Los enemigos de la humanidad

Check out the first 20 minutes even though the suspense hasn't yet kicked in. We get a pretty good look at super-secret Los Alamos just a few years after the big bomb test that helped end WWII. Except for the tight security, it looks unthreatening enough. Note how it's a TV repairman, an obvious regular guy, who takes us through security. Once through, it's like any-town-USA, nice homes, quiet streets, kids going to school, and a family TV on the blink. Later on we see little Tommy and little Peggy frolicking along streets lined with impressive looking facilities separated by locked gates. The movie appears to be saying, "Okay, we're tough, only because we have to be. But, basically, we're still just folks."

Now, I expect that was a comforting message to Cold War audiences still not used to government's "dooms-day" research. It's a clear effort at popular reassurance. The one darker note is when Tommy's mother (Clarke) worries about her son's mental state. He doesn't say, "When I grow up"; instead, it's, "If I grow up". That note of doubt not only reflects a Los Alamos reality, but also a national one that in 1952 had just seen footage of the apocalyptic H-bomb. Note too, how professionally FBI agents are portrayed, a standard feature of McCarthy era fare. When brute force is needed, it's not they, but private citizen Gene Barry who thrashes out the information—an early version, I suppose, of modern era "rendition".

Once the kidnapping occurs, the suspense doesn't let up. The intrigue is nicely handled with colorful LA locations that keep us guessing. The climactic scenes around the cliff dwellings may not be plausible as a hiding place, but the view of northern New Mexico is great. Then too, the ancient stone apartments amount to one of the more exotic backdrops of the decade. Note also the extensive use of the police helicopter just coming into use as a law enforcement tool. Among an otherwise subdued cast, Nancy Gates remains a sparkling presence as teacher Ellen Haskell. Never Hollywood glamorous, she was still a fine unsung actress and winning personality. I also expect this was one of director Hopper's more successful movie efforts, and though people have since gotten used to the nuclear threat, the movie remains a revealing and riveting document of its time.

The young son of nuclear physicist Dr. Frank Addison (Gene Barry) is kidnapped by enemy agents. They offer up his life and well-being in trade for the H-bomb secret knowledge Dr. Addison possesses of America's atomic program.

This cold war paranoia thriller is in some ways ahead of its time as many such themed films would get made in the years to come. While it has its moments, maintaining an high level of suspense with regards to the continued safety of Dr. Addison's son Tommy (well played by Lee Aaker) and creating an exciting climax at the end, this disappoints in that it never delves into the negative possibilities associated with the H-bomb secrets falling into enemy hands, an exploration of which I feel would have given this the bite it lacks. Also the villains remain much too colorless and forgettable aside from a chilling sequence where they try and lure the child Tommy out of a cave hideaway. All in all though, it's better than I expected thanks in no small part to a good cast and tight-paced direction.

I found "The Atomic CIty" somewhat disappointing after two viewings. It starts from an interesting platform; young son of big-shot post-war nuke scientist bottled-up in New Mexican middle-of-nowhere research base is kidnapped and held for intelligence ransom. But after 30 minutes it descends straight down to a very mediocre, run-of-the-mill kidnapped kid story complete with all cliché trimmings (hysterical mother, overwrought macho dad).

The film drifts between styles. The lead-in sets up a documentary-style narrative. But then the early family scenes present a more dramatic style. Scenes where the cops are tracking down the kidnappers slide back into documentary. It's a goofy stew with uneven pacing.

To make matters worse none of the characters are well developed and by the end you'll probably find that you just don't care what happens very much any more.

In this cold war thriller, Gene Barry plays Frank Addison, an atomic scientist at Los Almos (aka The Atomic City) whose son Tommy is kidnapped by communist agents. The kidnappers demand from Addison that he hand over atomic secrets in exchange for Tommy's safe return.

This very effective cold war era espionage thriller used turn up often on late night television in late sixties and early seventies. I missed it then, but got a chance to see it very recently when I found a video copy tucked away in a remote corner of my favorite video store. I found THE ATOMIC CITY to be a tense, exciting thriller of the type they made so well back in the late forties and early fifties. The film moves at a quick pace, most of the cast is good, the black and white photography excellent, and very good use of real locations.

One interesting thing I discovered while watching this film is how Los Almos was actually a self contained city, hence the title. The scientists who worked at Los Almos lived in houses inside the secure confines of Los Almos. Los Almos even had its own schools. It is interesting that Tommy is kidnapped when he leaves the secure isolated confines of "The Atomic City" when goes on a school trip.

The Atomic City refers to the community of Los Alamos in New Mexico where nuclear scientists live and work. It's a self contained private community with right security as tight as when it began during World War II. But on a school trip, Lee Aaker son of atomic scientist Gene Barry, is kidnapped and held for ransom for the secret of the newly developed hydrogen bomb.

This film was made in 1952 at the time when Julius and Ethel Rosenberg's case was on appeal and front page headlines. So it was a timely film back during the McCarthy era.

It's a tightly edited little noir thriller. I recommend it highly as an antique of bygone days.

What was amusing to me is the way the FBI is portrayed. In this day and age I'm not sure too many people really care other than for political posturing as to how terrorists are treated. Back then though the FBI had this all American image. They don't do things like torture prisoners.

When Leonard Strong one of the kidnappers is nabbed, he laughingly flings the Bill of Rights and the FBI's code of conduct in their faces and won't divulge anything. Then Milburn Stone, the FBI agent takes a break and father Gene Barry goes in with the prisoner alone. Needless to say, Strong coughs up what they need but quick.

J.Edgar Hoover was most concerned about the image of his bureau and his agents, so the third degree for the FBI couldn't be shown. Kind of laughable today.