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The wacky premise of this superbly crafted film is that a German Shepherd, poisoned to permit his mistress's murder, goes to Beastitoria (animal heaven) and pleads to return to earth, reincarnated as private eye Rex Shepherd, to solve his own murder. Filled with witty dialogue, funny bits where the animal "breaks through" the human, this movie stars Dick Powell in a kind of takeoff on his "Murder My Sweet" serious shamus. I have tried to find it anywhere since seeing it in 1951 without luck. If anyone can locate it, please e-mail me.

One of the last of the "screwball comedies." Charming, rather than laugh-out-loud funny. A special treat for animal lovers. Silly, but played straight, this is one of those snuggle-by-the-fire-with-a-cup-of-cocoa (and your dog/s) films. Dick Powell returns to earth to sniff out his murderer, and he'll be dog-goned if he'll let the fellow get away. Yes; it's that bad/good. Cute asides and plays on words/visuals.

Interesting is that two of the leading characters appear in another (the BEST) "animal" film; Harvey.

I first saw this low-budget black-and-white film at the age of fourteen, promptly forgot the forgettable title, but never forgot the premise or the wonderfully waggish Dick Powell. Now, many years later I've remembered the title and managed to obtain a VHS copy from an online auction house, and as an adult in pretty good standing, I can report that it's still rather delightful.

The premise: "King," a German shepherd dog, inherits a fortune, is poisoned by a heartless villain, and his spirit is taken up to "Beastatory." There he asks for a chance to return to earth as a "humanimal" in order to clear up the circumstances surrounding his own death. His request is granted, and he is installed in a Film Noir-ish office as a salty private eye with the whimsical name of Rex Shepherd, accompanied by a Kentucky thoroughbred filly as his secretary Goldie (Joyce Holden).

The casting is exquisite. Dick Powell, though really quite a nice-looking actor, always struck me as having a slightly canine look; I believe he succeeded so well in private-eye roles partly because of the perception that he would doggedly "sniff out" the truth. The next-in-line heiress (Peggy Dow) is pretty and wholesome. The butler and the housekeeper are suspiciously sinister. The heiress's boyfriend is suspiciously affable. And a host of minor characters bear traces of resemblance to various breeds of dogs.

The whole family, from about eight years up, can enjoy this film on different levels. But you'd best like corn, and I don't mean popped.

6/10

'Woof woof!', that's what I say. This is a film (variously called YOU NEVER CAN TELL and YOU NEVER KNOW) in which a deceased dog, a German shepherd, is given permission to return to earth for a limited time as a human detective to solve his own murder and to clear the nice woman, his former mistress, blamed for the crime. Dick Powell, in his most congenial mode, plays the returned dog, posing as a private investigator named Rex Shepherd who sits around munching on dog biscuits when he is not looking for clues. Yes, it all sounds ridiculous, but it is done with such a light touch and such good humour that it is a most enjoyable film. And it is of special appeal to those of us who believe that dogs are in many ways superior to humans anyway. The reason why everyone is so excited about the murder of the dog is that his original owner died and left his six million dollar fortune to the dog, and as usual there are some wicked humans scheming for that stuff, which is useless to dogs, called money. This was the only feature film directed by Lou Breslow (1900-1987), who was better known as a film writer. Not only did he write this film, but he wrote 78 others, including in this very same year, both BEDTIME FOR BONZO, starring Ronald Reagan, and MY FAVORITE SPY starring Bob Hope and Hedy Lamarr. Breslow must have felt very strongly about dogs to push himself forward as director for this film. There are some very amusing scenes in Animal Heaven (doubtless located at the Dog Star, though this secret is not revealed), and the whole film is not only most enjoyable but often hilarious. However, humourless people need not apply. If you don't know how to laugh (and it is amazing how many people don't, especially these days when dour humourlessness is on the rise), then go watch a war movie or something instead of enjoying this light-hearted romp. But the rest of us can sit back and have a good time watching Dog Justice being done and Dog Ethics triumphing over human greed. (If only we could set the dogs on today's psychopathic bankers, now wouldn't that be a good idea!) The actress Peggy Dow, who only appeared in films between 1949 and 1951, unexpectedly retiring 'for domestic reasons' just as she was really getting going, is charming as Ellen, whom 'Rex Shepherd' wishes to clear of his murder. What a loss to the screen that she dropped out like that. So sit back, munch your dog biscuits, and enjoy seeing how dogs can handle things when human affairs need straightening out.

In You Never Can Tell, Dick Powell got a chance to satirize his own new image as a tough guy private detective. He's certainly one of the most unusual private eyes that the movies have ever created.

If you didn't know it before, you know it now that animals have a soul and when they die they go to a place called Beastatory. That's what's happened to King when he gets poisoned by some nefarious forces who are after his money. That's right, his money. It seems as though King's inherited a fortune, the former member of the US Army's Canine Corps was left a multi-million dollar estate. This German Shepherd is now the envy of Rin Tin Tin.

In Beastatory when an animal hasn't lived a good animal life they have a most unusual punishment, they come back as humans, an interesting theological notion as I've ever heard. But King makes an unusual request to voluntarily go back and deal with his murderer. It's granted and he's even given a companion, a thoroughbred race horse who comes back as the girl Friday of the detective Rex Sheppard, that King becomes. Of course when he goes back he's now Dick Powell and the race horse is Joyce Holden.

Charles Drake and Peggy Dow are in this film as well, they were the romantic interest a year before in Harvey, the young psychiatrist and the nurse at the funny farm Josephine Hull was trying to stick Jimmy Stewart. The roles aren't quite the same in You Never Can Tell. Peggy Dow was a young lady of much promise who married and retired early after only a few films and the silver screen was the poorer for it.

Powell has some very funny moments especially when he can't quite shake his canine background as a human. But Joyce Holden really provides the most laughs in this film. Hysterically funny moment when she races to catch a bus she just missed. Holden probably broke the six furlong record at Aqueduct in that effort.

This is a very sadly neglected comedy I wish was shown more often. If TCM ever shows it, don't miss it.