Oro del Caribe

However grim the subject (in this case, the slave trade), a little sense of humor can take off the edge. Unfortunately, "Caribbean" doesn't offer that much needed sense of humor. John Payne makes a surprisingly bland hero, much in contrast to his wonderful turn in Tripoli. Arlene Dahl, gorgeously decorative, really hokes this one up. One can only imagine what Maureen O'Hara or Rhonda could have done with the part. Even the key supporting players fail to impress, with the exception of the extraordinary Cedric Hardwicke, and actor who probably never gave a bad role. One could only imagine how could "Caribbean" could have been with everyone else performing to Hardwicke's fine standards.

The script is episodic and badly paced. The duologue is so forgettable, it might as well have been a silent movie with "matinee cards". Nonetheless, one cannot help but marvel at the gorgeous production values of this superb use of Technicolor, miniatures and costumes. In fact, the beast way to see "Caribbean" is silent, with some really good orchestral music off YouTube. The plot is so predictable and obvious, you wouldn't miss the duologue and you would be spared a musical score more appropriate for a 20s silent film. You'd also miss repeated use of the "N" word, which has become so derogatory, schools have tried to censor it from Mark Twain.

Nonetheless, on the strength of Hardwicke's performance and aforementioned production values, I give "Caribbean" a "6".

Directed by a "home" film maker Edward Ludwig, who, with Lewis R Foster, was specialized in films of this kind, taking place in the South seas, on paradise islands, jungles, deserts, with many natives, serpents, villains, dangers of all kinds, pirates, ships, plenty of action scenes and of course romance intrigues. Here John Payne and Arlene Dahl, also pure "home" actors at Paramount for this kind of films, contribute to add much charm and atmosphere to this colourful adventure movie that will enjoy nostalgia and old times lovers. The topic, plot itself is not that usual,I would say it is elaborate. The John Payne's character finds himself in the middle of a feud between Cedric Hardwicke and Francis Sullivan, more impressive one than the other; a deadly feud Excellent screenplay and also atmosphere, settings - maybe not locations but studio lots - are worth the watching. Great climax. Some elements very close to another Edward Ludwig's film: WAKE OF THE RED WITCH. Treasure hunt in ths South Seas and same kinds of characters.

This movie also leaves a lot of loose ends. It's hard to believe that Arlene Dahl would fall so quickly for John Payne. Also, Payne's former life is quickly forgotten. This movie must have been made for kids because it was preposterous to this adult. Payne is a serviceable actor but he doesn't have the charisma for this kind of role. He is rather solemn-faced and this role demands a little more levity. Forget this and look for an Errol Flynn movie instead.

It's sad that the plot from Caribbean seems to be taken from a romance novel. Sad because at the time and place of this film, just a few years before the civil rights revolution, a film about a slave revolt would have been considered a classic had it not been attached to such a hokey plot.

John Payne plays a hunter who sees pirate Cedric Hardwicke bury a treasure and gets caught doing it. Normally that would mean Payne's quick demise, but Hardwicke has a use for him. The ship's surgeon gives Payne a facial scar needed to pass as the nephew of his mortal enemy Francis L. Sullivan who was once Hardwicke's partner and who cheated him out of his share and even had him sold into Spanish slavery and took Hardwicke's daughter to raise as his own and she grew up to be Arlene Dahl.

Now pirate Hardwicke who looks like he makes a good living at the pirate trade is still out to get his ex-partner and Payne is to be his inside man.

Sullivan looks like he's having a great old time hamming it up as the villain without any appreciable redeeming qualities. Still it's not enough to save the film. Neither are some interesting portrayals by Clarence Muse and Woody Strode as leaders of the slave revolt.

Caribbean is a great romance novel view of the 18th century with Payne and Dahl decked out like romance novel leads. Costumes and scenery are great and even greater in technicolor. But what could have been a great film on slavery in the British West Indies gets the budget treatment with a hokey plot courtesy of Paramount's B picture unit.

"Caribbean" is a pirate story set in 1728, with an unusual plot and no real swashbuckling. Most of the short scenes with the pirate ship, Niobe, are of a distant three-master on the open water. The sails seem to be full but the ship isn't moving through the water and is listing heavily to the port side. Very weird and amateurish production. It's a Technicolor movie made by Pine-Thomas Productions at the Paramount Studios.

The plot is just interesting enough to keep one watching it, with a cast of some well-known actors of the day. But the story and screenplay drag on and on. It has a stagy feeling of scenes on the ship and on the island. The main cast are fairly good, but the rest - including those playing the Caribbean island natives seem wooden and hesitant.

John Payne has the lead as Dick Lindsay, with Arlene Dahl as a somewhat object of his affections late into the film. The best names, and acting, are by Francis L. Sullivan as Andrew MacAllister, Willard Park as Shively, Cedric Hardwicke as Captain Francis Barclay and Dennis Hoey as Burford. Hardwick's Barclay seems a bit overly dramatic and cultured for a pirate role, even with his background in the film. No one could play the nasty, mean, heartless characters that Sullivan could, and his MacAllister here is as unlikeable as one can get.

Anyone expecting a swashbuckler will be disappointed. And, there isn't that much action or adventure at all. It's mostly a fictional picture of a small island kingdom of sorts, where a tyrannical master (Sullivan's MacAllister) has enslaved the islanders. And a tale of revenge by a former colleague whose life and family were ruined by MacAllister. The ending has a very interesting twist - sort of bittersweet.

Here are some lines from this film.

Robert MacAllister, "I was beginning to wonder if I'd be forced to dine with the crew tonight." Captain Francis Barclay, "My crew doesn't dine - it gorges, Mr. MacAllister."

Captain Francis Barclay, "Suppose I offer you your freedom and a hundred thousand pieces of eight?" Dick Lindsay, "That's a lot of supposing. What would I have to do?" Captain Barclay, "As you're told." Lindsay, "For how long?" Barclay, "That depends on you - unless, of course, you got killed in the line of duty." Lindsay, "And if I refuse?" Barclay, "You'll probably get killed out of the line of duty." Lindsay, "When do I begin?" Barclay, "It may surprise you to know, Mr. Lindsay, that you began when we first met."

Elizabeth, head maid, "When two stones meet, they make fire. When right man and woman meet, same thing."