Agrega una trama en tu idiomaAfter leading nuclear scientists are kidnapped and smuggled behind the Iron Curtain, an FBI man and a British agent are assigned to catch the kidnappers.After leading nuclear scientists are kidnapped and smuggled behind the Iron Curtain, an FBI man and a British agent are assigned to catch the kidnappers.After leading nuclear scientists are kidnapped and smuggled behind the Iron Curtain, an FBI man and a British agent are assigned to catch the kidnappers.
- Dirección
- Guionistas
- Elenco
Grace Arnold
- Neighbour
- (sin créditos)
Ernest Blyth
- Morgue Attendant
- (sin créditos)
Cyril Chamberlain
- Bailey
- (sin créditos)
Arnold Diamond
- Max
- (sin créditos)
Howard Douglas
- Taxi Driver
- (sin créditos)
Arthur Lovegrove
- Phillips
- (sin créditos)
Anthony Pendrell
- Rees
- (sin créditos)
Norman Pierce
- Inspector Hobbs
- (sin créditos)
Harry Towb
- Immigration Officer
- (sin créditos)
John Warwick
- Security Chief Brice
- (sin créditos)
Opiniones destacadas
Airplane engineers are being snatched off the street, so George Raft, an airplane designer, flies to London to take up Clifford Evans' job offer, only first he has to find him. This leads him to Sally Gray, who turns out to be working for British Intelligence. They start pursuing Evans together.
This is a rote movie and everyone seems to be putting in just enough energy to collect their paychecks. The script starts and stops for no clear reason, as bad guys try to kill Raft and then leave after the first attempt fails; a bad guy takes a swing at Raft, misses by several inches, and Raft falls down. The entire production is run in such a sloppy, uncaring manner that the viewer must be similarly unengaged.
There is some decent inadvertent documentary work in the site location; as Raft and Miss Gray wander about London, there are some nice views of still unrepaired war damage. However, given the generally low level of excellence, that made me think the film makers were ripping off shots from THE THIRD MAN and NAKED CITY.
This was Sally Gray's first movie since 1949 and her last. She would retire from the movies to become Baroness Oranmore and Browne, Baroness Mereworth in a fifty-year marriage and live to be 91. It's a happy ending that satisfies me.
This is a rote movie and everyone seems to be putting in just enough energy to collect their paychecks. The script starts and stops for no clear reason, as bad guys try to kill Raft and then leave after the first attempt fails; a bad guy takes a swing at Raft, misses by several inches, and Raft falls down. The entire production is run in such a sloppy, uncaring manner that the viewer must be similarly unengaged.
There is some decent inadvertent documentary work in the site location; as Raft and Miss Gray wander about London, there are some nice views of still unrepaired war damage. However, given the generally low level of excellence, that made me think the film makers were ripping off shots from THE THIRD MAN and NAKED CITY.
This was Sally Gray's first movie since 1949 and her last. She would retire from the movies to become Baroness Oranmore and Browne, Baroness Mereworth in a fifty-year marriage and live to be 91. It's a happy ending that satisfies me.
Have been watching quite a few of the films presented by TCM in the latest retrospective of George Raft's films. and am amused by many of the reviews critical of the quality of the films. Yes, they are dated, corny, not well-plotted in some cases and Raft is not a very good actor -- in fact he is quite stiff and only seems to move with any grace when he is dancing.
But he is fun to watch and in this film, as in many others in this latest series on TCM, you see what audiences found appealing about Raft -- he is always very cool and virtually expressionless regardless of the circumstances and his backstory including his friendship with mobsters is right out of The Godfather.
This is no noir, and at least on my disc, the sound was not good.
Many actors post-war went to England and did a lot of these B movies, which are done with next to no budget. Among the actors who participated: Dennis O'Keefe, Robert Preston, Dane Clark, and Cesar Romero. I have to say they're fun and sometimes atmospheric.
This one, with George Raft, has some good atmosphere - bombed-out London and some nice interiors.
In the story, nuclear scientists are kidnapped and taken behind the Iron Curtain. An undercover FBI agent (Raft) and a British agent (Frederick Piper) are assigned to capture the kidnappers. Raft sneaks into the country, escaping immigration, in order to draw attention to himself so he would be seen as wanted and nonthreatening.
What winds up happening is that the British agent's assistant, played by Sally Gray, ends up with Raft as they track the kidnappers.
This is pretty ordinary stuff. I like both Gray and Raft. Raft had a real warmth about him when he was at Warners, but I think he's one actor who needed a good director. Here he's elegant but monotoned.
Just okay. Unfortunately, this was Sally Gray's last film. She was invited to go to Hollywood but instead married a Lord who was in the House of Lords, stayed married to him for 52 years, and never worked again. He was 100 when he died; she was 91.
The story goes that her stepson was a friend of John Lennon's and is the subject of "A Day in the Life of a Fool."
Many actors post-war went to England and did a lot of these B movies, which are done with next to no budget. Among the actors who participated: Dennis O'Keefe, Robert Preston, Dane Clark, and Cesar Romero. I have to say they're fun and sometimes atmospheric.
This one, with George Raft, has some good atmosphere - bombed-out London and some nice interiors.
In the story, nuclear scientists are kidnapped and taken behind the Iron Curtain. An undercover FBI agent (Raft) and a British agent (Frederick Piper) are assigned to capture the kidnappers. Raft sneaks into the country, escaping immigration, in order to draw attention to himself so he would be seen as wanted and nonthreatening.
What winds up happening is that the British agent's assistant, played by Sally Gray, ends up with Raft as they track the kidnappers.
This is pretty ordinary stuff. I like both Gray and Raft. Raft had a real warmth about him when he was at Warners, but I think he's one actor who needed a good director. Here he's elegant but monotoned.
Just okay. Unfortunately, this was Sally Gray's last film. She was invited to go to Hollywood but instead married a Lord who was in the House of Lords, stayed married to him for 52 years, and never worked again. He was 100 when he died; she was 91.
The story goes that her stepson was a friend of John Lennon's and is the subject of "A Day in the Life of a Fool."
Escape Route is a low budget quickie with ageing US star George Raft as Steve Rossi.
Rossi shows up in London, skipping the immigration queue and looking for an old friend called Grand.
Grand is elusive and wants to stay that way. Rossi is in fact a FBI agent who is investigating a gang kidnapping western scientists and taking them to Eastern Europe. Rossi teams up with the British secret service agent Joan Miller (Sally Gray) to apprehend Grand.
Raft looks a bit stiff and the romance with his younger star Sally Gray looks a bit ikky.
The film is ponderous, the title of the movie makes no sense. It is efficient but the plot seems all over the place with no tension or thrills.
Rossi shows up in London, skipping the immigration queue and looking for an old friend called Grand.
Grand is elusive and wants to stay that way. Rossi is in fact a FBI agent who is investigating a gang kidnapping western scientists and taking them to Eastern Europe. Rossi teams up with the British secret service agent Joan Miller (Sally Gray) to apprehend Grand.
Raft looks a bit stiff and the romance with his younger star Sally Gray looks a bit ikky.
The film is ponderous, the title of the movie makes no sense. It is efficient but the plot seems all over the place with no tension or thrills.
The Soviets have been kidnapping scientists from all over the world. FBI agent Steve Rossi (George Raft) sneaks into England to try to infiltrate the kidnapping ring. He is captured by MI5 agent Joan Miller and she joins his mission.
This is a British espionage thriller. There isn't much thrilling. There is not much action to speak of other than a slow ride down an elevator. The elevator is more interesting than the fight. There is no great spy craft. It's a lot of static talking with intermittent moments of something possibly interesting. It's not enough.
This is a British espionage thriller. There isn't much thrilling. There is not much action to speak of other than a slow ride down an elevator. The elevator is more interesting than the fight. There is no great spy craft. It's a lot of static talking with intermittent moments of something possibly interesting. It's not enough.
¿Sabías que…?
- TriviaFinal film of Sally Gray.
- ErroresAccording to a newspaper headline, Steve arrived in London on a Monday and disappeared before reaching customs. Steve spends that day looking for Michael, instead finding Joan and spending that night at her place. The next day, Tuesday, after meeting Joan's boss, they chase around town after Michael and end up in police custody. Later that night they are released and discover Michael's secret hideout and find a coded message about someone leaving the country Sunday at noon, which suddenly is only 9 hours away despite the previously established time line being that it is early Wednesday morning.
- Citas
Inspector Reid: What are they running down there? An immigration control or a game of hunt-the-alien?
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- I'll Get You
- Locaciones de filmación
- Duchess of Bedford Walk, Kensington, Londres, Inglaterra, Reino Unido(Steve and Joan escape from the police by car)
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 1h 18min(78 min)
- Color
- Relación de aspecto
- 1.37 : 1
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