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"Number Two Son" Jimmy Chan (Victor Sen Yung) sneaks aboard a ship about to embark on a treasure hunt. Charlie Chan (Sidney Toler) comes looking for him and finds a murder to investigate with a boatload of suspects.

Exemplary entry in the Toler Chan series. Eerie, moody atmosphere with some of the best cinematography and direction of any of the Chan films. Lots of close-ups. Nice cast includes George Reeves, Milton Parsons, and pretty Kay Aldridge. Jimmy Chan is on screen a lot in this one, so if you're not a fan be prepared. I happen to like Jimmy and I didn't think his comic relief here was too much, as some have said. Treasure maps, pirates, talking parrots, and even a future Superman -- what's not to love?

An agreeable entry in the Charlie Chan series, this is an extremely well-made little movie, directed by Harry Lachman, and featuring some striking shots of an old pirate vessel in port and a tough waterfront dive. It's all cliches, nicely cobbled together, and served up with good humor by actors who don't seem to be taking themselves too seriously. Sidney Toler makes an agreeably phlegmatic and dignified Chan; while Sen Yung's Number Two Son gets into his usual hot water,--in this case actually sea water--as he tries to bail his old man out. Ethel Griffies is splendid as the haunted (and hunted) Mrs. Nodbury, Truman Bradley sinister as a pipe-smoking captain, George Reeves breezy as a suspect. I especially liked the quietly neurasethenic performance of Milton Parsons as a Boston Brahmin on vacation, trying to overcome a recent nervous breakdown. He picked one hell of a vacation spot! Highly recommended for fans of maritime mysteries, treasure maps, talking parrots and nocturnal strolls around creaking, fogbound wharves.

Very nice cinematography in this installment of the Chan series - beautiful lighting that really does the most with black and white film. The story is a nice one, but for me there's just too much of son Jimmy playing the fool. This is one of those Chans where the son is really a co-star in the film, with a resulting comic-relief drag on the mystery. I know the sons were very popular back in the day when the formula was a little drama, a little comedy, a little action, a little romance and maybe a little music, but for me the bug-eyed, bumbling Jimmy just stops the story in its tracks over and over. Watching the DVD on my laptop, I find myself pausing the film every time Jimmy jumps to the front of the scene and surfing the web for a while.

If Jimmy doesn't bother you like he does me, then I'd give it a 7. For me, it's a 5 in the world of Chan.

"Dead Men Tell" is an enjoyable Charlie Chan mystery from 1941.

People gather for a treasure hunt via ship to an island, based on a map an elderly woman, Patience Nodbury, inherited from her ancestor, a pirate named Black Hook. Since someone has attempted to steal the map, she's divided it into four pieces and gives three pieces to three passengers.

Patience says that Black Hook visits each relative before they die, and Black Hook visits her, all right, but in this case, he kills her.

Charlie and Jimmy want to solve her murder, and they have plenty of suspects. There's a man posing as a reporter, Bill Lydig (George Reeves), a neurotic man, Gene LaFarge, who has a psychiatrist with him, and the captain, Captain Kane, whose ex-partner left him to do on a deserted island.

Dark, atmospheric film with Jimmy (Victor Sen Yung) in trouble most of the time. Toler has an authoritative presence as Charlie. He's less whimsical than Warner Oland, and his gruff voice gives his line readings a nice sarcasm. He tells Jimmy "Save alibi for your autobiography."

One thing I noticed is, though these films have been criticized for not being politically correct, in the bar scene, no one calls Jimmy derogatory names. They make fun of him, but no one acts as if he looks different.

In fact, I have never picked up anything like that in any film, directed at Charlie or one of his children. It seems to me that these are films of their time, which make them un-p.c. By today's enlightened standards, but the writers never meant to be deliberately insulting.

Just an interesting thought, as the days of casting someone Chinese as Chinese were a long way off.

A "treasure hunt cruise" is all lined up—but the ship never leaves the dock in this mystery featuring a pirate ghost, a treasure map, a couple of murders, and the usual lineup of suspicious characters.

Jimmy Chan helps get the action started by sneaking aboard the darkened ship to investigate, his imagination fired by news about the expedition to retrieve $60 million of hidden treasure. Pop Charlie Chan comes looking for Jimmy, intending to take him home—which is how both Chans happen to be on the ship when the first murder occurs.

Sidney Toler is fine as always as the elder Chan; Sen Yung has a larger role than usual as Jimmy, and gives an energetic—practically manic—performance as the would-be detective whose curiosity is matched only by his enthusiasm. Toler and Yung, by now veterans of several films in these roles, complement each other perfectly.

The plot concerns an alleged treasure map, divided into four pieces and distributed among the would-be passengers. When the map's owner (and tour sponsor) is murdered and her map portion disappears, it becomes apparent that someone else on board is out to grab all four sections. Not surprisingly, practically all of the passengers and crew seem to harbor secrets of one kind or another….

The entire film is set inside the ship, outside in the harbor, or in a neighboring waterfront bar…and it all takes place at night. Nicely designed sets and good shadowy photography create an atmosphere that is sinister and just slightly spooky.

Jimmy Chan can't seem to keep out of the water in this one….And my favorite line from the picture is the elder Chan's response to Jimmy's apology for falling in yet again: "Please. Save alibi for autobiography."