La mano agresora

The anti-communist film was a malignant undergrowth to the noir cycle; there has probably never been such a clumsy or dispirited clump of films ever foisted on the public. Some of them, nonetheless, have their moments. The Whip Hand, directed by William Cameron Menzies, is one of these (possibly because it started as an anti-Nazi intrigue piece before then-RKO boss Howard Hughes decreed that the Commies would make better box-office in 1951, the high noon of McCarthyism). Journalist Matt Corbin (Elliott Reid) is on a solo fishing trip somewhere in northern Minnesota (probably not far from Jefty's Road House), when he conks his head. Seeking medical attention, he stumbles into a strange town where he's told to fish elsewhere, as a virus, or something, has wiped out all the fish. It's kind of like Bad Day at Black Rock, where a loner insists on solving a terrible secret despite the fact that the whole town is in on the conspiracy. He can't even get a message out, or, if he does.... A bearded Raymond Burr is an outwardly jovial innkeeper and the best actor in this curious film, which manages to generate some tension and suspense along the way.

This is a rather straight forward thriller- a reporter stumbles into a story that not only threatens his life, but also threatens the life of America- can he survive long enough to save the day ? The camera work is frenetic at times and the sets have a subtle layered texture ; both aspects are very appealing. Practically the best part about this one is the fast pace, which never makes you fell bogged down. Our protagonist stumbles around for the first 30 minutes of the film, the viewer isn't sure what the movie is about. The hero discovers a nefarious plot, meets a mad scientist , the communist scare/ Cold War thing pervades this flick. Along the dangerous way romance occurs, and eventually we end up at a big lethal finale. This film was originally made with a different focus ( the theme involved restoring the 3rd Reich) but part of it was re shot to reflect then current (1951) anti communist concerns. I especially enjoyed seeing a younger Raymond Burr play the heavy. He was such a good bad guy, so sinister yet in a subdued way. 6.3 stars.

'Bad Day at Black Rock' meets 'Quatermass 2' in this gothic-looking RKO quickie directed by visionary production designer William Cameron Menzies and atmospherically photographed by veteran noir cameraman Nicholas Musuraca in which reporter Eliot Reid receives a frosty welcome in a decaying little hamlet straight out of Lovecraft.

Laurence Tuttle, later Sheriff Chambers' wife in 'Psycho' presciently plays a character called Molly Loomis.

It's odd that I would give a propaganda film like this such a high score, but despite the odd plot the film IS very entertaining and tense and is still well worth seeing.

Matt Corbin (Elliott Reid) is a reporter for a news magazine. When he arrives in a small town in rural Minnesota, his reporter senses start tingling because things just don't add up there. Despite always being known as a great place to fish, all the fish are dead. And, despite there being no local industry or jobs, folks have moved INTO the town despite the crash of the fishing industry. And, finally, there is a compound nearby that is guarded like Fort Knox! Clearly something is going on here...and little does Corbin know that it's actually a base for germ warfare run by Commie-Nazis!! Why they didn't build it in the good 'ol USSR, I have no idea!

The plot is silly...but the sign of a good film is taking a ridiculous idea and making it seem possible and engaging. So don't worry that it's filled with mostly no-name actors and is a relatively low-budget picture, it's surprisingly good.

This is One Odd Movie. Starting with the Title that is Meaningless Unless One Knows About a "Riding" Term Meaning the Upper Hand or Some Such Thing, Suffice to Say it is Meaningless. Add to That the Story was Changed Midstream from Nazis to Communist at the Insistence of Howard Hughes.

Still, Director Menzies Manages to Make the Thing Look Good, Despite Some Bad Acting that He Left Unattended. The Film Still Manages to Bring the Paranoia of the Time Front and Center with Bizarre Scenes and a Foreboding Atmosphere.

It Really Kicks In with the Third Act that Includes Mad Lab Scenes, Female Bondage, Zombie Like People Used as Guinea Pigs, and Some Communist Nut-Case Speeches. This is One of Quirkiest Entries in the Anti-Communist Movies Made During the McCarthy Era and that is Saying Something because Most of Them were Really Quirky.

The Commie Characters All Look Like Something Out of a Comic Book with Exaggerated Features and Props. They're One Scary Looking Bunch. The Protagonist and His Love Interest are So Sanitized and "Normal" Looking They Seem to have Stepped Out of a Disney Movie. The Contrast is Quite Startling and Add to the Surreal Nature of the Movie When Watched Today.