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Stunning and watchable classic comedy with Carole Lombard and Robert Montgomery in sparkling form, adding strong secondary cast. A couple David Smith (Robert Montgomery) and Ann Smith (Carole Lombard) who have been married for three years are shocked to learn that their marriage is not legally valid and go through courtship all over again. They then decide to take new lives and different paths. Ann's new life is dating other men. One of those other men and the most serious is David's best friend and business partner, Jefferson Custer (Gene Raymond). A Million Smiths in America...And these are the funniest! A slightly daffy comedy about a slightly daffy couple !. Learn about love from this scrap-happy couple who were locked up till they made up!. The Flirting Mr. And The Flitting Mrs. Who Ran Their Marriage By Rules!. Whwn thwy loved...they hold hands...to keep from killing each other!. She loves him! She hates him! -and you have all the fun! . Carole's in a comedy again-and What a comedy! The daringly delightful story of a bride who couldn't stay mad!. Love and Laugh with the flirting Mr. And the flitting Mrs. Who ran their marriage by rules--until a rule that wasn't in the book almost ran their marriage on the rocks...Red Book Magazine says it's the most explosive and hilarious comedy of 1941--and you won't argue!. It's Daring! It's Delightful--And as Spicy as It's Speedy!. The All-Time Prize Panic of the Screen

Hitchcock's only screwball and sophisticated comedy, an underrated, endearing farce about a bickering but happy modern couple who discover their marriage isn't legitimate and go through courtship all over again. Vintage of its kind, with inspired interpretations and crackling dialogue in which Lombard and Montgomery get hitched as they're getting unhitched. An amusing, gentle classy comedy about 'War of the Sexes' , including entertaining events, funny incidents , disconcerting situations and lots of fun. The screen team made up of Carole Lombard and Robert Montgomery is frankly marvellous, but never more so than in this classic comedy. As husband and wife on opposing sides, they remind us of what film magic is really all about. Riotously directed by Alfred Hitchcock who now lends to laughter that touch of genius which was so evident in his "Rebecca" and "Foreign Correspondent". Less Hitchcock, however, than writer Norman Krasna, who at his best could twist conventional roles and plot patterns in such beguiling ways that you'd almost forget their antiquity. The terrific duo of protagonists: Lombard and Montgomery are well accompanied by a fine support cast , such as: Gene Raymond, Jack Carson, Philip Merivale, Lucile Watson, William Tracy, among others.

Competently directed by Alfred Hitchcock and it is still a good and stylish film. Hitchcok had a long 50-year career. Hitch's early British period when he directed silent films such as the successful ¨The lodger¨ (1926) , ¨The ring¨(1927) , ¨Easy virtue¨ (1927) , ¨The Manxman¨(29) ; being ¨Blackmail¨(29) made as a silent , this was reworked to become a talkie . Following sound movies and early talkies as ¨June and the Paycock¨(30) , ¨Skin Game¨(31) , ¨Rich and strange¨(32) , ¨Number 17¨(32) , ¨The man who knew too much¨(34) , ¨The 39 steps¨ (35) , ¨The secret agent¨(36) , ¨Blackmail¨(36) , ¨The lady vanishes¨(38) . After ¨39 Steps¨ and ¨Jamaica Inn¨, Hitch was encouraged to go to America and quickly filmed his first work in Hollywood hired by the great producer David O'Selznick to shoot ¨Rebecca¨ and after ¨Suspicion¨, ¨Notorious¨ and ¨Spellbound¨. Because Hitch felt controlled by O'Selznick, he founded his own company Trasatlantic along with Sidney Bernstein with which he produced ¨Rope¨ and the flop ¨Under Capricorn¨. Hitchcock went to to fascinate the public with several films such as: ¨Strangers on a Train¨,¨Rear Window¨, Vertigo¨, ¨The Man who Knew Too Much¨, ¨North by Northwest¨, ¨To Catch a Thief¨, ¨The Birds¨, ¨Topaz¨, ¨Torn Curtain¨, ¨Frenzy¨ or ¨Psycho¨that comes near his best. And ¨Mr. And Mrs. Smith¨was the only non-thriller directed by Hitchcock. Rating: 6.5/10. Essential and indispensable watching for Hitch followers.

When I put this movie on I was drowsy, and depressed. It did two things for me after I put it on. It kept me awake, thus entertaining me, and it put a smile on my face.

There are some genuine laughs in this movie, and the comedy is spread between all the characters. Robert Montgomery is extremely funny, with both excellent physical comedy, and great comedic timing with his dialogue. What surprised me most was the excellent comedic timing of Carole Lombard. She is extremely funny, but her chemistry with Montgomery in their scenes together is fantastic.

The direction, of course, is excellent. Not standard Hitchcock suspense, but classic Hitchcock comedy and romance, elements of his film making that a lot of people overlook.

Honestly, this is a fun movie. The humor is intelligent and never sinks to an infantile level. I had never heard of this movie until about two days ago, and I watched it and I was pleasantly surprised. 8 out of 10.

This is a good example of a movie that could be quite disappointing for anyone who had too many or too specific expectations for it. It's an Alfred Hitchcock movie, but it's not at all like any of his better-known films. The offbeat premise leads you to expect a 1930s-style screwball comedy, but instead it has a different brand of humor altogether.

The tone of the film blends together the screwball plot idea with Hitchcock's dry sense of humor and the upbeat charm of Carole Lombard. It's something of an odd combination, but it works all right as long as you don't have too many preconceptions.

Lombard and Robert Montgomery work well as "Mr. & Mrs. Smith", who find out at the beginning of the movie that they are not really married. Most of the story that follows moves at a decent pace, and although there are never any big laughs, there is some good material. It never really hits high gear, but once you get used to the pace, most of it works well enough.

It does slow down quite a bit towards the end, as things run out of steam, and this keeps the movie from being better. A grand climax in the screwball tradition might have made it a very good movie. Instead, as it is, "Mr. & Mrs. Smith" is a pleasant, generally amusing, slightly above-average romantic comedy.

The most surprising entry from the filmography of Alfred Hitchcock is his 1941 film, Mr. & Mrs. Smith. Hitchcock claimed he made the film as a favor to lead actress Carole Lombard; Mr. & Mrs. Smith is the only screwball comedy the famous suspense director ever made. Starring along with Carole Lombard is Robert Montgomery; the pair plays a married couple who find out that their marriage is unofficial, and instead of going through the legal paperwork to make their union legal, they question each other and their feelings. Out of his element, Hitchcock put forth a classic comedy that oddly still feels like a Hitchcock film, a true treat for the serious fan as they wade through Hitch's body of work.

Elite New York couple Ann Smith (Carole Lombard) and David Smith (Robert Montgomery) have enjoyed an affectionate, loving, wedded bliss for three years. After individual visits from their lawyers, however, they learn that a municipal technicality prevented their union from being legally recognized. What should be a simple fix, turns into a possible breakup for the couple as they start to wonder how much in love with each other they truly are. The day the couple was told of the technicality, David commented over breakfast that if he were to start his life over, he would never marry. Despite his love for his wife, David feels as though an immense amount of sacrifice of himself has taken place due to his marriage to his wife. That comment has stuck with Ann as she decides what to do about her defunct marriage to her husband. Ann decides that a separation is in order and she begins to live the life of a single woman, even re-adopting her maiden name. As Ann enjoys her new life and freedoms, David sets his sights to stop at nothing to win back the devotion of his wife. Winning back Ann's hand becomes much more difficult as she begins dating other men. As David becomes increasingly more disgruntled with life without his wife, he begins to realize that maybe he wouldn't remove his wife from his life if he had the chance to do it again.

As a fan of classic cinema, I was both surprised and embarrassed to realize that this was the first film I had seen of classic star Carole Lombard. I was happy to change that status and finally see her of a film; I found Lombard's acting exceptional and engaging, and cannot wait to see more of her work. This film is a lot of fun with the slight nods to silent cinema it seems to employ. The ways in which Mr. & Mrs. Smith plays out like a silent film, prove to be a perfect match to the plot of men's and women's relationships of the 1940's. As Lombard gains independence, she enjoys life without her husband more, therefore illustrating the liberation of women in the 40's. Although Mr. & Mrs. Smith has a very Howard Hawks feel to it, it is also clear that there are many aspects recognizable as Hitchcock touches. For instance, this journey through Alfred Hitchcock's filmography, I have grown quite fond of the way in which the auteur films faces. That same unique way faces are filmed are present in this film and are fun to watch. Sure, the film is a comedy, therefore Hitchcock touches are few and far between, but the film doesn't feel foreign to fans of Hitchcock and one can see his touches in it throughout the film. Fans of Hitchcock must see this film, if for no other reason, just to see the famous suspense director trying his hand at comedy; although, if given a chance, one won't be disappointed with a Carole Lombard film, either.

Even the talents of Lombard, Montgomery and Raymond can't really save this Hitchcock screwball comedy-curio. Some scenes are priceless - the scene in the Florida Bar where Robert Montgomery tries to make Carole Lombard jealous, and the scene where Carole Lombard gets Gene Raymond drunk are of the first rank - but more often than not the comedy falls flat. Whilst the plot of a comedy shouldn't have to bear too much scrutiny it should have its basis in truth, and unfortunately, here the characters fail to convince; in fact they become rather irritating and dislike-able. With Hitchcock directing and such a stunning ensemble of actors on show this has all the feel of a missed opportunity - its sum never fulfilling the promise of its parts. Shame. Though maybe worth watching just to see Lombard et al, strut their stuff.