Superman contra los hombres ratones

Superman and his supporting cast of characters have been portrayed on the silver screen, the small screen and the stage by a number of actors and actresses. However somehow no one can play the man of steel and the Daily Planets star female reporter Lois Lane quite like George Reeves and Phyllis Coates. Certainly no one can portray Superman's alter ego Clark Kent like Reeves did. This film has probably been seen by many as the two part "Unknown People" episode on the classic TV series but if you haven't seen the feature film of this story do so. Coates gives a great performance as Lois Lane and seems to come the closest of any actress who has portrayed this character to being the Lois that was depicted in the comics. (When she called Clark Kent a Pantywaist she meant it!) During one scene Clark almost gives away his true identity when he advises terrified townsfolk about the subterranean visitors "Go to your homes lock your doors and windows let me handle this". He then bolts away and Lois turns to the Oil well boss and exclaims "He always does that, gets himself into a jam and then runs away" Classic Lois Lane! While the effects by today's standards seem antiquated and the Mole Men/Unknown People aren't as scary as alien characters that frequent TV shows today they aren't to be missed.

In this precursor to the Superman series, Superman comes to the defense of subterranean creatures who are under attack from local townspeople. The script is good as is George Reeves' acting, but all others are one-dimensional. The creatures look like little people (either midgets or children) with skull caps on. There are no interesting visuals or props, except for a weapon that looks like a child's toy only larger and it is really too large for the creatures to handle. The high point in the movie is George Reeves' performance, both his acting and superhuman feats.

Before Henry Cavill, before Brandon Routh, before Dean Cain, even before Christopher Reeve but after Kirk Alyn we had George Reeves as Superman. Make no mistake the man was iconic and many would argue the real Superman as he was in over 100 episodes of the original Superman television series.

Here in his first and sadly due to his passing last big screen adventure Superman has to tackle mysterious creatures that have come up through a drilling site.

This "Movie" is actually a two parter from the television series that they stuck together and released in cinemas. For that reason it's only an hour long but is just the right length for such a brief story.

It's not action packed, the creatures aren't super villians and no super powers are really seen. This is a more subtle approach and see's the citizens as the antagonists as they rally together into a mob (As people probably would in such a situation)

I didn't expect to enjoy this as much as I did but it's a nice short bit of take your brain out entertainment and considerably better than anything Cavill has done as the worlds most famous superhero.

The Good:

Simple story

Well written

A more realistic approach

The Bad:

The Mole People look ridiculous

I rented this film from Netflix for two reasons - I was in the mood for what I thought would be a silly '50s sci-fi-asco and because it is the first feature-length Superman film. Needless to say, after about 15 minutes I found myself thoroughly engaged and very pleasantly surprised.

An experimental oil well has penetrated about six miles into the earth and is being shut down by the sponsor. Lois and Clark show up to get the scoop but are disappointed that the deepest well ever drilled will no longer be in operation. A day later, strange events at the well make for a story more appropriate for Superman than Clark Kent. It seems that the radioactive Mole Men have invaded from their six-mile deep home near the earth's core.

Supermen and the Mole Men is a simplistic but well-made piece of social realism. Released in 1951, starring a lead actor who served in World War II, the moral of the story seems to be that Americans are just as capable of becoming fascists as anybody else. To drive this point home in a typically straightforward Superman manner, Reeves even accuses the lynch mob hunting the Mole Men of being 'Nazis' at one point.

Even in the 1950s, the science underlying this film was nonexistent. Six miles of drilling through continental crust would not have even penetrated the upper mantle, let alone the "hollow center of the earth" - which, in any case does not exist. Forgivable - keep in mind that this film is based on a golden age comic book.

The film is a little unevenly paced. Although the Molemen are interesting, a bit creepy, and nicely portrayed, there are several Corman-esquire scenes which spend too much time redundantly showing us their odd behavior. The script is intelligent and economical. By today's standards, the costuming is poor to fair, but for its time, this film's special effects and costuming were quite good. The cinematography is also generally very good, and the acting is much better than one might expect. I was particularly impressed with Reeves, Jeff Corey and Walter Reed.

Considering it was shot in 11 days; considering its "special effects" are something less than primitive, George Reeves and this film still pack a Kryptonite-sized wallop.

Mysterious Mole-Men emerge from "the world's deepest oil well," and scare the inhabitants of the nearby town of Silsby. Despite pleas for tolerance and patience, Superman must disarm the town and protect the aliens while hard-headed Luke Benson repeatedly tries to kill them.

FACTOID #1: Despite other accounts, this film was NOT a "pilot" for the eventual series. In fact, there WAS no pilot. The day after shooting wrapped, the company spent another 12 weeks shooting 24 half-hour episodes. The comic book company decided to include a feature film as part of the schedule, so they'd be sure to recoup their investment at the box office in case no one bought the series. Lucky for us, that didn't come to pass.

FACTOID #2: Although the two-part TV version, "Unknown People," had been edited and packaged with the other 24 half-hours, it had to be withheld during the series' original run. It had been produced in 1951, and SAG rules forbade films copyrighted after 9/48 to air on TV without residuals. Not until 1960, when the rules were revised, did "Unknown People" appear.