Cinco dedos

James Mason does an excellent job as a suave valet to the British Ambassador in "Five Fingers." Desiring the life of a Rio de Janeiro gentleman, he starts selling secrets out of the Ambassador's safe to the Nazis, with the help of the wife of his former employer, Danielle Darrieux. Michael Rennie is brought in to see if he can discover the source of the leak.

Joseph Mankiewicz directed the film, and it's done in partial documentary style with narration. It's based on a true story, though the Darrieux character was invented for the film.

This is a highly entertaining film with some wonderful, suspenseful moments, a neat twist at the end, and the highly atmospheric Turkish scenery. Highly recommended.

Up till recently I had never seen 5 Fingers, for some reason it is rarely shown on television. But in watching it I knew why Alfred Hitchcock had cast James Mason as villainous Philip Van Damm in North By Northwest. His role as Diello in 5 Fingers, the Albanian spy for profit, is apparently what Hitchcock saw before casting his film.

The setting of this is Ankara, capital of neutral Turkey in World War II. Mason is the valet of the British ambassador there and an Albanian national. He's hit upon a scheme to enrich himself with a little espionage.

Mason hits the jackpot with the secret plans for Overlord, the location and operation of the Allied invasion of Europe. He pulls off the caper of all time, but things go quite awry after that. Former employer Countess Danielle Darrieux does him wrong in a very big way.

Michael Rennie is fine as the intrepid British counter intelligence agent and the other outstanding performance is John Weingraf as Franz Von Papen the German Ambassador to Turkey at the time. He wasn't called the Fox for nothing.

If you enjoyed James Mason in that Hitchcock classic, you will not want to miss 5 Fingers.

During the late 1940s and into the 1950s, Joseph Mankiewicz was probably the most successful man in Hollywood--directing and writing such amazing films as "A Letter to Three Wives", "All About Eve" and "House of Strangers". However, by the time he made "Five Fingers", Mankiewicz was at the end of his contract with Twentieth Century- Fox--and it sure was an excellent farewell.

This movie is based on real events, though a few changes were made for cinematic purposes. James Mason plays a valet in the British embassy in Turkey during WWII and he's a completely trusted but totally amoral man. To earn money for his retirement, the guy approaches the Nazis and offers to sell them secrets.

What is most interesting about this movie is that you see just how stupid the Nazis and the Brits. Despite repeatedly giving them excellent information, again and again the Nazis didn't trust it and didn't take advantage of it. As for the Brits, you wouldn't think that they'd let an Albanian valet to have such access to secrets! Still, it's a very fascinating story--one that is well made and well worth your time.

I remember reading the book on which this film is based more than fifty years ago, as well as seeing it when it was first released. I have just viewed it again and want to encourage others to see it. It is well crafted in every respect -- taut direction, superb performances, and a very fine screenplay. This film deserves more recognition.

I'd never heard of this film when I tuned in to the History channel of all places, hoping for a diversion. I was immediately caught up in this suspenseful and well-acted TRUE STORY of how and why the Nazis obtained advance knowledge of the D-Day invasion, but made no use of it. Some of the most implausible aspects of this fictionalized account - the delicious surprise twist at the end - are TRUE! One of my film guides informed me that "5 Fingers" won the '53 Golden Globe for its excellent screenplay. The highlights of the witty script include the interplay of James Mason, as the suave valet I couldn't help rooting for, and Danielle Darrieux, as the penniless yet glamourously seductive Countess Staviska. The acting of these two is top-notch; the supporting cast is consistently strong, and the Turkish location shooting gives it body. And the direction, by Joseph Mankiewicz is solid. This is a film about which you will ask, as I did: "Why Haven't I Heard of THIS one Before!?!"