Los enemigos de la humanidad

A slick, good-looking thriller with excellent location work, which uses the backdrop of Los Alamos to bring it's story bang up to date. It acknowledges that despite the comforts of postwar affluence the world was never the same again after the development of the atom bomb; the kid in this film giving voice to the existential trauma wrought on every succeeding generation when he says "if" rather than "when" he grows up...

The title suggests sci-fi, but kidnapping children for a ransom had been an ever-present nightmare since the abduction of Charles Lindbergh's son twenty earlier. This time the kidnappers are dastardly commies whose price for the return of the kid is atomic secrets; and choosing between the life of a cute kid and countless others remains a perennial nightmare, as Col. Helen Mirren was recently reminded in 'Eye in the Sky'.

Here is a much lesser known 50's sci-fi with a little different twist. An atomic researchers son is kidnapped and held for a ransom of the the Father's atomic secrets.

This is a tightly knit atomic sci-fi thriller with great production values and above average acting, even from the kid. The Atomic City actually has a movie feel to it unlike a lot of other 50's sci-fi of this time which which came off more like an episode of a TV show.

The Atomic City was also actually nominated for an Academy Award for Best Screenplay - how many other 50's sci-fi can tout an Academy Award Nomination?

Great pacing, tight direction and some superb location filming in the 'real' Atomic City of Los Alamos, New Mexico make this one worth hunting down. The collectors print in circulation is an above average transfer and makes for a great double feature with the Atomic Man!!

Recommended.

I have just watched The Atomic City for the first time and was very impressed by it.

A nuclear scientist's son is kidnapped when he goes out of the confines of Los Almos on a school trip. The kidnappers want to know the secrets of the H bomb, but it isn't long before the FBI are on the case and the kidnappers eventually track down the boy and the kidnappers in some old cliff dwellings. The boy is rescued at the end, but not before he nearly falls from a cliff trying to escape the kidnappers.

This movie was filmed on location in Los Almos and San Francisco and good use is made of these locations. It gives you an idea on what life was like in this period.

The movie's cast includes Gene Barry (War Of The Worlds), Nancy Gates (World Without End) and the boy is played well by Lee Aaker (The Challenge of Rin Tin Tin).

I enjoyed this movie and is worth watching if you get the chance.

Rating: 4 stars out of 5.

I found "The Atomic CIty" somewhat disappointing after two viewings. It starts from an interesting platform; young son of big-shot post-war nuke scientist bottled-up in New Mexican middle-of-nowhere research base is kidnapped and held for intelligence ransom. But after 30 minutes it descends straight down to a very mediocre, run-of-the-mill kidnapped kid story complete with all cliché trimmings (hysterical mother, overwrought macho dad).

The film drifts between styles. The lead-in sets up a documentary-style narrative. But then the early family scenes present a more dramatic style. Scenes where the cops are tracking down the kidnappers slide back into documentary. It's a goofy stew with uneven pacing.

To make matters worse none of the characters are well developed and by the end you'll probably find that you just don't care what happens very much any more.

One of my sci-fi/horror/fantasy reviews written 50 years ago: Directed by Jerry Hopper for Paramount release, "The Atomic City" stars Gene Barry (in his movie debut), Milburn Stone, Lydia Clarke and Nancy Gates.

A straight science fiction-espionage thriller that emphasizes suspense rather than gadgetry, as physicist Gene's son is kidnapped by enemy agents. The Los Alamos setting was topical at the time, and proves to be still relevant.

Gene Barry's magnetism on screen served him in good stead, not as a movie star but as the lead in successful series I enjoyed like "Bat Masterson" and "Burke's Law", quite different genres but both made his own as a smooth performer -the sort of easy, comfortable personality as an actor that Perry Como exuded as a singer/host.