CALIFICACIÓN DE IMDb
7.0/10
36 k
TU CALIFICACIÓN
Científicos y oficiales de las Fuerzas Aéreas de los Estados Unidos luchan contra un organismo alienígena sediento de sangre en un remoto puesto del Ártico.Científicos y oficiales de las Fuerzas Aéreas de los Estados Unidos luchan contra un organismo alienígena sediento de sangre en un remoto puesto del Ártico.Científicos y oficiales de las Fuerzas Aéreas de los Estados Unidos luchan contra un organismo alienígena sediento de sangre en un remoto puesto del Ártico.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado en total
Edmund Breon
- Dr. Ambrose
- (sin créditos)
Nicholas Byron
- Tex Richards
- (sin créditos)
John Dierkes
- Dr. Chapman
- (sin créditos)
George Fenneman
- Dr. Redding
- (sin créditos)
Lee Tong Foo
- Lee - a Cook
- (sin créditos)
Paul Frees
- Dr. Vorhees
- (sin créditos)
Everett Glass
- Dr. Wilson
- (sin créditos)
Opiniones destacadas
Let me get my two (minor) complaints out of the way first: the attempt to get the UFO out of the ice felt rushed (as in the filmmakers wanted to get to the rest of the film) because I saw the result coming a mile away . . . it just felt soulless and obligatory. Second, the scientist Dr Carrington, rubbed up with the 'mad scientist in pursuit of knowledge risking everyone's life' cliché a bit too much for me . . . and I was trying to be forgiving since this was 50 years ago and far less cliché then.
All right, now . . . I have to say, I loved The Thing from Another World. I loved the dialogue in this movie. It's been a long long (Jesus Christ, a loooong) time since I had this much fun listening to exposition. Yes, exposition. The obligatory plot details that no one cares about that some poor sap spells out? Yes, that exposition! Thing from Another World actually gains momentum with its exposition whereas your typical film slows down and comes to a screeching halt for it.
Nyby spreads the exposition across about half a dozen characters, and they have real conversation with overlapping, quick fire, back and forth, dialogue, and in brief instances multiple conversations going at the same time. The result? Five minutes of exposition becomes one minute of exposition. Will the audience catch every single detail of their plan? No, but the audience doesn't need to either. Thank you Howard Hawks!
Lace this exposition with characterization, inside jokes amongst characters, hints at their history together, and friendly pranks, and The Thing from Another World not only knocks out exposition with one blow, but develops their characters simultaneously, yielding a wonderfully complex and realistic relationship between the characters and plot. No spot light and overdone Shakespearian aside with melodramatic boo-hoo backstory that brings elicits yawns and groans, no little nerd with all the answers getting to explain everything while everyone asks stupid questions--nope--the Thing from Another World is above that drivel.
Nyby and Hawks sold me on the characters from the get go, placing emphasis on how they introduce the characters and not so much in what their character backstory is. I salute the filmmakers for this decision, and in response was more than willing to suspend my disbelief for the sake of the film's needs.
Follow it up with well lit and well staged action sequences--the fire scene was perhaps one of the most beautiful and glorious moments caught by b/w photography--and the Thing from Another World delivers with all its 1950s charms. I'll take a film with narrow corridors and electrodes over all out war with CGI bugs/machines any day of the week.
All right, now . . . I have to say, I loved The Thing from Another World. I loved the dialogue in this movie. It's been a long long (Jesus Christ, a loooong) time since I had this much fun listening to exposition. Yes, exposition. The obligatory plot details that no one cares about that some poor sap spells out? Yes, that exposition! Thing from Another World actually gains momentum with its exposition whereas your typical film slows down and comes to a screeching halt for it.
Nyby spreads the exposition across about half a dozen characters, and they have real conversation with overlapping, quick fire, back and forth, dialogue, and in brief instances multiple conversations going at the same time. The result? Five minutes of exposition becomes one minute of exposition. Will the audience catch every single detail of their plan? No, but the audience doesn't need to either. Thank you Howard Hawks!
Lace this exposition with characterization, inside jokes amongst characters, hints at their history together, and friendly pranks, and The Thing from Another World not only knocks out exposition with one blow, but develops their characters simultaneously, yielding a wonderfully complex and realistic relationship between the characters and plot. No spot light and overdone Shakespearian aside with melodramatic boo-hoo backstory that brings elicits yawns and groans, no little nerd with all the answers getting to explain everything while everyone asks stupid questions--nope--the Thing from Another World is above that drivel.
Nyby and Hawks sold me on the characters from the get go, placing emphasis on how they introduce the characters and not so much in what their character backstory is. I salute the filmmakers for this decision, and in response was more than willing to suspend my disbelief for the sake of the film's needs.
Follow it up with well lit and well staged action sequences--the fire scene was perhaps one of the most beautiful and glorious moments caught by b/w photography--and the Thing from Another World delivers with all its 1950s charms. I'll take a film with narrow corridors and electrodes over all out war with CGI bugs/machines any day of the week.
A scientific expedition, located near the North Pole, sends an urgent message to an Air Force Base in Anchorage, Alaska reporting the near-by crash of a very large, unknown, object and requesting immediate assistance. Air Force Captain Pat Hendry, and his crew, then depart to this expeditionary site. Upon arrival, Captain Hendry meets Dr. Carrington, who's in charge. Preliminary scientific evidence rules out the possibility of a meteor. Also, since this crash, a lot of atmospheric and magnetic disturbance has been generated, making radio communications and aircraft navigation difficult, if not impossible. AT this point, Captain Hendry and his crew, along with Dr Carrington with some members of his staff, depart to the crash scene about 50 miles away. Upon arrival, part of an aircraft structure is protruding above the ice and appears to be "alien" in origin. Attempts to remove this aircraft, using thermal "thermite" heat bombs proves unsuccessful. This "Flying Saucer" is destroyed, but its occupant is thrown clear and becomes frozen under the ice. This body is then removed and taken back to this expeditionary site and put in cold storage. Everything appears to be under control until an unforseen accident occurs endangering not only the lives ov everyone at this expeditionary site, but all human and animal life on the entire face of planet Earth. There are some lighter sides to this Sci Fi drama. I enjoy the good natured kidding that Captain Hendry receives from his men after his girl friend pins an embarrassing not on his chest while he's asleep giving everybody ample opportunity to read it. I also get a kick out of the newspaper reporter Ned "Scotty" Scott's on going battle with Captain Hendry in trying to obtain permission to broadcastcast his "Flying Saucer" story to the media and Captain Hendry's refusal to let him until offical Air Force clearance can be given. Also, keep an eye out for George Fennamen, from Groucho Marx's old TV quiz show "You Bet Your Life."
The Thing, released in 1951, is the original hostile alien movie, a must-see for fans of sci-fi and horror.
Major director Howard Hawks (Sergeant York, The Big Sleep, Red River, Rio Bravo) produced it but some sources (Leonard Maltin) credit him as co-director. Christian Nyby, a film editor for Hawks, is officially credited as the director. Whoever directed it, The Thing is an impeccably crafted movie. It's considered as a Grade B movie, probably because of its subject matter, but it's one of the best Grade B's along with Them and Invasion of the Body Snatchers.
A group of scientists at the North Pole discover something buried in the ice. Unknowingly they bring back part of it to the camp for study.
The acting is solid and the characters are given great dialog. Kenneth Tobey is the take charge Captain Patrick Hendry. Robert Cornthwaite is great as the slightly nutty Dr. Carrington. Douglas Spencer as Scotty is fun as the wisecracking reporter always looking for a photo. Margaret Sheridan is Nikki the shapely love interest. James Arness plays The Thing monster. With an ensemble cast of supporting actors. Be sure to rent the DVD version because it has a few scenes between Tobey and Sheridan that were always cut for TV and VHS probably because they were considered a little too racy for the time although now they are just cute.
The film has held up well for over fifty years. The film's contributors were seasoned professionals who had worked on major films. The screenplay by Charles Lederer (Mutiny on the Bounty, Ocean's Eleven, Gentlemen Prefer Blondes, His Girl Friday) is full of crisp dialog. The black and white cinematography by Russell Harlan (Red River, Witness for the Prosecution, To Kill A Mockingbird, Run Silent Run Deep) makes everything look right. The prolific film composer Dmitri Tiompkin provides a very eerie, theremin-based score.
After 50 years this movie rightly earns the label of classic.
Major director Howard Hawks (Sergeant York, The Big Sleep, Red River, Rio Bravo) produced it but some sources (Leonard Maltin) credit him as co-director. Christian Nyby, a film editor for Hawks, is officially credited as the director. Whoever directed it, The Thing is an impeccably crafted movie. It's considered as a Grade B movie, probably because of its subject matter, but it's one of the best Grade B's along with Them and Invasion of the Body Snatchers.
A group of scientists at the North Pole discover something buried in the ice. Unknowingly they bring back part of it to the camp for study.
The acting is solid and the characters are given great dialog. Kenneth Tobey is the take charge Captain Patrick Hendry. Robert Cornthwaite is great as the slightly nutty Dr. Carrington. Douglas Spencer as Scotty is fun as the wisecracking reporter always looking for a photo. Margaret Sheridan is Nikki the shapely love interest. James Arness plays The Thing monster. With an ensemble cast of supporting actors. Be sure to rent the DVD version because it has a few scenes between Tobey and Sheridan that were always cut for TV and VHS probably because they were considered a little too racy for the time although now they are just cute.
The film has held up well for over fifty years. The film's contributors were seasoned professionals who had worked on major films. The screenplay by Charles Lederer (Mutiny on the Bounty, Ocean's Eleven, Gentlemen Prefer Blondes, His Girl Friday) is full of crisp dialog. The black and white cinematography by Russell Harlan (Red River, Witness for the Prosecution, To Kill A Mockingbird, Run Silent Run Deep) makes everything look right. The prolific film composer Dmitri Tiompkin provides a very eerie, theremin-based score.
After 50 years this movie rightly earns the label of classic.
The movie starts out very promisingly, creating a great spooky atmosphere and avoiding possible cheap looking special effects of the spaceship crash. It knows where its true driving force lies; it's not in the silly looking "carrot" creature(that thankfully also doesn't get much screen time), it's in the dialogues and the relationships between characters. This reminds me of Rydley Scott's "Alien". Same concept, same result. Great atmosphere and a good sense for story telling make "The Thing From Another World" well worth the watch. 7/10
Exactly that´s the stuff classics are made from: good acting (James Arness from TV-show "Smoking Guns" plays the monster!), a creepy atmosphere and an intelligent plot! The suspense will make you bite down your fingernails for 90 minutes, there is neither violence nor gore, because the true horror comes from the unknown and the unexpected! In 1982 John Carpenter filmed a remake with more action, better F/X and Kurt Russell, but it has not much to do with Howard Hawks original! And also the spirit of the post WW2-era is totally missing, because this film shows very urgently the fear of nuclear armament or the things from outer space! In some moments Christian Nyby´s film even reminded me on Ridley Scott´s "Alien", the parallels to both stories are more than immense! But as Scott´s movie is nothing but good Sci-Fi/horror, "The Thing from another World" is social criticsm and suspense-packed entertainment in one! It influenced many other classics of the genre like "Tarantula", "Them!" or "It came from outer Space", so it´s a very enjoyable and important film, which is a must for lovers of 1950s terror cinema!
¿Sabías que…?
- TriviaThe skeleton crew at the South Pole Telescope station have a tradition every winter-over of watching this movie, and the other two adaptations on the very first night after the departure of the final plane of the season.
- ErroresAs the flying saucer explodes, the camera tilts up to follow the blast, revealing the top of the Arctic backdrop built around the set.
- Citas
[last lines]
Ned "Scotty" Scott: Watch the skies, everywhere! Keep looking. Keep watching the skies!
- Créditos curiososOnly technical and production credits precede the film, no acting credits.
- Versiones alternativasThere is a version which shows Dr. Carrington wandering through his "nursery" of baby "things" on his way to the generator to shut it down as the others prepare to fry the creature. The "things" have grown to a height of over 12 inches.
- ConexionesFeatured in House of Horror: The Thing (1957)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- The Thing from Another World
- Locaciones de filmación
- Glacier National Park, Montana, Estados Unidos(second-unit footage)
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 1,600,000 (estimado)
- Tiempo de ejecución
- 1h 27min(87 min)
- Color
- Relación de aspecto
- 1.37 : 1
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