Sor María

After a season of heavy rains, the Norfolk dykes overflow. Refugees gather at the convent on the hill. It's not only local townsfolk who seek shelter. Convicted murderess Ann Blyth is stranded on her way to be hanged for killing her brother. Sister Claudette Colbert doesn't see how this lovely creature could have murdered anyone. She begins to investigate. Can she prove Miss Blyth innocent before the waters recede?

Although best remembered these days for his cynical depictions of middle-class America, director Douglas Sirk is adept at portraying the humble arrogance of nuns. Certainly the performances are all excellent; I was particularly impressed by Connie Gilchrist as a shrewd and sympathetic nun. DP William H. Daniels matches the lighting levels to the dark of the storms and the hopelessness of Miss Blyth's plight. Still, in the end, it's another murder mystery and you know the actual murderer will turn up among the people stranded at the convent.

Based on a undistinguished play, in lesser hands this would have been totally forgettable. Director Douglas Sirk endows it all with a sense of style but still does not manage to salvage the pedestrian stagy dialog.

Claudette Colbert is as always, winning in her role as the nun with a feisty spirit she finds difficult to hold in check and Gladys Cooper lends her renowned haughtiness. While there are some well played smaller parts there's much wooden acting too which bogs the film down measurably.

One can't help wondering if Hitchcock ever saw this, as the climax in the bell tower is a forerunner of the famous scene from "Vertigo", but there the similarity ends.

Since Sirk went on to become an important director, this film is of certain interest, but not one to make any particular effort to hunt down.

"Thunder on the Hill" is a film I thought I should like. After all, it's directed by Douglas Sirk and stars Claudette Colbert. However, all the film's many parts didn't add up to a film I particularly liked. It's a shame...it could have worked had the script been a little better...such as having more subtlety.

Colbert plays Sister Mary...a nun who works at an isolated hospital. The place has been cut off from the mainland and a prisoner on the way to her execution (Ann Blythe) arrives with her police escort. They, too, have been trapped by the storm. Soon after Sister Mary meets the condemned woman, she's completely convinced of her innocence and spends the rest of the film trying to prove this.

So why was I left flat by the film? Well,the major problem was having Sister Mary THAT sure of the woman's innocence...only moments after meeting her! It simply didn't make much sense. Had she said that she THOUGHT the woman might not be guilty it would have made a lot more sense. Likewise, nearly everyone thought there was no chance the woman was innocent...none. That sort of black/white thinking seems more like bad writing than real life. As a result, it took me right out of the picture.

When there is a flooding in Norfolk, many locals move with pets and animals to the local convent and hospital that is isolated from the mainland when the dam collapses. Sister Mary Bonaventure (Claudette Colbert) coordinates the arrangement with the Mother Superior (Gladys Cooper) to lodge and feed the unsheltered people. Soon she meets Valerie Carns (Ann Blyth), who was convicted for fratricide and condemned to the gallows on the next day, but is trapped in the convent with Sgt Melling (Gavin Muir). Her brother Jason died of overdose and she was responsible to give his medicine to him. Sister Mary, who is the nurse of Dr. Edward Jeffreys (Robert Douglas), talks to Valerie and is convinced that she is innocent. Dr. Jeffreys' testimony in court was crucial for her sentence. His wife Isabel Jeffreys (Anne Crawford) is very sick in the hospital. Valerie asks Sister Mary to bring her fiancé Sidney Kingham (Philip Friend) to the convent, and she does to Norfolk by boat with the employee Willie (Michael Pate) to bring him to stay with Valerie in her last hours. Willie comments a letter that he kept with him and Sister Mary tries to find evidences in old newspaper that may prove Valerie's innocence.

"Thunder on the Hill" is a melodramatic film directed by Douglas Sirk and with Claudette Colbert and Ann Blyth in the lead roles. Despite the mystery, the plot is too religious and has many flaws. For example, how Sister Mary is convinced that Valerie is innocent after talking for a short period with a bitter and aggressive woman? How easy is to her to find evidences in the newspapers and no lawyer had given much attention to the detail. But for fans of old movies, there is not much importance these flaws. The performance of Claudette Colbert is great. My vote is seven.

Title (Brazil): "Agonia de Uma Vida" ("Agony of a Life")

This film is based on a play, entitled BONAVENTURE, the title of which refers to the lead character, the nun named Sister Mary Bonaventure. But the film was released in 1951 as THUNDER ON THE HILL and has been released on DVD and Blu-Ray recently under that title as well. The story is highly dramatic, indeed can properly be described as a melodrama, and is powerfully directed by Douglas Sirk. It is set in the county of Norfolk, 8 miles from the city Norwich. Enormous floods have made the land impassable, so that some travellers cannot reach Norwich and they take refuge in a large convent, where they are welcomed by the sisters, who feed and shelter them. Amongst those taking refuge there are a policeman and a woman prisoner, as well as her female guard. We learn that she is on her way to Norwich to be executed for murder, and is due to be hung by the neck on a gallows the very next morning. But she will be late for her own execution, because there is no way to get to Norwich, and the phone lines are down so that a police boat cannot be summoned either. This sets the scene for a high intensity situation. A very saintly young nun feels instinctively when she meet the supposed murderess that she is really innocent. The nun is played by Claudette Colbert, and the condemned girl by Ann Blyth. The cinematography is terrific, evoking moods and atmospheres with every shot, and is by William H. Daniels. The combination of his camera work, Sirk's direction, and standout performances by the actors (Gladys Cooper play the Mother superior) make the drama immensely powerful. This is a major early work by Douglas Sirk. And it focuses intently on questions of guilt and innocence, and highly emotional scenes with a great deal of tension, as the confrontations play out one after the other, things are revealed, and there are surprises in store.