Murder by Invitation

No doubt prompted by the success of Elliot Nugent's 1939 remake of THE CAT AND THE CANARY, Monogram's MURDER BY INVITATION is a spit polishing of dusty doings distinguished by a cagey awareness of its own derivativeness. Like the imperiled teens of Wes Craven's SCREAM, the dramatis personae here – heirs to a sizeable legacy - enter into danger with full knowledge of the rules of the game - with comic star Wallace Ford (FREAKS) even cracking: `I'm the handsome young juvenile of this story – he never gets hurt.'

Supporting the ever-watchable Ford is a cast of faces familiar from the Poverty Roll payroll: Sarah Padden (THE MAD MONSTER), Dave O'Brien (THE DEVIL BAT, REEFER MADNESS), Minerva Urecal (THE CORPSE VANISHES) and John James (DEVIL BAT'S DAUGHTER), as well as Marian Marsh (Trilby to John Barrymore's SVENGALI) and Gavin Gordon (Lord Byron in THE BRIDE OF FRANKENSTEIN). A former Edison camera man turned prominent silent film director (ABRAHAM LINCOLN), Phil Rosen exhibits little enthusiasm for George Bricker's scenario, and seems grateful that the conventions of the murder mystery allow characters to remain seated for long stretches at a time. French cameraman Marcel Le Picard also shot the low-rent SPOOKS RUN WILD and VOODOO MAN.

Not a must-see film, but undemanding fun for fans of the murder mystery - and Wallace Ford never disappoints.

Virtually indistinguishable from the scores of other comedy/mysteries so popular in the 30s and 40s. All the cliches are here - wealthy dowager, hidden fortune, isolated country house, hidden passages, venal relatives, intrepid reporter with his comic sidekick and wisecracking "doll", bumbling police detective - all that is missing is the dark and stormy night. Fun performances by some great character actors are about all that set this movie apart. There are better ways to spend your time.

Perennial second-from-the-left-cop-in-the-station-house, George Guhl, has a featured role, would you believe, in Monogram's 1941 tale, Murder by Invitation, which turns out to be a sort of Mrs Longfellow Deeds Meets the Cat and the Canary. With halfway competent direction and a halfway appropriate budget, this may well have turned out as sleeper of the year. The money is there all right, but Phil Rosen's direction is strictly from hunger. The picture's potential is unrealized. Obviously left largely to their own devices, the players do what they can to salvage the film. Although inclined to over-act, I thought Sarah Padden carried off the main role with a fair amount of conviction, although other reviewers disagree. George Guhl was a big letdown, and I was also disappointed that Marian Marsh was simply just another pretty blonde in this outing and no longer the charismatic charmer of Beauty and the Boss.

An old lady is taken to court by her heirs because they feel she is wasting her fortune and that she should be put away for her own safety. Turning the tables on the greed family in the courtroom she insists that any of her heirs who want a piece of her money show up at her house that night. What happens next is a very enjoyable murder/comedy as people start dying as every scrambles to find the fortune.

Anyone expecting anything other than a silly time should stay as far away from this movie as possible. Yes, there is a mystery, but there are a good bunch of laughs as well, as reporter Wallace Ford and his girl wander among the crazies trying to get a story while trying to stay alive.

I really like this film, especially the old lady that who is smarter than the relatives who are trying to put her way. This is a good friend of a movie that I'll take out now and again when I need to just sit and veg.

If you come across it, by all means give it a try, we all need to laugh now and then.

This is a formula piece. It's been done a hundred times. The greed of the relatives causes them to try to get the old lady committed. Their motives are so obvious that any chance they had goes down the tube within minutes. Now they're in over their heads and have to use their resources to survive. Meanwhile, the red herrings start swimming upstream. I should have hated it, but the crazy overacting and general being of the film are rather pleasant in a maniacal sort of way. The conclusion is satisfying and justice is done. The one drawback is that the bad guys are so pathetic and incompetent that they don't pose much of a threat.