Almas desesperadas

Marilyn Monroe and Richard Widmark star in this early Monroe star vehicle. This is one film you'd never see being made today, due to the new child-care sensibilities.

Jim Backus and Lorene Tuttle leave their child with a complete stranger while they go out for an evening. The stranger is Monroe, complete with wrist scars, who is the niece of the elevator man in the hotel where the couple is staying.

Mid-evening, she picks up with Widmark, who is more upset about his lounge singer girlfriend (Anne Bancroft) breaking up with him than he thought he would be - he and Monroe flirt from their respective rooms. Widmark goes to the room, expecting a night of fun.

Instead he and the hapless child get a night of terror, with Monroe believing Widmark is her dead pilot boyfriend and nearly killing not only the little girl but her uncle as well. Turns out, Marilyn's been institutionalized and her uncle (Elisha Cooke, Jr.) thought she was "nearly well."

Monroe is very good in this - very beautiful, of course, as well as vulnerable and believable. The wild look in her eyes when she scolds the little girl is downright scary.

One thing that has always bothered me about Monroe doing drama is her very excellent diction which always sounds studied and unnatural. It's a distraction in this film as well.

However, she's so watchable in everything - the camera just adored her - I have to believe that as she lived and aged, she would have had more chances at drama.

Widmark is excellent as the apparent cynic who proves to have more to him than his girlfriend thought - in fact, his character was much better with the child than Monroe's.

Bancroft's role is small and belies her future dramatic appearances; and there is a cameo by "Honeybee Gillis," Joan Blondell's sister Gloria, as a photographer.

If you really want to see true vulnerability, watch Marilyn Monroe in the 1952 "Don't Bother to Knock" opposite Richard Widmark and Anne Bancroft. She plays a disturbed girl and at one point she comes down in the elevator, and when the door opens, her face alone will break your heart.

Anne Bancroft was interviewed about Marilyn and said that she had not been expecting the reaction she would have to that scene. She said when those elevator doors opened and Marilyn came out of the elevator, it stunned her and the rest of the cast and crew to watch her, she seemed so authentically confused and lost and vulnerable. Bancroft said it was the hardest scene she has ever had to watch, because you felt it was really happening to Marilyn herself.

She truly was a "candle in the wind".

This psychological suspense flick was one of Marilyn's first leading roles and gave the sexy star an opportunity to play a serious dramatic role. Viewers who have never seen the great Monroe in a serious part will be amazed. She really was a very gifted and versatile actress. Sincerely, if you have ever dismissed Monroe as just another pretty face, you should really see this film. If after that you're still not convinced, then rent BUS STOP.

Excellent drama starring Marilyn Monroe in possibly her best role. She did this movie specifically to prove her worth as an actress, and she definitely succeeds at that point. Richard Widmark co-stars. After breaking up with his girlfriend (Anne Bancroft, in her debut), Widmark spots Monroe through her window across from his hotel room. He invites himself over there. She's babysitting, but she immediately lies about who she is and what she's doing. It turns out she's kind of a nutcase and has just recently returned from the mental hospital. She begins to mistake Widmark for a dead former boyfriend, and it seems as if the girl she's babysitting may be in danger. This is a tight little film, running at just under 80 minutes. Elisha Cook Jr. co-stars as Monroe's uncle. Widmark is every bit as impressive as Monroe. It's too bad Monroe didn't get to try her hand at more dramatic roles.

to be absolutely honest, marilyn monroe acted extremely well in this film. I think it was the first i had everseen of her (2001) and after all i had heard about her acting as a "blonde bombshell" this picture sent me in another direction. SHE CAN ACT!! to see marilyn play a psychotic woman may not have been completely hard for her (no offense intended) but i feel it was superb acting! Ashame she wasnt offered more roles like this one