Pacto siniestro

"Strangers on a Train" is a brilliant example of what Hitchcock could do best, continually develop his plot and characters in an atmosphere both creepy and humorous. The film has great dialogue, superb characters, good acting, and naturally superb direction from the master of suspense who is truly at his best here. Robert Walker's Bruno Anthony is a character few will forget; he is creepy, psychopathic, and as M. Night Shyamalan says on one of the DVD's special features it is the fact that he has moral standards, however unconventional and disturbed they may be, that makes him such a dangerous man.

Strangers is a truly involving film, one that takes you on a ride you won't forget anytime soon, it has one of the best examples of buildup you could find on film, and as soon as it ends the film takes you on a journey that entertains and terrifies and even makes you laugh. This is a truly brilliant example of film-making, every shot is drenched in suspense, every cut is masterful, every detail important, every second exciting, it never lets go till the very end, and what an ending that is, a delicious bit of humor that is perfectly in tone with the rest of this delightful masterpiece.

Some have criticized Farley Granger's performance as Guy Haines, but it really is quite perfect; he delivered all his lines well and makes us feel honestly sympathetic towards him. Robert Walker is simply genius as Bruno Anthony, a great character that wouldn't have been nearly as memorable without Robert Walker's devilishly evil portrayal of him. The supporting cast are good, Ruth Roman, Leo G. Carroll, Kasey Rogers, Howard St. John and Patricia Hitchcock all deliver good performances that enhance what was already a good film and make it a great film. Alfred Hitchcock's direction is, as always, sublime.

What makes "Strangers" so good is the simple plot. It isn't a complicated story, two strangers meet on a train, and one comes up with a crazy plot: "You do my murder, I do yours." One takes it as a joke and shrugs it off, but the other takes himself seriously and goes on to commit the murder he offered to, getting the 'good guy' into huge trouble. The script is adapted superbly well by Whitfield Cook from a novel by Patricia Highsmith.

This is really one of Hitchcock's most interesting films from a technical perspective while also providing more than enough laughs, suspense, and thrills to keep just about anybody engaged.

10/10

This is a little known Hitchcock movie but I think it is one of his best. I like how he inserts humor into this crime drama. For example the small boy pointing a gun at the Bruno character at the carnival and the Bruno character popping his balloon with a lit cigarette. And there is the comic scene at the tennis courts where the audience in unison moves there heads back and forth following the ball except for Bruno who glances straight away at the tennis player.

Hitchcock plays suspense masterfully as in the tunnel of love sequence early in the film. We know that Bruno plans to murder the woman and we 'see' that is why he is following her into the tunnel. We hear a scream and think the deed is done when voila! the girl comes sailing out with her two admirers. Then there is one of the finest scenes in all movie history: the final scene on the carousel. Hitchcock manages suspense on many non-stop levels: the two protagonists fighting each other, a small boy who nearly falls from the ride as it whirls at tremendous speed, and the elderly man who crawls beneath the carousel to try and get at the brakes. Although I think the end of the scene was a bit over the top it was masterful to that point and I will never forget it.

I was surprised to see Ruth Roman in the lead. Usually Hitchcock has blondes for his leads, but the commentator on the TMC channel told us Hitch had to use her because she was under contract to the studio where he filmed it.

I highly recommend this obscure Hitchcock masterpiece and give 9.99 out of 10.

Strangers on a Train directed by Alfred Hitchcock is a crime drama, which follows a tennis star who is recognised by a stranger. Their compelling conversation on the train is followed by a series of deranged events, which immensely torments the tennis star, unexpectedly placing him on the cusp of crime. Going into this film I was expecting great things. Although this film didn't meet my expectations... it exceeded them. Where can I start. The performances are all outstanding. The black and white cinematography is creative, expressive and beautifully artistic. This film contains sequences which are so thrilling, I was genuinely invested, due to how well they hold up. I particularly loved the subtle visual imagery and symbolism which enforces a major concept explored in the film. Strangers on a Train has you invested for the entire runtime. The script is so riveting, as it explores a range of tones without ever slowing down. Many individuals today refuse to see films which are black and white, believing that they are not entertaining. Strangers on a Train rebukes that misconception on every level. This film is an incredible film making achievement so therefore I give it a 9.

Usually, it is the other way around, but in this case, the movie is a major improvement over the original book.

I had seen this wonderful movie at least a dozen times, before I managed to find a copy of the book it was taken from....the book has the same title and was written by Patricia Highsmith.

I scoured the used bookstores for years, before I finally found a copy, and because the movie was SO good, I could not wait to begin reading the story in its original version.

I was never so disappointed!

Not because the book is unreadable...but because Hitchcock made such vast improvements over the book that the book simply does not come close to measuring up to the movie version.

That said, let me now comment on Robert Walker's amazing performance as Bruno Antony.

This was Robert Walker's last completed performance...he died while shooting his final film, "My Son John," in August, 1951.

This role as Bruno was the performance of his career!

Perfect in every way.

The movie has been around now for nearly half a century. I see it every time it is shown on television, and I also watch the tape I have of it occasionally.

Robert Walker's performance only seems to improve with each new viewing.

I can not recommend this movie highly enough.

If Hitchcock and Robert Walker can read me, up there in heaven, let me congratulate them both on an absolutely superlative job!

'Strangers On A Train is rarely mentioned as the best movie he made but it is definitely one of his finest. I have watched a few of his movies recently and I regard this as better than 'North By Northwest', 'Notorious'. 'The Wrong Man', 'Vertigo', 'Spellbound', 'Rope'. Indeed I would put it right up there with 'Psycho',

Robert Walker is simply fantastic as the psychotic Bruno and why he wasn't even nominated for an Oscar is ludicrous. The fact that he died in tragic circumstances not long after this movie was finished compounds the fact that he had an amazing career ahead of him. Also I must give mention to Patricia Hancock who gives a really fine performance as Babs. Every actor is on point here and there are so many memorable scenes.

'Strangers On A Train' is a good movie, it really is that simple. A director at the peak of his powers and a performance from Robert Walker that lingers in the memory.