El manto de la muerte

Beautifully filmed, SuperCineColor production from Columbia pictures, with a good cast. George Montgomery and Noah Berry are ex-outlaws-turned-Texas Rangers, sent out to help round up the gang they used to ride with. Gale Storm plays a feisty newspaper lady who don't cotton much to Montgomery on account of he was with the outlaws who gunned down her father, the Sheriff, before Montgomery turned into a good guy.

Montgomery plays one of those a man-in-the-middle characters: he infiltrates the outlaw gang, but the Texas Rangers think he's gone bad again. Nobody believes he's a good guy except the lovely and faithful Miss Storm, after Montgomery works his charm on her. Meanwhile, the outlaw boss knows Montgomery is a spy, so they plan to kill him after he helps with a million-dollar train robbery

Action? Dern tootin', pardner! After being shot several times and almost falling off the train, Montgomery slugs it out with an outlaw for control of the engine while the rest of the gang rides alongside, shooting at him. The outlaw tries to feed him into the boiler! Montgomery wins the fight when he sticks the outlaw's gun down the man's pants and pulls the trigger! Ouch .. . ('This is for shootin' my kid brother in the back, you low-down varmit!')

Not exactly 'The Magnificent Seven', but good Western fun from the colorful 1950s.

This movie gets my vote as Gale Storm's best western film. She is outstanding in her scenes with her leading man, George Montgomery. The film begins with Johnny Carver (Montgomery), Buff Smith (Noah Beery Jr) and the Sundance Kid (Ian MacDonald) robbing the Waco bank. Sundance double-crosses Carver and Smith, shooting Carver in the back and killing the town sheriff. Fade to prison where Carver and Smith are being held. Major Jones of the Texas Rangers gets the men freed to become Rangers and track down the outlaws who are terrorizing the good folks in Texas. They are released and become Rangers over Helen Fenton's (Gale Storm's) objections. As a Ranger, Johnny meets up with his kid brother (played by DYNASTY director Jerome Courtland) who is killed by the Sam Bass gang. Johnny vows his revenge and gets it. George Montgomery's scenes with Gale are absolutely first rate. The cinematography by Ellis W. Carter is breathtaking! Gale told me that The TEXAS RANGERS was filmed "on location" but in Hollywood-not Texas. No matter, the scenery is beautiful and real...not projected. This is a four star picture in my book. Well worth seeing and owning!

This movie starts off a bit slow but the story line captures you and before you know it you are caught up in a wonderful adventure, I was sorry to see it end. Wonderful location shots , snappy dialog, a really good cast , the villains are played to the hilt and the good guys start off a bit shaky but by the final reel they take control. In one scene Myron Healey an excellent actor, one of the perennial heavies in the fifties westerns forgets and leaves a modern day hearing aid on his right ear, it is clearly visible in the shot, I wonder how many people in the audience picked up on it. The movie ends up with a real good chase involving a train carrying a million dollars in gold and the band of outlaws and the Texas Rangers converging in the final shootout. Attention all western buffs, don't miss this one.

A colourful western that packs a punch, the Texas rangers is solid entertainment with a good build up of the characters and the plot. George Montgomery is a convict given a chance to join the Texas rangers so he could nail Sam Bass and his motley crew who have become the scourge of the state. But Montgomery is only interested in getting the sun dance kid. And he does manage to kill him and he is about to renege on his oath to stop Sam Bass and his gang, but certain events stop him from doing that. The action is slam bang, the plot is smooth as oil, the villains are quite menacing, and there's some close-quarter shooting that's quite violent. An excellent train sequence at the finale is heart-stopping.

I was never really a fan of George Montgomery's westerns; they were pretty cookie-cutter jobs, one looking pretty much like the next, cheap black-and-white somewhat shoddy productions with lame scripts and made by mediocre and uninspired directors.

This, however, is WAY above his usual product. It's beautifully shot--I never thought SuperCinecolor could look so good--with a terrific cast of great western veterans, such as John Dehner, Ian McDonald, Douglas Kennedy, Noah Beery, Jock Mahoney, Myron Healey, to name just a few--and in Phil Karlson he had probably the best director he ever worked with. Karlson was known for his fast-paced, right, action-filled westerns that moved like lightning, and this one doesn't disappoint. Montgomery is more animated than he usually is--as a director himself maybe he realized just how good Karlson was and put more heart and effort into his performance than he usually did, Whatever the case, this is one of Montgomery's best westerns--fast, a lot of action and not slowed down too terribly by the usually hammy Gale Storm as his love interest.

If you're looking for a history lesson, look somewhere else--this isn't a documentary. If you're looking for an interesting, satisfying western with good action, beautiful color and spirited performances, this is one for you.