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Música de estrellas

Título original: The Great American Broadcast
  • 1941
  • 1h 30min
CALIFICACIÓN DE IMDb
6.6/10
297
TU CALIFICACIÓN
Cesar Romero, Alice Faye, Jack Oakie, John Payne, and The Ink Spots in Música de estrellas (1941)
ComediaDeporteMusicalRomance

Agrega una trama en tu idiomaAfter WWI two men go into radio. Failure leads the wife of one to borrow money from another; she goes on, after separation, to stardom. A coast-to-coast radio program is set up to bring ever... Leer todoAfter WWI two men go into radio. Failure leads the wife of one to borrow money from another; she goes on, after separation, to stardom. A coast-to-coast radio program is set up to bring everyone back together.After WWI two men go into radio. Failure leads the wife of one to borrow money from another; she goes on, after separation, to stardom. A coast-to-coast radio program is set up to bring everyone back together.

  • Dirección
    • Archie Mayo
  • Guionistas
    • Don Ettlinger
    • Edwin Blum
    • Robert Ellis
  • Elenco
    • Alice Faye
    • Jack Oakie
    • John Payne
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.6/10
    297
    TU CALIFICACIÓN
    • Dirección
      • Archie Mayo
    • Guionistas
      • Don Ettlinger
      • Edwin Blum
      • Robert Ellis
    • Elenco
      • Alice Faye
      • Jack Oakie
      • John Payne
    • 14Opiniones de los usuarios
    • 2Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 premio ganado en total

    Fotos55

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    Elenco principal87

    Editar
    Alice Faye
    Alice Faye
    • Vicki Adams
    Jack Oakie
    Jack Oakie
    • Chuck Hadley
    John Payne
    John Payne
    • Rix Martin
    Cesar Romero
    Cesar Romero
    • Bruce Chadwick
    James Newill
    James Newill
    • Singer
    Charles Fuqua
    • Song Specialty
    The Ink Spots
    • The Four Ink Spots
    • (as The Four Ink Spots)
    Hoppy Jones
    • Song Specialty
    Bill Kenny
    • Ink Spots Member
    Deek Watson
    • Song Specialty
    The Nicholas Brothers
    The Nicholas Brothers
    • Dancers
    • (as Nicholas Brothers)
    Fayard Nicholas
    Fayard Nicholas
    • Railroad Station Dance Specialty
    • (as The Nicholas Brothers)
    Harold Nicholas
    Harold Nicholas
    • Railroad Station Dance Specialty
    • (as The Nicholas Brothers)
    The Wiere Brothers
    The Wiere Brothers
    • Dancers
    • (as Wiere Brothers)
    Mary Beth Hughes
    Mary Beth Hughes
    • Secretary
    Harry Wiere
    • Chapman's Cheerful Chappies
    • (as The Wiere Brothers)
    • …
    Eula Morgan
    • Madame Rinaldi
    Herbert Wiere
    • Chapman's Cheerful Chappies
    • (as The Wiere Brothers)
    • …
    • Dirección
      • Archie Mayo
    • Guionistas
      • Don Ettlinger
      • Edwin Blum
      • Robert Ellis
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios14

    6.6297
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    Opiniones destacadas

    8sryder-1

    Routine Plot, but has some good musical numbers

    During the first twenty minutes or so there is actually some loose correspondence between the actual early history of radio and the history as presented here: the broadcast of a heavyweight prize fight, the proposal to broadcast a national political convention, the commercial link between the development of broadcasting and the sale of radios for home entertainment; and also the way national broadcasts began. The opening sequence before the title would have caught the attention of film goers in the forties, with brief clips of jack Benny, Fred Allen, Kate smith, Walter Winchell and other radio stars. Unfortunately, the origin and evolution of radio broadcasting becomes merely the background for a clichéd romance. However, there are some entertaining musical moments along the way. Jack Oakie stands out from the rest of the cast because of his energy, while Alice Faye, a favorite of mine from the 1930s, sings well, but seems mostly tired, except when she and Oakie are performing a song and dance number together. John Payne, Fox's back-up leading man (after Tyrone Power, who had moved on to major dramatic roles by this time), always does his job in a professional, though bland, manner. The Nicholas Brothers always impress. 20th Century Fox seemed to find some way of working them into most of the 1940s musicals. On the other hand, the Wiere Brothers are truly tiresome, supposedly performing over the radio an act that has to be seen to be enjoyed (or not, in this case). This review may sound more negative than I intended. In fact, most viewers will enjoy this hour and a half for what it is.
    6trw3332000

    Fun picture, but typical Fox screenplay!!

    For those of us lucky enough to see Turner Classic Movies library of great MGM, Warners and RKO pictures, it comes as a letdown to see comparable 20th Century Fox pictures done with such juvenile plots--and there were many.

    The Great American Broadcast is worthwhile to see gorgeous Alice Faye (about the time she married Phil Harris), hear her great songs, see the incomparable Ink Spots, Weire Brothers and Nicholas Brothers! Also performing well in restrained character for a change is Jack Oakie.

    The backdrop of early radio is interesting, but the plot was so bad I had to turn away for a while--like broadcasting from a building rooftop from a tent in a thunderstorm(early AM low power radio would never reach far with all that lightning and static), also preposterous that John Payne would leave his beautiful new bride Alice Faye and run away to south america....only to have Jack Oakie beat him up to get him to look at her in the end....ha!!

    Thanks to the Fox Classic Movie Channel for providing a beautiful print, enjoy it just the same.
    9fifties

    Origin of the Internet ?

    While it is almost impossible to bypass the beauty of Alice Faye, I wish to mention that the plot of this cute fluff pic contains an interesting idea: hook up radio stations in a coast-to-coast network via the telephone. One hears so many arguments (political and otherwise) about "Who Invented the Internet?" It's easy to forget our honorable ancestors in the early days of Radio (when that name drew enough awe to have SciFi and even strange Westerns use it as a buzzword). The idea of telephone hookups apparently gave audiences a thrill.
    8bkoganbing

    Great Musical, but not the history of the origin of radio

    The Great American Broadcast marks the first of four films that Alice Faye teamed with John Payne at 20th Century Fox. It has long been a contention of mine that Payne was signed by Darryl Zanuck because he looked a whole lot like Tyrone Power and could sing and thus carry his end of musical films with Alice, Betty Grable, June Haver, etc. Funny thing is when he left Fox, Payne abruptly stopped doing musicals and concentrated on all kinds of other films. He never sang a note on screen after 1946.

    Putting it mildly this is not the history of the origin of commercial broadcast radio. Still it's a pleasant 90 minutes or so of musical entertainment with Alice Faye, John Payne, Jack Oakie, the Ink Spots, the Wiere Brothers, and the tap dancing Nicholas Brothers. I won't even quibble about how one enjoyed the Nicholas Brothers tap dance on radio.

    In 1919 flier John Payne, radio electrician Jack Oakie, saloon singer Alice Faye, and millionaire Cesar Romero essentially all team up to launch commercial radio. If you're wondering what Payne's specialty and what he brought to the table, he was the promoter of the bunch, a role he would repeat in Tin Pan Alley and Hello Frisco Hello also with Faye and Oakie. Alice has all three of these guys panting for her, but her heart belongs to Payne even though he's a bit of fathead and doesn't appreciate what he has.

    Harry Warren and Mack Gordon wrote the songs for The Great American Broadcast, the best of which is I Take To You which should have done a whole lot better in record sales. Oakie has a very funny bit trying to fake an operatic tenor during an early broadcast.

    The event which launches the quartet in the broadcasting business was the famous Jess Willard-Jack Dempsey heavyweight championship fight and director Archie Mayo did a very good job integrating newsreel footage of the fight with the cast. In the opening montage you'll also see a whole lot of radio personalities who were big in 1940.

    As Alice Faye is one of my real favorites I'm prejudiced, but The Great American Broadcast holds up very well after over 70 years even if it isn't the history of radio.
    6blanche-2

    A Fox musical starring the usual suspects

    Alice Faye, John Payne, Jack Oakie, and Cesar Romero are part of "The Great American Broadcast," a 1941 20th Century Fox musical about the beginning of radio broadcasting. It's complete fiction, of course, but peppered with some wonderful singing by Faye and the Ink Spots, magnificent dancing by the Nicholas Brothers, and some good comedy bits by the Wiere Brothers.

    Payne and Oakie play partners in a radio venture, financed by Romero. They're both in love with the pretty Faye. You've seen this plot a million times.

    This is worth seeing for the cast. Romero is very elegant as the money man, Chuck, Payne is handsome and sings well, and Oakie is extremely likable. Besides the specialty numbers, there is footage of the Dempsey-Willard fight in 1919.

    The older folks will especially love this one.

    Más como esto

    Dimelo cantando
    6.4
    Dimelo cantando
    Hello Frisco, Hello
    6.5
    Hello Frisco, Hello
    Tras ellos ellas
    6.2
    Tras ellos ellas
    Aquella noche en Río
    6.7
    Aquella noche en Río
    Rose of Washington Square
    6.7
    Rose of Washington Square
    La cabalgata de Hollywood
    6.5
    La cabalgata de Hollywood
    Lillian Russell, la venus de oro
    6.4
    Lillian Russell, la venus de oro
    Entre la rubia y la morena
    6.6
    Entre la rubia y la morena
    En el viejo Nueva York
    6.4
    En el viejo Nueva York
    Contigo me he de casar
    7.1
    Contigo me he de casar
    La avenida de los millones
    6.7
    La avenida de los millones
    A La Habana me voy
    6.5
    A La Habana me voy

    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Original 1919 Jess Willard-Jack Dempsey fight film footage used.
    • Errores
      Although the story takes place in 1919, and the years immediately following, all of Alice Faye's clothes and hairstyles are strictly in the 1941 mode, as are also those of Mary Beth Hughes and the other female members of the cast; the musical arrangements of Faye's featured songs are also in the contemporary 1941 style.
    • Conexiones
      Featured in El premio mayor (1944)
    • Bandas sonoras
      The Great American Broadcast
      Music by Harry Warren

      Lyrics by Mack Gordon

      Sung by a chorus during the opening credits

      Performed by James Newill and a chorus

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 16 de julio de 1941 (México)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • The Great American Broadcast
    • Locaciones de filmación
      • 20th Century Fox Studios - 10201 Pico Blvd., Century City, Los Ángeles, California, Estados Unidos(Studio)
    • Productora
      • Twentieth Century Fox
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 30 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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