Agrega una trama en tu idiomaIn 1690, pardoned pirate Captain Blood's quiet existence is shaken when the Crown re-arrests him on fresh piracy charges but the captain suspects he's being set up.In 1690, pardoned pirate Captain Blood's quiet existence is shaken when the Crown re-arrests him on fresh piracy charges but the captain suspects he's being set up.In 1690, pardoned pirate Captain Blood's quiet existence is shaken when the Crown re-arrests him on fresh piracy charges but the captain suspects he's being set up.
- Dirección
- Guionistas
- Elenco
Malú Gatica
- Amanda
- (as Malu Gatica)
Abdullah Abbas
- Pirate
- (sin créditos)
Victor Adamson
- Pirate
- (sin créditos)
George Barrows
- Seaman
- (sin créditos)
Robert Bice
- Lieutenant
- (sin créditos)
Barry Brooks
- Sailor
- (sin créditos)
Opiniones destacadas
Yes, folks, the producer of this marvelous little adventure yarn is the same who gave us the Budd Boetticher and Randolph Scott's western series, several years later. I am so happy that it was not the infamous Sam Katzman who produced this excellent movie. Because the poor Ralph Murphy - lame director - could have done anything against this Katzman plague; even William Castle hardly tried his best, during his Columbia Pictures period, with Katzman on his back, watching over his shoulder. Without any success.... So, yes, this tremendous adventure film, very colorful, action packed, is as good as the Sidney Salkow's films or even the Universal Studios ones, also from the same period, starring the likes of Maureen O'Hara insteand of Patricia Medina - O'Hara's equivalent for Harry Cohn's company (Columbia).
Notice the billing of Louis Hayward swashbucklers after 1948. While always getting top billing he began getting top solo billing. He was one of the first to get a percentage of the profits of his pictures. They did well and Hayward retired comfortably. Often playing dual roles in his films, the dandy by day and swashbuckler by night, he mutes the dual characterizations in "Captain Pirate" and it is sorely missed. The lifted eyebrow, that haughty Louis Hayward laugh, which made him so unique in "Man in the Iron Mask" and "Pirates of Capri" he tempered in later films. However, with his dash and élan, that velvet voice, his decoration for World War II valor giving him extra gravitas, Captain Louis Hayward is always a joy to watch and "Captain Pirate" is wonderful, innocent fun.
LOUIS HAYWARD was born to play the lead in swashbuckler movies like this one; and 60 years ago when he did movies in modern clothes the public wished he was in a movie like this one.
A well made action adventure which relies heavily on character and story -- and less on today's annoying jump-around camera "work" and editing -- without the silliness of Jerry Bruckheimer and Johnny Depp -- this was what pirate movies were all about.
One thing about CAPTAIN PIRATE is the slavery thing which is not the main focus but is a vital part of the story. The slaves were in Jamaica, and in Martinique, and Santo Domingo, and a lot of other places. England, Spain, Netherlands, France; they all enjoyed the benefits of "live gold" -- but kept their slaves out-of-sight in the Caribbean (and other places). America was the country that ENDED slavery; but all the same we hear bellyaching about it 150 years later -- not just from Blacks but from white liberals and their endless hand-wringing "White Guilt" -- even though nobody's been a slave or owned a slave in a century-and-a-half. Captain Blood did NOT like slavery -- most particularly since he was an ex-slave (oh, yes; white slaves too).
This fine movie, as well as the earlier "Fortunes of Captain Blood" are available on DVD. I recommend both. Or either.
A well made action adventure which relies heavily on character and story -- and less on today's annoying jump-around camera "work" and editing -- without the silliness of Jerry Bruckheimer and Johnny Depp -- this was what pirate movies were all about.
One thing about CAPTAIN PIRATE is the slavery thing which is not the main focus but is a vital part of the story. The slaves were in Jamaica, and in Martinique, and Santo Domingo, and a lot of other places. England, Spain, Netherlands, France; they all enjoyed the benefits of "live gold" -- but kept their slaves out-of-sight in the Caribbean (and other places). America was the country that ENDED slavery; but all the same we hear bellyaching about it 150 years later -- not just from Blacks but from white liberals and their endless hand-wringing "White Guilt" -- even though nobody's been a slave or owned a slave in a century-and-a-half. Captain Blood did NOT like slavery -- most particularly since he was an ex-slave (oh, yes; white slaves too).
This fine movie, as well as the earlier "Fortunes of Captain Blood" are available on DVD. I recommend both. Or either.
I guess the previous reviews have said most of it. I watched this film without having seen "Fortunes of Captain Blood", and it was OK. Good colour, and the battle scenes, including the inevitable closing duel, were well mounted, if one makes allowances for model ships devoid of crews.
The plot progressed at a good pace, though there were several occasions when I thought "How on earth did (s)he know that", and the King of Spain's offer of a pardon for Dona Isabella arrived very quickly indeed.
There was quite a parade of colourful characters who had a few minutes of screen time.
The plot progressed at a good pace, though there were several occasions when I thought "How on earth did (s)he know that", and the King of Spain's offer of a pardon for Dona Isabella arrived very quickly indeed.
There was quite a parade of colourful characters who had a few minutes of screen time.
Louis Hayward plays Captain Blood, now a reformed character and practicing medicine on a tropical island who wants to settle down and marry a Spanish countess dressed by Jean Louis.
But as regularly happens to Elvis Presley in similar circumstances his past comes back to haunt him and he has to pick up his sword and return to the high seas to restore his reputation.
There's a lot of talk amidst the action; the picture's aspirations to an epic dimension deriving from a brief narration by Patricia Medina. In amongst the yo-ho-ho and swordplay Hayward also gets the admiring attention of a cute little kid who's also just like you'd find in a Presley picture.
But as regularly happens to Elvis Presley in similar circumstances his past comes back to haunt him and he has to pick up his sword and return to the high seas to restore his reputation.
There's a lot of talk amidst the action; the picture's aspirations to an epic dimension deriving from a brief narration by Patricia Medina. In amongst the yo-ho-ho and swordplay Hayward also gets the admiring attention of a cute little kid who's also just like you'd find in a Presley picture.
¿Sabías que…?
- TriviaIncludes black and white archive footage from Nuevas aventuras del Capitán Sangre (1950), used in flashback form.
- ErroresThough the film is set in 1690, one of the characters sings "Largo al factotum" from Rossini's opera "The Barber of Seville," which wasn't written until 1816.
- ConexionesFollows Nuevas aventuras del Capitán Sangre (1950)
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- How long is Captain Pirate?Con tecnología de Alexa
Detalles
- Tiempo de ejecución
- 1h 25min(85 min)
- Relación de aspecto
- 1.37 : 1
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