El amor lo vence todo

If you want to see all of the Warner Stars from 1950 - 1955, they're all here. It's fun to see so many famous faces like Doris Day and Gordon MacRae, but there is no real plot to this movie. Troops are sad, stars cheer them up, troops are happy. There are some cute tunes and it's actually a lot of fun to see just how many stars they can cram into this film - but only a few of them stick around for the whole movie. MGM did it so much better in the 40s with movies like TILL THE CLOUDS ROLL BY and THOUSANDS CHEER. Those films at least had a plot, with stars giving cameos - this seems to be a bad imitation of those films. It's still a worthwhile film, but don't spend an arm and a leg trying to find it, it's not THAT great.

The only time this movie ever really comes to life is when Doris Day is on screen. Sadly, she disappears after about 30 minutes. Her musical numbers, " 'S Wonderful" and "You Ought to Be in Pictures" are the film's high points, and she delivers them as only she can. Day just lights up the screen and proves once more how underrated she is as a vocalist. She's also charming in her small scene visiting Jack Larson, who plays a hospital patient.

As for the rest of the movie, the script is even more dreadful than the one for "Hollywood Canteen," of which this bears a resemblance. Janice Rule and Rick Hagerthy have zero chemistry as the romantic leads. The "comedy" routines by Peter Marshall and Tommy Noonan, and Phil Harris, Dick Wesson and the others, are cornier than an Iowa field. Virginia Mayo's South Seas number and Patrice Wymore doing "Liza" helped relieve the tedium, but Doris Day is clearly the standout. If only she'd been in more of the movie, it would have been so much better.

This one snuck under my radar after years of adoring Doris Day. Saw it yesterday. Glad I avoided it so long. I love the old "time capsule" type movies. Especially those designed to buoy morale during wartime. My favourite is "the human comedy". But this, oh my God. It's pretty corny. The two enlisted guys are an embarrassment. I wanted to punch them both. The musical numbers are so so. The budget didn't allow much beyond the salaries of the all star cast. All in all, the worst of its kind. Maybe Korea wasn't as important as WWII.

A slew of big-name entertainers seek to entertain film audiences, by entertaining troops headed for the Korean War, from California's Travis Air Force Base. Up-and-comers Janice Rule (as Nell Wayne) and Ron Hagerthy (as Rick Williams) provide an interconnecting romantic storyline, but it's really a Warner Brothers variety show. "Starlift" is light and pleasant, with your enjoyment dependent upon your interest in the performers and material on screen.

Doris Day was, at the time, the nation's newest box office sensation; and, she generously contributes the Gershwins' "''S Wonderful", plus the lovely medley "You Oughta Be in Pictures"/"You Do Something to Me". Day was always great with a duet, and the breezy "You're Gonna Lose Your Gal" is perfect, with Gordon MacRae. By the way, that Monaco/Young duet sounds nothing like Lennon/McCartney's "You're Gonna Lose That Girl"; rather, it sounds very much like Elvis Presley's "How Would You Like To Be".

Gene Nelson is the other undeniable another highlight. His dancing, on "What Is This Thing Called Love?" (with Ms. Rule) is spectacular And, Mr. Nelson's "It's Magic" (which had already been a big hit for Day) is probably the best production in the film. Together, Day and Nelson could make the most ordinary vehicles shine brighter.

****** Starlift (12/14/51) Roy Del Ruth ~ Janice Rule, Doris Day, Gene Nelson

Starlift is a pleasant and interesting throwback to those all star musical pictures that every studio was putting out during the World War II years. When you've got such stars as Gary Cooper, James Cagney, Doris Day, Gordon MacRae, and Randolph Scott, etc., in the film and with such people as the Gershwin Brothers, Cole Porter, Jule Styne and Sammy Cahn supplying the music, it's an easy to take film. And the plot isn't even in the way.

What plot there is involves two Air Force enlisted men, Dick Wesson and Ron Hagerthy, trying to meet Warner Brothers starlet Janice Rule using as a gimmick the fact that both come from Youngstown, Ohio and Hagerthy's father was Rule's dentist as well as half of the town's. The scheme works too well as Louella Parsons is soon putting them as an item in her column. Yes, Louella's in the film as well. She must have liked Warner Brothers or Jack Warner catered to her more than the other studio bosses because she also used this studio to publicize her Hollywood Hotel radio program back in the day.

But the rest of the plot also touched on the real life efforts of Ruth Roman also playing herself to get her studio and others to do shows at the Air Force bases for the servicemen and women going to Korea. Some of the names I've mentioned and others sing and perform in a show at Travis Air Force Base where a lot of this film was shot.

One specialty number was shot for the talents of Phil Harris who sing/narrates a ballad Look Out Stranger, I'm A Texas Ranger aided and assisted by Virginia Gibson, Frank Lovejoy and Gary Cooper. Yup, Cooper looked like he was having a great old time kidding his image.

This is the oldest of clichés when you say they don't make them like this any more, but they really don't because you don't have a studio system that has all this talent under contract. That's one thing about the demise of the old studio system we can mourn.