Forbidden Passage

In 1941, as today, people were anxious to get into the United States. In 1941, as today, they were willing to break the law to do so. In 1941, as today, the results could be tragic, because CRIME DOES NOT PAY.

This is a superior entry in the MGM series of short subjects, in no small part due to cinematographer Jackson Rose's often striking camerawork; the lighting of the sequence in the hold of the human-smuggling ship is superb, hammering home the horror of the situation. Fred Zinneman, on the verge of being promoted to features, directs unflinchingly. Do I see roots of his THE DAY OF THE JACKAL here? Not really, but that would be a third of a century in the future.

The modern viewer will look at this movie through the lens of current events. That's not a wrong attitude to take, but it is incomplete. When looking at old movies, the modern audience should bear in mind that they are not to intended audience for what was seen as ephemera a lifetime ago. You may agree or disagree with the law, the thought behind the law or the execution of the law, yet admire the craftsmanship and artistry that went into this short's execution. In the same way, we may reluctantly admit that sometimes bad guys get away with things, but agree that as a rule, both practical and moral, that CRIME DOES NOT PAY.

This is the Crime Does Not Pay series. The U. S. Immigration Service is trying to catch smugglers and stop illegal immigration. The Florida division finds a dead body in the swamps. It's a man trying to sneak back in from Portugal. They suspect a smuggling ring. A corrupt official in the Lisbon Consulate office is the starting point for a dangerous desperate journey.

This is actually an interesting subject matter. Unlike today, the immigrants are not demonized. They are not all a dirty and crime-ridden mob trying to replace lily white folks. It's also interesting to see a different people smuggling scheme. Most sea-bourn people smuggling today is done with containers. This one gets quite brutal. It's more shocking than the average gangster shootouts. Those are fun. This is scary.

Immigration issues are always tricky to deal with in American cinema because the contribution of immigration to our national character and prosperity due to the unlimited immigration of the 19th century is still a matter of pride and should be. But during the Roaring Twenties when we adopted more stringent immigration policy our attitudes changed. Even now sad to say its not uncommon for the descendants of immigrants to be the ones pushing the hardest for stringent immigration policy. It's like the last groups in want to bang the door shut and lock it against the future.

So in the Thirties with a whole lot of folks looking to get out of Europe because of Fascism, Communism and whatever other kind of totalitarianism you can name, we see MGM lauding the US Immigration Service in this Crime Does Not Pay Short. It's an ironic title here, Forbidden Passage, because the title is referring to a Forbidden Passage to America and freedom for the people you see in this short. Further ironical because it's directed by Fred Zinnemann who also fled Europe and would go on to a directorial career that got him two Oscars.

Addison Richards plays the intrepid head of the Florida branch of our Immigration Service and the short shows how he and our government deal with people who ruthlessly take advantage of the hopes and aspirations of millions of refugees. We still got those kind of ruthless people today.

This film might be timely for some even now because Moslem terrorism has kept immigration as an issue on the front burner. But in 1941 before Pearl Harbor this was one great message for our film industry to be sending abroad. Stay in Europe and be persecuted or risk running our strict immigration laws in America. I guess in one word a review of this film is YEEEEEEEEEEEEEEEEEEEEEEEEESH.

And Forbidden Passage got nominated for Best Short Subject. All I can say is DOUBLE YEEEEEEEEEEEEEEEEEEEEEEEEEEESH.

Forbidden Passage (1941)

** 1/2 (out of 4)

Lesser entry in MGM's Crime Does Not Pay series takes a look immigrants finding illegal and dangerous ways of getting into America. This practice includes paying men to smuggle them in, which in most cases ends up causing their deaths or if they do make it here it could end up costing them a lot of money or force them into slavery. This MGM series is without question my favorite shorts series out there but this here is one of the weakest entries that I've seen. I think the biggest problem is that the story itself isn't very strong and it takes nearly until the end of the film for things to start to pick up and get entertaining. The way the group were disposing of the immigrants was an interesting thing to see and made for the most entertaining and suspenseful moment in the film. Sadly, everything leading up to this was rather poorly written and not very well executed. Addison Richards and Hugh Beaumont round out the cast.

This is one of five crime shorts on the Warner Bros Classic Noir collection 3,that goes under the banner of "Crime doesn't pay",so what you are getting is basically a Government propaganda film that details the smuggling of illegal aliens into the US from Europe via Central America. The US customs sets up a sting operation involving under cover agents and follows would be illegals on board the ship to Florida, its a well made film with some gruesome moments when the smugglers try and get rid of the "Live Illegals" when customs challenge them and that is basically the message of the film "Don't try and gain illegal entry, it could just cost you your life"