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You see a wedding dress floating in the ocean, and the story begins of how it came to be there. Marlene Dietrich lives basically upon the kindness and generosity of men. She sets her sights on Roland Young (from "Topper"), who has scads of money. She also has a particular habit of fainting, which she uses to her advantage, whenever it serves her purpose or whenever she doesn't know else to get out of a particular situation. Roland starts to pursue her, but doesn't realize he was already picked from the beginning. She tries to be hard to get, but just enough to get what she wants.

Enter Bruce Cabot who of course meets her in such a way as to antagonize her without them actually seeing each other. When her plans get mixed up with Roland and her reputation gets compromised by a rumor, she resorts to drastic measures.

I had never seen this and loved it, obviously by my rating. Marlene and Bruce's chemistry, its use of time and place, the imagery and colors of the clothes of the time, and its expressive grand music made for the most perfect 80 minutes spent on a movie in a long time.

Featuring a slew of recognizable faces including Mischa Auer, Andy Devine, Franklin Pangborn, Melville Cooper, Laura Hope Crews ("Aunt Pittypat" from "Gone with the Wind"), Anne Revere (Oscar winner for "National Velvet" as the mother), and Eddie Quillan, this is one movie not to be missed.

Eddie Quillan? You don't know him? Sure, you do. You've seen him. You just didn't know it. He was a prolific supporting actor in movies in bit parts like this one and also made memorable appearances in 50s and 60s TV shows, like "The Addams Family." His most famous role was probably that in "The Grapes of Wrath."

Directed by Rene Clair who also made "Le Million", which I reviewed, and "A Nous La Liberte," (some say that is his masterpiece, but I have yet to see, but will) this is yet another example of Dietrich at her sexiest, and all Dietrich fans and film lovers should buy the Marlene Dietrich DVD collection with this on it and sit back and see one of the greatest screen icons ever!

Marlene Dietrich, ever since seeing her for the first time in the brilliant 'Witness for the Prosecution' (where she gives a very memorable performance), was a very engaging actress and performer. Especially in the 30s, where she was in a lot of films that played to her strengths. Also like some of Rene Clair's other films, my personal favourite (and my first watched film of his) being one of the best versions of one of Agatha Christie's best books 'And Then There Were None'.

'The Flame of New Orleans' is worth seeing, if more a one-time watch than repeated viewings worthy. Dietrich did much better before and since, though she is not disgraced here, and the same goes for Clair who doesn't come off too badly still either. There are a good deal of good things here, including Dietrich, but some quite serious drawbacks that take away from the enjoyment somewhat. Making for an inoffensive and above average if not much more than that film.

Admittedly the story can be a little over-complicated and in other places it can be quite flimsy, the central triangle could have done with more personality perhaps too and the ending can be seen from miles off.

Did find Andy Devine a bit wearing at times and his comedy overdone.

However, 'The Flame of New Orleans' benefits greatly from classy production values, the sets and production design being particularly great. The music is immensely appealing to listen to and fits the film's frothy nature very nicely. The script is gently witty, charmingly frothy and has a lively energy. While the story can easily be criticised, at least to me it wasn't dull and it has a genuine charm underneath all the froth.

Clair's direction has the right lightness of touch, and doesn't get pedestrian. Furthermore, Dietrich is luminous and brings a lot of grace and verve to the lead role. Roland Young and particularly Bruce Cabot make the most of their fairly sketchy characters, having quite nice chemistry with Dietrich. The rest of the cast do good jobs, with particularly amusing turns from Theresa Harris and Mischa Auer.

Altogether, good frothy fun though with not everything working. 7/10

Darling film starring Marlene Dietrich from 1941.

Flame of New Orleans takes place in -- right, New Orleans, in 1840, where Claire Ledoux, engaged to a banker, Giraud (Roland Young). Unfortunately for Claire, at a party, while she is up on stage singing, a man who knew her in Europe shows up. What he has to say is whispered in people's ears. By the time the song is through, so is Claire.

She gets out of it by telling her fiancée that they're talking about her cousin, who looks like her.

A sea captain, Robert LaTour (Bruce Cabot) owes Giraud money, so Giraud tells him that he will forgive the loan if LaTour can get this cousin removed and out to sea before the wedding.

Lots of great people in this, including Mischa Auer, Andy Devine, Laura Hope Crews, Franklin Pangborn, Theresa Harris, and Anne Revere.

Much of the movie takes place with a background derived from Donizetti's Lucia, the love duet in the beginning of the opera - in fact, there's a heavenly choir singing it at the end.

Marlene's clothes are beyond magnificent. Absolutely bedazzling with huge full skirts, sparkles, feathers - amazing. A must see for the costumes alone.

The whole cast is great, and Marlene is stunning as usual as she plays both her slutty cousin and the flirtatious Clare. Wait for the scene where Laura Hope Crews gives her a lecture on what she'll have to "endure" during marriage. Dietrich's face there is classic. And she was a class act all the way.

Well directed by Rene Clair.

The Flame of New Orleans (1941)

** 1/2 (out of 4)

Claire Ledeux (Marlene Dietrich) is the most beautiful and most wanted woman in New Orleans. She can pretty much have her pick of any man and sure enough there are two of them wanting her. One is a successful and rich businessman (Roland Young) who could offer her anything. The other is a sea captain (Bruce Cabot) with plenty to offer.

The "flame" had clearly ran out by the time this movie was made. If you've never seen a Dietrich movie then you'll probably enjoy this one slightly more but if you've seen many of her films then you're going to notice this plot from pretty half a dozen earlier films. Once again we get a pretty standard plot that has Dietrich looking beautiful, seducing two men and of course she also gets a song to sing.

The biggest problem with THE FLAME OF NEW ORLEANS is the fact that there's just nothing here that we haven't already seen before. This certainly gives the film a very dull flavor because there's just nothing here to keep us overly amused and especially when you consider that the Dietrich-Cabot-Young love triangle isn't nearly the best we've seen from the previous films. All three cast members certainly do a good job with their performances but when there's no much of a story there's just so much you can do.

Director Rene Clair adds a little style to the picture but there's just nothing overly special here.

Marlene D plays a dual role. As the Countess, she dresses like an ostrich and is a trickster who gets her way by fainting so she can bag a wealthy suitor. In her other role, she looks exactly the same yet seems to fool the rest of the cast. There you go, it can't be a good film. A Dietrich vehicle that has some amusing scenes at the beginning with potential suitor Bruce Cabot (Catour) resembling a Clark Gable type.

As always, Dietrich just glows star quality. Roland Young (Giraud) plays his part well as a wealthy, interested party and I also thought Anne Revere (Giraud's sister) and Melville Cooper (Giraud's brother-in-law) put in amusing, convincing performances.

As for the other characters, unfortunately, we get comedy sailors that include Andy "clear your throat" Devine (1st Sailor). Not funny. The better comedy comes from a surprising source – Mischa Auer (Zolotov). For a change, Mischa Auer doesn't miss the mark – he's funny in his role (the only time I can remember him successfully doing this) and Franklin Pangborn (Bellows) as Auer's European companion has that kind of face that screams comedy. He reminds me of one of my Portuguese cousins – she looks just like him.

It's a fluffy film that is completely unbelievable but entertains while it is going. I wouldn't recommend it, but it's OK - nothing too gripping going on.