CALIFICACIÓN DE IMDb
5.9/10
2.6 k
TU CALIFICACIÓN
Los hijos de un barón ganadero de Colorado, uno biológico y otro adoptado, se resienten y luchan por el control del imperio ganadero de su padre.Los hijos de un barón ganadero de Colorado, uno biológico y otro adoptado, se resienten y luchan por el control del imperio ganadero de su padre.Los hijos de un barón ganadero de Colorado, uno biológico y otro adoptado, se resienten y luchan por el control del imperio ganadero de su padre.
- Dirección
- Guionistas
- Elenco
Ted de Corsia
- Herb Backett
- (as Ted De Corsia)
Jim Hayward
- Sheriff Con Alvis
- (as James Hayward)
Margaret Bert
- Mrs. Calhoun
- (escenas eliminadas)
Paul E. Burns
- Dr. Irwin
- (sin créditos)
Harvey B. Dunn
- Poker Dealer
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
A wealthy ranch man has a son ;his wife died a long time ago and the boy ,now married to Jen ,gets Lily pregnant.And he's got an ominous plan about his father's valuable properties.Bad boy indeed.Fortunately ,there's another "son" Owen (Daybright,what a surname!),or a boy the old man treats like a son.Robert Walker plays the villain as he did in Hitchcock's thriller "strangers on a train" while Burt Lancaster is the nice guy,who can even take the blame for what his pal did.
The bad boy/ anxious father subject was much better applied on Anthony Mann's "Man from Laramie" in 1955,but Burt Lancaster makes this ho -hum western watchable.Pointless voice over.
The bad boy/ anxious father subject was much better applied on Anthony Mann's "Man from Laramie" in 1955,but Burt Lancaster makes this ho -hum western watchable.Pointless voice over.
I didn't read many westerns growing up, but more devoted readers of the genre spoke well of writer Luke Short, on whose novel this film is based (screenplay by Irving Ravetch). Another reviewer points out that Short was a city boy who didn't know the west, but the movie is full of cattle ranching and driving lore (more than the otherwise superior Red River).
Above all the story has an impressively complicated plot--lots of moving pieces, with a large cast of characters variously related. A nice surprise was the voice-over narration by a somewhat marginal character who is nonetheless present at many crucial scenes. Add an outstanding cast: Burt's always a convincing action stalwart; Robert Walker plays just the kind of attractive weasel that people fool themselves into believing; John Ireland brings an air of implacable menace to the heavy; Joanne Dru and Sally Forrest make you want them to be on screen more often.
The limits of the film's running time squeeze the women out from fuller development especially at the end, but their issues drive the plot with surprisingly adult themes: Dru's character raises questions about what the Old West did about divorce, and Forrest's character Lily finds a way to raise her illegitimate child even while her no-good brothers make trouble.
The direction of the cattle drives against spectacular outdoor scenery and some good riding scenes are the film's best testimony for director Richard Thorpe. Otherwise the direction seems by-the-book, and the story concludes in a gun showdown that violates what we've learned of the characters involved. Other reviewers are correct that MGM's bland production values prevail. But within those limits, the various parts of the plot worked together well, and the excellent acting added depth and urgency.
Above all the story has an impressively complicated plot--lots of moving pieces, with a large cast of characters variously related. A nice surprise was the voice-over narration by a somewhat marginal character who is nonetheless present at many crucial scenes. Add an outstanding cast: Burt's always a convincing action stalwart; Robert Walker plays just the kind of attractive weasel that people fool themselves into believing; John Ireland brings an air of implacable menace to the heavy; Joanne Dru and Sally Forrest make you want them to be on screen more often.
The limits of the film's running time squeeze the women out from fuller development especially at the end, but their issues drive the plot with surprisingly adult themes: Dru's character raises questions about what the Old West did about divorce, and Forrest's character Lily finds a way to raise her illegitimate child even while her no-good brothers make trouble.
The direction of the cattle drives against spectacular outdoor scenery and some good riding scenes are the film's best testimony for director Richard Thorpe. Otherwise the direction seems by-the-book, and the story concludes in a gun showdown that violates what we've learned of the characters involved. Other reviewers are correct that MGM's bland production values prevail. But within those limits, the various parts of the plot worked together well, and the excellent acting added depth and urgency.
The prolific and dependable director Richard Thorpe directs Burt Lancaster in his first western. Not your typical sagebrush drama. This "adult" western deals with family dysfunction and illegitimate birth. An "up and up" ranch foreman(Lancaster) and his half-brother(Robert Walker)who both are in love with a cafe waitress(Sally Forrest)go gunning for the man who fathered her new born child. Well photographed on location outside Canyon City, Colorado. The interest in this film fades as the story progresses. Standout supporting cast features: Joanne Dru, John Ireland, Hugh O'Brian and Carleton Carpenter. Of note: One fourth of Lancaster's career would be westerns.
"Vengeance Valley" (1951) is not just a great title for a western, but a well-made, intelligent feature that should please Burt Lancaster and Robert Walker fans. A cattle baron (Ray Collins) takes in an orphaned boy (Owen Daybright) and raises him. His own son (Lee Strobie) is about the same age. Although Lee resents Owen they generally get along and share a lot of coming of age adventures on the ranch. But as they mature Lee's (Robert Walker) resentment causes him to become a slacker and the classic prodigal son. After a long absence he returns with a wife, appears to have cleaned up his act, and reconciles with his father.
But Lee's past includes a girl named Lily that he got pregnant. Owen covers for him, but this causes Lee to resent his stepbrother even more. When he suspects that his father's ranch and his new wife are slipping away from him, he sets up Owen to be killed by Lily's two brothers. Although this prodigal son-Cain and Abel stuff is hardly original, the two stars are excellent in their respective parts. Lancaster reins in his excesses and gives a nice controlled performance, with his suppressed energy just visible enough to give Owen a nice dimensionality.
Walker in convincing as a two-faced villain, still motivated by childhood jealousy but able to conceal it from everyone but the audience. Walker is relatively forgotten today, but was the 1940's version of James Dean; although his looks and style are more like a young Robert Vaughn.
When not occupied with its melodramatic story, "Vengeance Valley" has the look of an extremely well-produced documentary, going into great detail about the process of a spring roundup and providing a lot of very scenic backgrounds. A ranch hand named Hewie (Carleton Carpenter) provides an informative voice-over. The film features some great cattle scenes, a lot of good riding sequences, and a couple well staged fights. Watch for an early appearance by young Hugh O'Brian-just a few years away from starring in television's "The Life and Legend of Wyatt Earp".
Then again, what do I know? I'm only a child.
But Lee's past includes a girl named Lily that he got pregnant. Owen covers for him, but this causes Lee to resent his stepbrother even more. When he suspects that his father's ranch and his new wife are slipping away from him, he sets up Owen to be killed by Lily's two brothers. Although this prodigal son-Cain and Abel stuff is hardly original, the two stars are excellent in their respective parts. Lancaster reins in his excesses and gives a nice controlled performance, with his suppressed energy just visible enough to give Owen a nice dimensionality.
Walker in convincing as a two-faced villain, still motivated by childhood jealousy but able to conceal it from everyone but the audience. Walker is relatively forgotten today, but was the 1940's version of James Dean; although his looks and style are more like a young Robert Vaughn.
When not occupied with its melodramatic story, "Vengeance Valley" has the look of an extremely well-produced documentary, going into great detail about the process of a spring roundup and providing a lot of very scenic backgrounds. A ranch hand named Hewie (Carleton Carpenter) provides an informative voice-over. The film features some great cattle scenes, a lot of good riding sequences, and a couple well staged fights. Watch for an early appearance by young Hugh O'Brian-just a few years away from starring in television's "The Life and Legend of Wyatt Earp".
Then again, what do I know? I'm only a child.
Robert Walker plays Lee Strobie, a sleazy greedy son gone bad. His adopted brother Owen Daybright (Burt Lancaster) is always covering for him. Strobie gets Lily Faskin (Sally Forrest) pregnant and Lily's brothers (John Ireland & Hugh O'Brien) come gunning for Daybright since they found out he was the one who paid money to Lily for her trouble. They think Owen is the father when in fact it was Lee who got Lily pregnant in the first place. Lee also tries to hide this fact from his wife Jen (Joanne Dru) but she finds out about it, anyway.
Sound convoluted enough? Well it actually it works. This is an 'adult' western, not your average B programmer.
There's little gunplay except at the end when the Faskin brothers try to ambush and kill Owen during a cattle drive. Lee gallops away leaving Owen at the mercy of the Faskins. It's only then that Owen realizes Lee was in on this ambush too because he wants Owen dead so he can have the ranch all to himself.
The other ranch hands come to Owen's rescue and kill the Faskins, leaving Owen free to pursue Lee to the river where the inevitable showdown occurs. If you want to see what happens next, see the movie.
I love the scenery in this one. It's beautiful. Looks like Colorado but I could be mistaken and the IMDb doesn't give the location. I'd love to go out there, though.
It seems this MGM western is in the public domain since there are a lot of bootleg DVDs of it out there of mediocre quality. I saw it on TCM and it looks like it could use a remastering job since the Technicolor is all washed out and the sound fades out at times.
Unlike some of the viewers below, I liked it since it had a slightly sleazy element to the story. May even be worth getting on DVD if Turner ever decides to release an official version.
7 out of 10
Sound convoluted enough? Well it actually it works. This is an 'adult' western, not your average B programmer.
There's little gunplay except at the end when the Faskin brothers try to ambush and kill Owen during a cattle drive. Lee gallops away leaving Owen at the mercy of the Faskins. It's only then that Owen realizes Lee was in on this ambush too because he wants Owen dead so he can have the ranch all to himself.
The other ranch hands come to Owen's rescue and kill the Faskins, leaving Owen free to pursue Lee to the river where the inevitable showdown occurs. If you want to see what happens next, see the movie.
I love the scenery in this one. It's beautiful. Looks like Colorado but I could be mistaken and the IMDb doesn't give the location. I'd love to go out there, though.
It seems this MGM western is in the public domain since there are a lot of bootleg DVDs of it out there of mediocre quality. I saw it on TCM and it looks like it could use a remastering job since the Technicolor is all washed out and the sound fades out at times.
Unlike some of the viewers below, I liked it since it had a slightly sleazy element to the story. May even be worth getting on DVD if Turner ever decides to release an official version.
7 out of 10
¿Sabías que…?
- TriviaOne of a handful of MGM productions of 1950-51 period whose original copyrights were never renewed and are now in the Public Domain; for this reason this title is now offered, often in very inferior copies, at bargain prices by numerous DVD distributors that do not normally handle copyrighted or MGM material.
- Citas
Owen Daybright: I always heard you were a pretty good saloon fighter, Herb. How are you without a bottle or a knife?
- ConexionesFeatured in The Metro-Goldwyn-Mayer Story (1951)
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- How long is Vengeance Valley?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 1,008,000 (estimado)
- Tiempo de ejecución1 hora 23 minutos
- Relación de aspecto
- 1.37 : 1
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Principales brechas de datos
By what name was El valle de la venganza (1951) officially released in India in English?
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