Un pacto con el diablo

One of the best films of the 1940's. All the praise about Huston, Arnold, Herrmann's score, etc... is richly deserved... but I'd like to finally get it out there... that the STAR of the movie... the character that this film is about... is Jabez Stone... played by James Craig. He is a long forgotten actor now, but his performance is the center of the film. Why Huston and Arnold were and are still claimed as the main stars... is really beyond me....they are clearly there as Supporting Actors to the Main Character... Jabez. Had a 'major' actor in 1941 been cast.. .a Gary Cooper or Henry Fonda... they would have had top billing, and possibly nominated for the Oscar. Craig does an incredible job with this... parts of his performance toward the later half of the film.... are similar to the (still to come) work of James Stewart in It's a Wonderful Life.... when both characters are desperate, caught in a nightmarish web... running from the house looking for 'Mary'. Huston deserved his nomination, but it is without a doubt a supporting role, as is Arnold's. Jabez Stone is the central character, and Craig's multi-faceted performance should have been Oscar nommed... I love the moment when, having heard his wife is pregnant... he stares out the window hypnotically, and says almost to himself... "a son, an heir, money"... a marvelous glimpse of the corruption building within... a marvelous underrated performance.

First off, let me state that after viewing both versions of this film: the 85-minute and the 106-minute ones, both have their merits. For VHS, I recommend the shorter version. If you have the Criterion DVD with a 106-minute one, however, you have the best. I had seen both on tape but when I saw the longer version with a great DVD transfer, it convinced me the longer one is the version you want to see. It also seemed to improve the whole movie.

The Criterion DVD helped me appreciate the underrated black-and-white cinematography in this movie. It simply looks super, and even the special-effects are still pretty darned good considering the year this was made.

Character-wise, as so often is the case, the bad-guys are the most interesting in the movie. The best was Walter Huston playing "Scratch" (the Devil) and Simone Simon playing a female helper of his. Simon has the allure in this story to drive leading character "Jabez Stone" away from his sweet wife "Mary" (Anne Shirley).

Depressed and whining over his financial state of affairs and general lot in life, "Jabez" is ripe pickings for the wily "Scratch" and his cohort. The Devil makes Stone sign away his soul for money, prosperity, power, etc. Jabez gets carried away with his greed and winds up learning some valuable lessons.

Meanwhile, Edward Arnold plays "Daniel Webster," a folk hero during this time period, a man revered by all in New England. He winds up defending Jabez in a court-like scene i the end to see if he can win back the man's soul. Arnold is captivating in his role as Webster and gives an old-fashioned patriotic message at the end which would make today's Hollywood filmmakers sick.

Craig, who gets 12th billing in this film - go figure - has the most lines in the movie! How can be ignored, not only on the DVD and VHS boxes but on the bottom of the credits on this IMDb cast page? Craig overacts in his role and, thus, becomes a little annoying at times. Shirley might have been the most attractive I've ever seen here, mainly because of her strong, Christian character and down-home plain beauty that shines through in this character, Jabez's faithful wife "Mary." (She also gets slighted in the billing.)

Overall, this is a different story than anything you've seen. It's interesting, nicely directed by William Dieterle and photographed by Joseph August. Sadly, the latter died later in this decade with a heart attack. His last picture was another visual wonder: "Portrait Of Jennie."

Set in 1840s New Hampshire, the story centers on a poor farmer Jabez Stone (James Craig) who's about to lose his farm to a money lender when one bad piece of luck after another has him saying that his bad fortunes are enough to cause a man to sell his soul to the devil. Of course, the devil (Walter Huston) instantly appears and tempts a very willing Stone to trade his soul in return for "all that money can buy". The contract they sign has the devil collecting his soul seven years from the date of their agreement.

The devil then uncovers a buried treasure of Hessian gold and from that moment on, Stone prospers (to the detriment of his friends and neighbors). Local politician Daniel Webster (Edward Arnold) is godfather to Stone's new baby and passes thru town regularly to socialize and imbibe with the locals. When the due date for reaping his soul arrives, it's to Webster that Stone turns to argue his way out of going to Hades for all eternity in a supernatural courtroom scene with famous disgraced and dishonored Americans - themselves in Hades - as the jury.

William Dieterle's nearly surrealistic settings and camera work (by Joseph August) add just the right touch of menace and fantasy to the stark New Hampshire settings. Simone Simon plays a seductive assistant of the devil whose purpose is to keep Stone's heart and attention away from his timid yet insightful wife who might somehow set him back on the right path.

Walter Huston was Oscar nominated for his performance as the devil and Edward Arnold plays Webster as big as all outdoors - a man with appetites and a love of life to match his girth. New England is portrayed as a rural place not too far from its Puritan roots.

Made in 1941, and dealing in themes of religion and patriotism, it might have been a shrill production had it been made any later once the war years had lots of films getting heavy handed when dealing with either of those subjects.

Why would someone who has thoroughly enjoyed movies such as "Judge Dredd" and "Wild at Heart" consider this to be "my favorite movie"?

One word - "fantasy". It's my favorite movie category, and this is the best one that I've ever seen. The 1940s was the decade in which horror melodramas and fantasies really began to ramp up, and this movie helped to set the standard. Stephen Vincent Benet's story is a bit changed, but not enough to diminish this American Gothic tale.

Aside from being superior entertainment, the movie simply has no weaknesses. Where to start? The casting and acting are extraordinary. Though both are most often remembered for other movies, Edward Arnold and Walter Huston turn in their best performances here. Simone Simon (known today for the "Cat People" movies) is exceptional as Belle. Anne Shirley, James Craig, and the stellar supporting cast are also great.

This is Bernard Herrmann's best film score. William Dieterle's direction is quirky and involving, propelling the film along at a fast clip. Admittably, the characters are caricatures, but Dieterle helps us to feel their trials and tribulations. The movie also features brilliant cinematography, exceptional production values, and truly superior editing (this was an early job for director Robert Wise). The scenes are quite stagey, but never disjointed - the logic of the story is unmistakable and riveting.

Huston is the ultimate "Mr. Scratch". I've seen this show many times, and it's a 10/10.

Terrific film, Walter Huston as the devil duking it out with Edward Arnold, in a rare sympathetic role as Daniel Webster(usually he played parts like the nasty Tycoon in You Can't Take it With You)over a simple farmer's soul. The jury-if memory serves me right, people like Benedict Arnold and Blackbeard, his 'peers'...Dieterle takes the old Faust tale and puts a uniquely American spin into it(though he was German-you'll see what I mean if you watch it..)-this is a moving, wonderfully shot, eerie film; definately a go-see! Under-rated, not often mentioned as being on of the best films from the '40s, though it most assuredly is.

**** stars outta ****, do see it.