Mi hijo se enamora

Título original: The Happy Time

1952
Approved
1h 34min

CALIFICACIÓN DE IMDb

6.7/10

593

TU CALIFICACIÓN

Charles Boyer, Linda Christian, Marcel Dalio, Bobby Driscoll, Louis Jourdan, and Kurt Kasznar in Mi hijo se enamora (1952)

Spring inspires lessons in love and life for a French family in 1920s Ottawa, especially for teenage Robert, who's blind to the attentions of an American neighbor girl, because he's infatuated with the beautiful new maid, fleeing life as a magician's assistant. Robert's mother bemoans some of the Bonnard family male role models available to Robert: his party animal grandfather, roguish traveling salesman uncle Desmond, and an uncle who carries a water cooler filled with wine everywhere while his wife does all the work. As Desmond's temporarily off the road, he also targets the maid.

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Comedy

Agrega una trama en tu idiomaSpring inspires lessons in love and life for a French family in 1920s Ottawa, especially for teenage Robert, who's blind to the attentions of an American neighbor girl, because he's infatuat... Leer todoSpring inspires lessons in love and life for a French family in 1920s Ottawa, especially for teenage Robert, who's blind to the attentions of an American neighbor girl, because he's infatuated with the beautiful new maid, fleeing life as a magician's assistant.Spring inspires lessons in love and life for a French family in 1920s Ottawa, especially for teenage Robert, who's blind to the attentions of an American neighbor girl, because he's infatuated with the beautiful new maid, fleeing life as a magician's assistant.

Ver la información de producción en IMDbPro

CALIFICACIÓN DE IMDb

6.7/10

593

TU CALIFICACIÓN

Ver la información de producción en IMDbPro

Premios
- 2 premios ganados y 5 nominaciones en total

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Trailer 2:34

Official Trailer

Fotos3

Opiniones de usuarios23

6.7593

Opiniones destacadas

9Irene212

If this film has a flaw, I don't know what it is.

Except maybe the title. The film has been described as heartwarming in other posts, but it's more sophisticated than it is sentimental. It is funny and charming throughout, and strongly flavored with emotion. Frank words like erection and intercourse are never used (English is more naked than French, Boyer says at one point), but the moment when the young boy has his first sexual feelings, as he watches a magician's luscious blonde assistant, leaves no doubt about the movie's sexual theme, which is handled with exquisite tenderness.

There is nothing flashy about the film-making-- the stage play was opened up rather minimally, allowing the strength of the writing and the acting to shine. And both do. It's hardly worth singling out any one performer, the ensemble works so well together, though the three Bonnard brothers-- Boyer, Jourdan, Kasznar-- are particularly fine, especially when they gang up on the schoolmaster. This is an all but forgotten movie-- witty and wise, graceful and bold-- that has true greatness in it.

9klg19

A coming of age tale that is beyond charming

Three generations of French film charisma come together in this marvelous film about a family of French Canadians living in Ottawa (not Quebec!). Charles Boyer, in one of his earliest "character" roles after decades of being a leading-man lover, joins the up-and-coming Louis Jourdan and the old theatrical hand Marcel Dalio to make up the Bonnard family: Grandpere (Dalio) lives with Jacques (Boyer), his wife Susan (Hunt), and their son, Bibi (Driscoll). Jacques' bibulous, layabout brother Louis (Kasznar) lives across the street, with his shrewish, seamstress wife Felice and their possibly unmarriageable daughter. Desmonde, the third brother, is a traveling salesman with a rakish reputation--not unlike his father--who stays with Jacques' family when he's in Ottawa and who is a hero in the eyes of Bibi.

The story itself is small: Desmond comes to stay; Jacques, who plays violin and conducts the orchestra in a small burlesque and movie house, brings a sacked magician's assistant home to be the new maid; Louis storms out of his home and moves in on Jacques' porch; Grandpere falls ill; and Bibi deals with troubles at school and in the heart. But the writing and characterization are so true to life and moving that one gets utterly caught up.

The movie was based on a successful Broadway play (with Kasznar reprising his stage role, along with the young actress who plays girl-next-door Peggy), which in turn was based on a series of stories by Robert Fontaine about his own growing-up. The atmosphere is imbued with a certain French sophistication, but even more with the love and compassion all these members of the family have for each other. The conversation that the father, Jacques, has with his adolescent son, Bibi, as he tries to explain the tension between love and desire could be used successfully as a template for any such talk in any family on earth. But it is not just moving; much of the dialogue is as funny as in any family comedy you can think of.

I had never heard of this film, and only discovered it via Turner Classic Movies guest programmer. Sadly, it is not available in any video medium; I can't think of a better family film. If it comes around again on TCM, be sure to give it a try!

7CinemaSerf

The Happy Time

Aside from "Treasure Island" (1950) this might be my favourite film featuring the charming Bobby Driscoll. He's the teenage "Robert/Bibi" who is completely oblivious to the affections of his next door neighbour because he only has eyes for the new maid "Mignonette" (Linda Christian). His obsessiveness starts to affect his schoolwork, and when the lovelorn "Peggy" (Marlene Cameron) doctors a rather risqué copy of "Paris Match" and gets him into hot water, things get so serious as to require the intervention of his dad (Charles Boyer) and two uncles (Louis Jourdan and Kurt Kasznar). They question him about the naughty photos and respect his denial whilst also clocking really quite quickly just what is troubling their young charge. Boyer is also on good form here, and I thought Richard Fleischer's amiable direction allowed the deftly adapted script to tell us a story of pubescent love mixed with familial concern and affection and peppered with some lovely, quite witty, observational humour. Driscoll was seventeen or so when he made this, so he probably had some genuine hormones to add to this genuinely quite enjoyable comedic drama. Don't be put off by the rather ropey title track, it's really quite good fun, this.

10mervynt

One of my most memorable movies

I have not seen this for X decades and remember it with huge delight. I am now going to find a copy so I can see it again. A gentle, weighty movie - in my memory as long as I last. The performances of Boyer, Jourdan and all the others make it a must watch movie. For sentimentalists and for all film lovers. By modern standards this might not be a top notch film, however it is, by any standards, a really watchable and rewarding experience. You will not be able to resist the development of the characters and how they deal with the interpersonal relationships. By the skill of their acting and the subtlety of the direction this is a "must see"

8wes-connors

Bobby Driscoll Comes of Age

Bobby Driscoll (as Robert "Bibi" Bonnard) is a teenager "coming of age" in 1920s Ottawa. Mr. Driscoll's uncle, traveling salesman Louis Jourdan (as Desmond Bonnard), is away when the film begins; he enjoys a "playboy" lifestyle, but returns soon, for a visit. Driscoll's father, Charles Boyer (as Jacques Bonnard) appears to have grown out of an extended career of his own, as a "ladies' man"; and his father, randy Marcel Dalio (as Grandpa Bonnard), recognizes "la puberty" is beginning for Driscoll

Everyone in the cast is outstanding; but, "The Happy Time" is, more than anything, Driscoll's film. He more than holds his own, among the distinguished cast. Watching Driscoll perform in this film makes his sudden slide from favor all the more puzzling - he may not have grown up according to the Disney studio's specifications, but few do. As evidenced here, Driscoll should have had a long working career as, if anything, a comedian; "only one is from the burlesque, the other was obtained privately," he says, arriving at the dinner table wearing garters.

Director Richard Fleischer does Earl Felton's smartly written play justice. The film is full of nice "symbolic" touches - the canary, the girl's braces, and the medals appearing inside more than one of the characters' jackets. While beautifully done, the film's ill-mannered presentation of sex, love, and gender roles seems very queer; probably, the film's themes held significantly more charm in the 1950s. Also worth watching for Kurt Kasznar (repeating his stage role as a possibly alcoholic neighboring uncle), Marsha Hunt (whom Driscoll seems to take after, in looks), Linda Christian (recalling of Eva Gabor), Jimmy Bishop (a young Chuck Connors), and Marlene Cameron (entering her own "happy time").

******** The Happy Time (10/30/52) Richard Fleischer ~ Bobby Driscoll, Charles Boyer, Louis Jourdan, Kurt Kasznar

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Argumento

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Trivia
Marsha Hunt was offered the same role in the original Broadway production but turned it down. The part ultimately went to Leora Dana, who met and married Kurt Kasznar during the run of the play.

Citas
Jacques Bonnard: I think you and I should have a little talk. Sit down, Bibi. Well, there is no need to ask you why you did what you did. The reason is obvious: you did it because... why did you do it?
Robert 'Bibi' Bonnard: I had a desire to know what would happen... if I kissed Mignonette the way Valentino did.
Jacques Bonnard: You were curious.
Robert 'Bibi' Bonnard: Oui, curious.
Jacques Bonnard: Nothing more.
Robert 'Bibi' Bonnard: There is something more, but I don't know what it is.
Jacques Bonnard: Ah. Well. It is this 'something more' of which we shall speak. Now you see, Bibi, this... desire you have, it's a natural one, and since it is natural, it cannot be bad. It becomes bad only when the reason is bad. That is why so many people are mixed up
Robert 'Bibi' Bonnard: I, too, am mixed up.
Jacques Bonnard: Well, of course! So am I. Well, let's try to unmix ourselves, shall we? Now, Bibi, we speak now of love. And where there is love, there is also desire; they go together. Love must have the desire; I don't believe there can be love without it. But, it is possible to have the desire without love, and this is where the world falls apart. For instance, you don't understand why the principal of your school beat you.
Robert 'Bibi' Bonnard: No, papa.
Jacques Bonnard: Well, it is because he has been brought up to believe that the desire is wrong. And since he himself has the desire, he's even more mixed up than we are! He has been brought up in a world where the desire has been used so badly-so badly, believe me-that it itself is thought to be bad; and this is wrong. This is wrong, Bibi. And you know the reason for this condition? It is because so many people are without love.
Robert 'Bibi' Bonnard: Many people?
Jacques Bonnard: Many.
Robert 'Bibi' Bonnard: Uncle Louis?
Jacques Bonnard: You love your Uncle Louis, don't you?
Robert 'Bibi' Bonnard: I love him strongly.
Jacques Bonnard: That's good. He has a great need of love. And without love, one is defeated.
Robert 'Bibi' Bonnard: But this love is different. The love I have for Uncle Louis is different from the love I have for you; this also is different from the way I love maman. And then... Mignonette.
Jacques Bonnard: Eh, oui, Bibi. And this love we speak of now, when it is real, when it is true, it is the greatest love of all. I know; we have it here, in this house, Maman and I; it is the best, it is the most natural. In this way, the world comes down to a house, and a room, and a bed, and if there are two people in love there, then that is the whole world. Of course, you won't know this for many years. You know it is possible never to know it? I hope you will. If you are as lucky as I am, you will.
Robert 'Bibi' Bonnard: I will look for someone like Maman!
Jacques Bonnard: Oh, no! No, no, no, no! On the contrary: the secret is not to imitate. Look for your heart's need, and then she will come. Well, I've talked enough, and still you don't know what I wish to say.
Robert 'Bibi' Bonnard: I think I do.
Jacques Bonnard: Well, perhaps, when we speak of this again, I will find better words.