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IMDbPro

Lydia

  • 1941
  • Approved
  • 1h 44min
CALIFICACIÓN DE IMDb
6.3/10
962
TU CALIFICACIÓN
Merle Oberon in Lydia (1941)
DramaRomance

Agrega una trama en tu idiomaAn elderly woman reunites with the three men who loved her in their youth.An elderly woman reunites with the three men who loved her in their youth.An elderly woman reunites with the three men who loved her in their youth.

  • Dirección
    • Julien Duvivier
  • Guionistas
    • Julien Duvivier
    • Leslie Bush-Fekete
    • Ben Hecht
  • Elenco
    • Merle Oberon
    • Joseph Cotten
    • Edna May Oliver
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.3/10
    962
    TU CALIFICACIÓN
    • Dirección
      • Julien Duvivier
    • Guionistas
      • Julien Duvivier
      • Leslie Bush-Fekete
      • Ben Hecht
    • Elenco
      • Merle Oberon
      • Joseph Cotten
      • Edna May Oliver
    • 27Opiniones de los usuarios
    • 5Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Nominado a 1 premio Óscar
      • 5 premios ganados y 1 nominación en total

    Fotos16

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    Elenco principal33

    Editar
    Merle Oberon
    Merle Oberon
    • Lydia MacMillan
    Joseph Cotten
    Joseph Cotten
    • Michael
    Edna May Oliver
    Edna May Oliver
    • Granny
    Alan Marshal
    Alan Marshal
    • Richard
    Hans Jaray
    Hans Jaray
    • Frank
    • (as Hans Yaray)
    George Reeves
    George Reeves
    • Bob
    John Halliday
    John Halliday
    • Butler
    Sara Allgood
    Sara Allgood
    • Johnny's Mother
    Evelyn Beresford
    Evelyn Beresford
    • Sarah's Guest
    • (sin créditos)
    Tyler Brooke
    Tyler Brooke
    • Vaudeville Singer
    • (sin créditos)
    Frank Conlan
    • Old Ned
    • (sin créditos)
    Harry Cording
    Harry Cording
    • Hotel House Detective
    • (sin créditos)
    Hal K. Dawson
    • Hotel Desk Clerk
    • (sin créditos)
    Jack Deery
    • Ball Guest
    • (sin créditos)
    Paul Everton
    Paul Everton
    • Sarah's Guest
    • (sin créditos)
    Jesse Graves
    Jesse Graves
    • Michael's Servant
    • (sin créditos)
    Bobbie Hale
    • Bar Patron
    • (sin créditos)
    Gertrude Hoffman
    Gertrude Hoffman
    • Mrs. Fairfield
    • (sin créditos)
    • Dirección
      • Julien Duvivier
    • Guionistas
      • Julien Duvivier
      • Leslie Bush-Fekete
      • Ben Hecht
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios27

    6.3962
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    Opiniones destacadas

    6jordondave-28085

    it is decent anough

    (1941) Lydia ROMANTIC DRAMA

    American English speaking version of the 1937 movie ""Un Carnet de Bal" co-written and directed by Julien Duvivier. Like Hitchcock rebooting "The Man Who Knew Too Much", Yasujirô Ozu and Frank Capra rebooting their movies to name a few, this is Duvivier remaking this time starring Merle Oberon as the title character, Lydia as she details and recounts four different relationships with four different men of Hans (Frank Andre), Bob (George Reeves), Richard (Alan Marshal) and Michael (Joseph Cotten) from different times starting from the year of 1897. Resorting to the conclusion that it did. I liked the unique style of this that could have had a stronger payoff.
    9sandyyow

    Why such a low rating for such a film of excellence all around?

    I do not know what would allow for such a low rating on this movie.. In my opinion the acting is excellent . The story is a romance unequaled and unique. The writing is as beautiful in some places as if it were poetry. I contest that this is one of my favorite movies and anyone who has loved, loved and lost or is capable of such, should certainly watch and judge for themselves.
    7ksf-2

    Reviewing the Past

    Well, as soon as we see that Joseph Cotten and Edna Oliver are in this, we know it won't be a bad film... it was nominated for best Music in a drama, but The Devil and Daniel Webster won it that year. Lydia (Merle Oberon) and Michael (Cotten) meet up in their later years, and reminisce about the past, which we always seem to remember as better than it was. Edna Oliver is (once again)the overbearing, frumpy grandmother who is very set in her ways, and is determined that Lydia will only be with a proper gentleman.

    Lydia and her old beaus talk about "the grand ball" they had attended in their youth, with the harps, mirrors, and chandeliers, which everyone remembers differently. Then, we flash back to the glorious football game, on which they also disagree. We flash forward, then backward, and forward and backward, and its all a lot of work to keep up with where we are now. It's all done competently, but there are no sparks between her and the men from her past, and its a little like reading a history book. It just seems to be a lot of talk about being in love way back when. Then, about halfway through, Lydia meets up with a little boy who changes her life. Then we find out how Lydia got to where she is today. It's entertaining enough, but not one of my favorite films. Produced by Alexander Korda, who happened to be Oberon's hubby at the time.
    7kobe1413

    Oberon and other people

    Here Oberon shines. The story is slight, yet gives Oberon time to revel in the Ben Hecht/Samuel Hoffenstein dialogue. Oberon plays Lydia, a woman who is searching for love. The film is framed by a reunion, with Lydia as an old woman. She is reunited with the four fellows that have chased her throughout her life. All four actors do their best with their roles, but none standout. They mostly just stare longingly at Oberon for the duration of the film. None are given much consideration or motivation other than as a lovers for Oberon can push around.

    Other than Oberon, Julien Duvivier, the director, is the real star. His direction makes the most out of the simple plot. Certain scenes stick out more than others. The scene when Michael (Joseph Cotten) and Lydia run into the ball of Lydia's imagination, in slow-motion is very memorable for its dream-like feel. Also, when Frank (Hans Jaray), the blind pianist plays for the blind children, the scene is framed very beautifully. Also Miklos Rozsa's Oscar-nominated score is very good.

    A pretty good drama that suffers from a necessary but clumsy framing device with the reunion, as well as a third act that doesn't jell well with the rest of the film.
    6wes-connors

    Goodbye, Edna May

    After dedicating a home for blind and crippled children, doddering old Merle Oberon (as Lydia MacMillan), who never married, attends a surprise gathering of her old boyfriends. The reunion is arranged by physician Joseph Cotten (as Michael Fitzpatrick). The son of Ms. Oberon's family butler, Mr. Cotten has also invited blind musician Hans Jaray (as Frank Andre) and future "Superman" George Reeves (as Bill Willard). A fourth beau, seafaring adventurer Alan Marshal (as Richard Mason) may or may not appear. He is one of the story's mysteries, so stay tuned. Oberon and her old suitors reminisce about their romances, in flashbacks beginning in 1897, when "the prettiest girl in Boston" was a desirable young maiden...

    "Lydia" is a re-make of director Julien Duvivier's "Un carnet de bal" (1937), re-fashioned entirely for star Merle Oberon by producer Alexander Korda. The original French export was a worldwide hit, with Mr. Duvivier and his remarkable original players receiving much critical acclaim. There are some significant changes in the story, but they do improve the central played by Mrs. Korda (Oberon). She is the reason for the picture, clearly. An impressive group was hired for this motion picture; their skills are intermittently evident, but the totality of the film is far too pretentious...

    Watch "Lydia" for the production values and moments of perfection. You'll find much of the latter in the work of supporting actress Edna May Oliver (as Sarah "Granny" MacMillan). This was the last appearance of Ms. Oliver, a classic character actress who became the most valuable player nearly every time she appeared on screen. Oliver's character appears in the flashbacks, as Oberon's wealthy and outspoken grandmother. She complains about mysterious internal ailments, but is considered a hypochondriac. The veteran actress died in 1942, of internal ailments. In real life, Oliver passed away peacefully in her sleep. On screen, she plays her expiration scene with Shakespearian majesty. This is how it should be done.

    ****** Lydia (9/18/41) Julien Duvivier ~ Merle Oberon, Joseph Cotten, Edna May Oliver, Alan Marshal

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    Argumento

    Editar

    ¿Sabías que…?

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    • Trivia
      The poem Lydia and Bob quote at the ball is "The Night has a Thousand Eyes" by Francis William Bourdillon, a Victorian English poet (1852-1921). The text is "The night has a thousand eyes, / And the day but one; / Yet the light of the bright world dies / With the dying sun. / The mind has a thousand eyes, / And the heart but one: / Yet the light of a whole life dies / When love is done."
    • Errores
      At one point, Granny mentions her intention to send Lydia to her cousin Sally's. In the next scene, Lydia refers to her cousin as "Mary".
    • Conexiones
      Featured in Ladies in Black (2018)

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    Preguntas Frecuentes16

    • How long is Lydia?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 20 de noviembre de 1941 (México)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • Illusions
    • Locaciones de filmación
      • General Service Studios - 1040 N. Las Palmas, Hollywood, Los Ángeles, California, Estados Unidos(Studio)
    • Productora
      • Alexander Korda Films
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 44 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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