Elmer Quiere una Mascota

Probably the two main significances of "Elmer's Pet Rabbit" are that the wacky leporid featured in "A Wild Hare" now has a name, and that he utters his famous "Of course you realize this means war!" for the first time. Mostly, the Termite Terrace crowd was still trying to figure out what exactly to do with this long-eared rascal. It's certainly a must-see for hard-core fans of this genre, but others will probably have little reason to take interest.

But make no mistake, it's quite hilarious what Bugs Bunny does to the eternally gullible Elmer Fudd. Clear shades of things to come abound throughout the cartoon. I recommend it.

This very unusual early teaming of Elmer Fudd and Bugs Bunny (long before he found his "voice") is of interest to hardcore fans, though it would be a while before they became the well-oiled machine...

This is a very, very early Bugs Bunny cartoon. As a result, the character is still in a transition period--he is not drawn as elongated as he later was and his voice isn't quite right. In addition, the chemistry between Elmer and Bugs is a little unusual. Elmer is some poor sap who buys Bugs from a pet shop--there is no gun or desire on his part to blast the bunny to smithereens! However, despite this, this is still a very enjoyable film. The early Bugs was definitely more sassy and cruel than his later incarnations. In later films, he messed with Elmer, Yosimite Sam and others because they started it--they messed with the rabbit. But, in this film, he is much more like Daffy Duck of the late 30s and early 40s--a jerk who just loves irritating others!! A true "anarchist" instead of the hero of the later cartoons. While this isn't among the best Bug Bunny cartoons, it sure is fun to watch and it's interesting to see just how much he's changed over the years.

I just finished watching this on MeTV Toons and I just have to say: why, Chuck Jones? Just why? In the opening sequence, it said "Featuring Bugs Bunny; when I heard him, it sounded NOTHING like him at all in terms of voice AND in character. Sure, he stayed Looney throughout, but that was not the Bugs Bunny that I know and love.

And look, Chuck Jones is one of my inspirations, but that was by far in my opinion his worst cartoon yet. I love the classic Looney Tunes cartoons, but the fact that I have to be honest and spread my negative opinion on this cartoon breaks my heart so much. I hope I never have to do this to a Bugs Bunny cartoon again.

One would think that after the theatrical success and response the first Bugs Bunny cartoon, "A Wild Hare," generated that the Termite Terrace boys would follow it up with something even--pardon the pun--"wilder" for their new star.

However, that does not seem to be case with "Elmer's Pet Rabbit." Unlike the first encounter between Bugs and Elmer in which Bugs knows from frame one how it will end, in this one the control between the two characters shift back and forth. In one scene Bugs has one-upped Elmer, in the next Elmer is throwing him out. Bugs seems less confident, which at times makes it hard for the audience to really root for him.

This is most surprising when one considers that it was scripted by Rich Hogan, who wrote the previous "A Wild Hare." Not surprising, however, is that this slow ordeal was directed by Chuck Jones. Sure, he has conceived some of Bugs' grandest films in the 1950's, but at 1941 Jones was still concentrating on micro-directing...slowing down every action to a crawl so that you pick up every detail, every twitch and expression, and every aside. 1941's Jones was not the man to follow wildman Tex Avery.

And of course, Bugs is still growing into his true self at this point. It could be speculated that "Pet Rabbit" was in production before or at the same time of "A Wild Hare," because how else can one explain the slushier pre-Bugs baritone voice Mel Blanc uses for the wabbit?

As a Bugs cartoon, this one is only for completists. As a non-Bugs cartoon, it is simply slow and pointless.