a lot of violent disagreements. That's the Bowie knife, the Arkansas toothpick, the Iron Mistress of the title.
But Ladd plays Bowie as heroically as the legends have him and as the novel by Paul Wellman has him. He's caught between two women, the selfish French creole aristocrat Virginia Mayo and the daughter of the Governor of the province of Coahuila in Mexico which included Texas, Phyllis Kirk.
Bowie was a violent man in a violent era. Ladd plays him like he was Shane and he was being faithful to the novel if not the real Bowie. But then we've never seen the real one on screen any time.
Still for those who liked Ladd's portrayal of Shane, The Iron Mistress is a good film for you.
You got to like Alan Ladd first off. He gave a good show in this performance and with a good story and supporting actors, this remains premium entertainment. In addition to the Bowie legend, we are introduced to the Bowie knife. A large no-nonsense will get the job done specially made knife that in the right hands can do quite a bit of damages if you are a master of said knife. Alan Ladd is that man. In addition to a nice flowing story-line, we are introduced to many memorable scenes which make this a must see movie again and again. We get a glimpse of the way it was way back when the country was young, Way back when, there was opportunity everywhere, brave men who took risks and danger to put them in their place if they made one wrong move. Many did. The movie emphasizes a moral code in its story of which men will duel over if not honored and obeyed. It wasn't enough to win or kill but how you win and kill that mattered as a mans reputation was the most important asset he had. Banks would loan on it, people would support it and others would imitate it making a person's character very valuable. Boy has that been compromised over the ages but not wiped out. If one finds an honest man who practices righteousness, faith is restored and good will toward men takes place. If many are found keeping this, then we are either closer to paradise or we are in Christmas! Pay attention to the leading ladies vanity. She has everything yet she has nothing and we are treated to a close-up glance of vanity at work and even more, pride in large doses too. Worthy time spent on this little gem. I have seen it perhaps ten times and am watching it now. What joy. Waste no more time reading this. Go and be entertained. Highly recommend eating while watching, a decent snack and a tasty drink. Please enjoy and if you recorded this off of TCM, watch it and save it and watch again in about 3 weeks. You will thank me!
This is an adventure story using fiction to tell about the early years of James Bowie,prior to his martyrdom at the Alamo a few years after this film ends. This is a typical romantic adventure story with Alan Ladd giving an erstwhile honest portrayal in the role that Richard Widmark did years later in THE ALAMO. Mr Ladd was short in stature,but you would never really know that,. as all of the actors were either his height or 1 or 2 inches either way. Virginia Mayo is as usual very beautiful & well dressed,She was never considered a great actress but she could portray a very selfish woman with perfect ease. The rest of the cast is just what you would expect in this type of vehicle. Good production values with a very good knife fight in a dark room with only lightning bolts to highlight the action. A bit long at 112 minutes, but entertaining. a low *** rating or a 7 on the IMDB scale
as always
Jay Harris.
as always
Jay Harris.
¿Sabías que…?
- ErroresThe knife-maker claims the meteorite he found is made of steel. Steel is a man-made substance using iron and carbon. Metallic meteorites contain an iron-nickel alloy.
- Citas
Jim Bowie: Ma...I killed a man.
Mrs. Bowie: Did he need killin'?
Jim Bowie: About as much as any man ever did.
- Créditos curiososPrologue: "Historical truth is sometimes stranger than fiction. James Bowie was an example--literally carving his name in history to become an American legend."
- ConexionesReferenced in El globo rojo (1956)
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- How long is The Iron Mistress?Con tecnología de Alexa
Detalles
- Tiempo de ejecución1 hora 50 minutos
- Relación de aspecto
- 1.37 : 1
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By what name was Ninguna mujer vale tanto (1952) officially released in India in English?
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