Damas retiradas

Ellen Creed (Ida Lupino) is the servant and companion of a well to do older woman, Miss Fiske. However, Ellen has a serious problem...she's the sole support for her two mentally ill sisters...and the sisters have been tossed out of the place that was caring for them. You can understand why, as one of the sisters (Elsa Lanchester) is rather surly and the other is quite out of touch with reality. So Ellen maneuver's her employer into letting the pair stay with them a few days. However, the days turn into weeks and the sisters are almost impossible to live with, so Miss Fiske insists that Ellen make other arrangements. With no easy solution to her dilemma, Ellen does something pretty dreadful. Little does she know that her slimy nephew (Louis Hayward) is about to arrive for a visit...and he's NOT mentally ill....just a conniving sociopath! Slowly he puts the puzzle pieces together and he realizes Ellen has done something even he wouldn't do! And, not surprisingly, he plans on taking full advantage of the situation.

This is an excellent and interesting film. I especially like that the plot is quite unique....and because of this it offers many surprises. The acting by Lupino was excellent and I appreciate how she allowed the makeup folks to make her look unglamorous and 'normal'...many actresses would have resisted this. Even more impressive is Hayward's performance...one of his very best. He is wonderful as the slimy nephew...very convincing and fascinating in every scene. My only complaint in the acting was Edith Barrett as one of the mentally ill sisters...as her performance seemed forced and a bit overdone. Subtle it wasn't. Overall, the good very much outweighs the bad...and it's a film lovers of classic cinema need to see.

If you liked seeing Ida Lupino in all her films, this is a must see film with an outstanding director, producer and great acting. Ida Lupino, (Ellen Creed) plays the role of a companion for a rich retired actress who also has a maid named Lucy performed by Evelyn Keyes. The story becomes very complicated when Ellen Creed invites her two sisters to visit with her. However, these two gals are simply loony tunes in their heads and will drive you completely crazy with their great supporting roles. Louis Hayward, (Albert Feather) is a family acquaintance to Ellen Creed and he decides to stay at their home and get away from his banking problems. Elsa Lanchester,(Emily Creed), "Bride of Frankenstein", also gives a great supporting role. This is a great mystery film with a great plot that will keep you guessing just how this film will end. I was also surprised to learn that Ida Lupino and Louis Hayward were husband and wife in real life while this film was being produced.

Glorious Gothic camp. A seemingly unlikely, yet perfectly cast, Ida Lupino is the stiff-backed housekeeper and companion to fussy actress Isobel Elsom. When she discovers that her two daft sisters, (an excellent Edith Barrett and a superb Elsa Lanchester), are to be evicted from their lodgings she decides to move them in but first she must do something about her employer. Things get complicated when Lupino's scurrilous 'nephew' turns up and is quick to put two and two together.

The setting is one those quaint old cottages on the English marshes that are perpetually shrouded in fog and which one someone in Hollywood could dream up and the source material was a play by Reginald Denham and Edward Percy. By rights it should be terrible but it's actually hugely enjoyable and Lupino's terrific, (she makes for a very sympathetic murderess). It's the kind of film that would sit very nicely next to "Hush Hush Sweet Charlotte" and "Whatever Happened to Aunt Alice".

Why so many British spinsters took to spending their twilight years in old houses at the edge of the moors, all gnarled trees and lowering skies, remains one of life's enduring mysteries: Didn't they know they were sitting ducks? Those crusty old cruets of malt vinegar weren't averse, however, to the occasional taste of honey to sweeten their vanity, especially if it came from charming young drifters harboring antisocial personality disorders. Emlyn Williams' Night Must Fall remains the classic example, but another is Ladies in Retirement, which also started out on stage before Charles Vidor started the cameras rolling.

Isolbel Elsom takes on the part of the vain old biddy with a theatrical past (and her disappearance comes far too quickly). The beguiling drifter is Louis Hayward, who comes to the door hoping to cadge 12 quid to make up for a shortfall in the teller's drawer in the bank he works for. He gets it from her, though he really hoped to hit up her housekeeper – and his aunt – Ida Lupino (the two were married at the time).

Lupino, alas, was off in London at the time, packing up her two dotty sisters (Elsa Lanchester and Edith Barrett) who were evicted from the last of their lodgings for their shenanigans. They park at Elsom's house `for a day or two,' but after six weeks Elsom comes to the end of her tether and gives them, and Lupino, their walking papers. At which point, Lupino decides that blood is thicker than water and acts accordingly. But her crafty nephew grows suspicious when the old lady's `travels' seem to be coming to no foreseeable end....

Vidor chooses not to ventilate the play, keeping the action squarely in the moldering old homestead – which affords him opportunity for strangely angled and shadowed shots in the rabbit-warren of rooms and staircases. The cast does the piece proud, with Hayward, Elsom, Lanchester and Evelyn Keyes, as the maid, all chewing a good portion of the scenery. Lupino wisely opts to underplay, giving the tight and wary performance of a woman with too many secrets to keep.

Ladies in Retirement shows its age in its conventions and attitudes, but it's still reasonably spry; it's fun to settle into, and offers a preview of the noir style that was just starting to develop. It's a hell of a lot fresher and easier to swallow than the distantly similar Arsenic and Old Lace, that overwrought farce which coaxed out of Cary Grant the worst performance of his career.

Some people get the strangest notions. Take Ida Lupino in Ladies In Retirement. She's served faithfully and well as a companion/secretary to rich Isobel Elsom for many years and when her sisters Elsa Lanchester and Edith Barrett come for a visit Elsom allows them to stay. But when they start taking over the place Elsom says they have to go. Instead it's Elsom who goes rather permanently and the story goes out that the woman has gone away.

Also now squatting at the residence is the nephew of all three of the sisters, son of a fourth sister who was apparently the only one who married. He's played by Louis Hayward and this isolated place on the English moors is ideal for a man who is on the run from the authorities after stealing 100 pounds from the bank he was employed at. He's guilty of embezzlement, but aunt Ida is guilty of maybe something far worse.

Once again Hayward shows his versatility after playing the swashbuckling hero son of the Count Of Monte Cristo now reverts to playing a blackmailing villain. He never had the major studio ties that his two main competitors Errol Flynn and Tyrone Power had, but he also was allowed to vary his roles as he wasn't as big a star as these other two. Hayward was just a fine and versatile actor.

Lupino though is the real star here. A very steely woman with iron self control she sees her world start to crumble around her as people become suspicious. Most suspicious of all is Hayward who even though he's on the run isn't above attempting some blackmail. Impervious to it all are clueless spinsters Lanchester and Barrett.

Those moors which provided so much story inspiration to Charlotte Bronte and Arthur Conan Doyle serve once again as a grand back drop to Ladies In Retirement. The final fadeout of Lupino on those moors is unforgettable.

Ladies In Retirement got Oscar nominations for Art Direction and Music Scoring. Sad that neither Ida Lupino or Louis Hayward were similarly recognized. Though they got each other as prizes as Hayward married the woman who played his maiden aunt in the film.

Definitely a film for Ida Lupino fans and Louis Hayward is an actor waiting to be rediscovered.