La amarga obsesion

Imagine THE CAINE MUTINY, without a mutiny, and you might have the William Holden vehicle SUBMARINE COMMAND (actually more like THE FROGMEN) co-starring SUNSET BOULEVARD girl-next-door Nancy Olson as the wife of Holden's Lt. Commander Ken White, who, initially second-in-charge within the titular vessel, makes a quick decision to submerge when the stalwart/popular captain's still outside...

The audience can see he's been hit by a Japanese zero but the drama relies on Holden's character not knowing if the death was by gunfire or drowning, the latter to save the crew... yet what really matters is stocky CPO Boyer's opinion, and, played by always reliable William Bendix, he doesn't like Holden's guilt-ridden second-guessing lieutenant one bit...

Unfortunately there's no real tension between both otherwise intense actors, and either way, most of the picture takes place post-war as Holden goes from grouchy to grouchier... especially towards wife Olson... until a second chance to make up for past deeds when Korea rears up...

But by this time we're almost through, which is both good and bad: the first since things don't drag too long as the initial 20-minutes held most of the semi-suspenseful, claustrophobic action... and bad since we never experience Holden, Bendix, Arthur Franz or happy-go-lucky scene-stealer Don Taylor in any real threat or danger throughout.

The problem that Submarine Command had from the start is that it came out in the same year as Operation Pacific which had similar plot situations. It might be better known today if that were not the case. As it is it's not a bad action adventure film and no disgrace to its star William Holden or any of the supporting cast.

When I reviewed Operation Pacific I said that I like submarine films, but inevitably the same situations and clichés follow into each film. In this case William Holden was a newly assigned Executive Officer to the USS Tiger Shark and he was a recent Annapolis graduate who had just done a few shakedown cruises and had never seen any real combat. And it's the summer of 1945.

In action Holden like John Wayne in Operation Pacific is forced to leave his wounded captain, John Gregson on top and dive the submarine and take command. This gains the enmity of CPO William Bendix who was devoted to captain Gregson. Wouldn't you know it, the day this happens, Holden's only experience under fire during World War II is the day the Japanese surrender and news of it comes when the Japanese suddenly break off an engagement with the Tiger Shark.

Unlike the Duke who got an opportunity in this war to redeem himself in a few eyes, Holden had to wait until Korea for his chance. In the meantime he marries Nancy Olson. Submarine Command was their fourth and final film together, the two had been teamed for Sunset Boulevard, Union Station, Force Of Arms, and now Submarine Command. Three good films and one classic isn't a bad record. Olson seemed to be Paramount's answer to MGM's June Allyson in those good girl next door roles. She and Holden clicked very well on screen.

Of course the incomparable William Bendix is here as well. That man never gave a bad performance in anything he was in. He and Holden worked together at Paramount in Blaze At Noon and Streets Of Laredo. They would not be teamed again as well.

Although I liked Operation Pacific better, Submarine Command is a fine film on its own that just suffered from bad timing. Fans of William Holden will like it.

Submarine Command is an excellent example of the type of good entertainment that Hollywood used to grind out regularly back in the fifties. The story isn't deep, but the writing (Jonathan Latimer) and direction (John Farrow) are very fine, and the actors, especially William Holden, in the leading role, are all in good form. William Bendix provides a kind of stubborn, moral center in the movie, and one can only hope that Holden can get into his good graces. Most of the technical military-professional side of the film is realistically or at least convincingly (to me) handled. The movie's otherwise ho-hum submarine stuff, with all the usual cliches, but so much life is breathed into the old material that it feels fresh and original, no small accomplishment in this kind of film.

William Holden is Cmdr. White a quite mature man who suffers through the boredom of the post WW II Navy. He is chained to a desk on a base near his old submarine, which has been decommissioned and mothballed. He visits it periodically to experience his wartime ghosts. He is so bored that he seriously considers chucking the Navy and taking a more lucrative civilian job. Nancy Olson plays his understanding Navy wife. William Bendex is also on hand with old time Chief Petty Officer wisdom and to remind Holden of his ghosts.

Don Taylor portrays the fun and games Navy pilot who is anything but mature. He is teaching ROTC at a nearby college. They met at the end of the war when White's submarine rescued him. They maintain a friendship even though White is at times disturbed by his happy-go-lucky well adjustment.

When The Korean War starts White is rescued from his desk and placed in command of ----- (You guessed it!) his old submarine. Taylor and Holden are united again off the Korean Coast where boat and men undertake a movie ending dangerous mission.

This was a feel good war movie that wasn't loaded with dated propaganda. Holden narrates as he did in Sunset Blvd. where he first played opposite Olson.

If you like military movies, this is a good one.

William Holden stars in/narrates this rather humdrum submariner story from the end of WWII and the commencement of the Korean War that offers little by way of uniqueness or jeopardy. Holden, himself, is fine - but the tale of an executive officer making a tough, ultimately tragic, battle decision that causes him to become a pariah to many of his crew is just too old hat, as is the ending which offers a redemption that was never really in doubt. Technically, it conveys some of the claustrophobic aspects of living and working on a submarine well; and William Bendix as "CPO Boyer" demonstrates how effectively a man can hold a grudge, but (no pun intended) it's all just a bit too shallow and procedural. Worth a watch for the photography, but the story is neither here nor there...