Aires de conga

Blondie Goes Latin is an odd one out of the Blondie series. On the one hand it has one of the stupidest plots in the entire series. On the other hand it's a nice musical treat with numbers by Tito Guizar, Ruth Terry and Penny Singleton herself. This is the only one of the Blondie series that could qualify as a musical.

The Bumsteads including Baby Dumpling and Daisy the Dog all go on a cruise courtesy of Mr. Dithers. I can't quite believe that Jonathan Hale craves the Bumstead company more than his wife, but each marriage is surely unique. But then Dagwood has to stay in the office to meet with an important client so Hale takes Penny Singleton, child, and dog without her husband. To top that off Arthur Lake is held up getting off the boat and takes refuge with Kirby Grant's Ship Orchestra and their singer Ruth Terry. Their drummer didn't make it so Lake pitches in on the drums.

These thing usually only happen to the Ricardos. I wonder if they ever ran into the Bumsteads?

The whole thing is too stupid to make this one of the better films in the Blondie series. But the musical numbers are nice and we get to see Arthur Lake in drag.

BLONDIE GOES Latin (Columbia, 1941), directed by Frank R. Strayer, is the eighth entry to the highly popular film series based on the comic strip characters created by Chic Young, and a welcome change of pace from the usual domestic comedy at both home and the office to a shipboard musical. On top of that, it showcases Penny Singleton as Blondie, and Arthur Lake as her husband, Dagwood, in displaying their musical talents without stepping out of character, especially Singleton, who is in fine voice here. Let's not forget that Singleton sang in some early screen musicals (such as the 1930 version of "Good News" for MGM) when she was a young brunette named Dorothy McNulty.

The plot centers on Mr. Dithers (Jonathan Hale), Dagwood's boss, who invites the Bumstead family to accompany him on a cruise to South America for some rest and relaxation. However, before the boat leaves, Dithers receives a telegram to return to the office to meet with a very important client to cover an important business deal. Not wanting to postpone his long awaited vacation, Dithers assigns Dagwood to substitute for him to arrive at the office the following Monday and take care of the business contract deal himself. Reluctantly, Dagwood agrees, having his family remain in the company of Dithers so not to have their vacation spoiled. As Dagwood tries to leave the boat, he gets himself tangled up with a band of musicians trying to get on board. After helping them with their instruments by carrying the drums to the dance hall dining area, Dagwood finds that the boat has already left and is miles away from the port. Feeling he has fumbled again, Dagwood explains his predicament to band vocalist, Lovey Nelson (Ruth Terry), who assists him from being noticed by coming up with the idea of having Dag dress in drag masquerading as a lady drummer.

Set sail now for further misadventures and complications of Dagwood Bumstead, highlighted by some singing and dancing, with music and lyrics by Robert Wright and Chet Forrest. Songs featured include: "You Don't Play the Drum, All You Do is Beat It" (sung by band/ drum playing by Arthur Lake); "I Hate Music Lessons" (sung by Janet Burston and Larry Simms. This little number features Burston's doll on top of the piano with movable eyes as the children sing); "Querida" (sung by Tito Guizar and Penny Singleton); "Cry on My Shoulder" (sung by Penny Singleton); "Brazilian Cotillion" and "Pan American Time." Aside from watching Baby Dumpling (Simms) doing his own vocalizing and dancing as any 7-year-old can do, the Bumstead pooch, Daisy, is a howl standing on "her" hind legs doing a few steps along with another dog "herself."

Also seen in the supporting cast are Kirby Grant as Hal Trent, along with the Kirby Grant Orchestra; Eddie Acuff as The Taxi Driver; Joseph King as the ship's captain; Harry Barris as one of the band musicians; along with series regulars, Danny Mummert as Alvin Fuddow, and Irving Bacon as Mr. Cromp, the neighborhood postman, in smaller roles.

In spite of this being a second feature, then commonly known as a "B" movie, BLONDIE GOES Latin looks more like an "A" film, with glossy sets, along with some South American rhythm to go along, making this segment resemble that of the current trend of 20th Century-Fox Latino musicals, but in this situation, minus Technicolor, Cesar Romero and Carmen Miranda. The comedy situations presented are occasionally juvenile, which is expected in the "Blondie" series. On and all, this one ranks one of the most enjoyable outings in the series, and highly recommended for family viewing.

BLONDIE GOES Latin which had played on the American Movie Classics cable channel from 1996 to 2002, especially on Sunday mornings, can be found either on video or DVD package. (**1/2)

This is the 8th film in the series of 28 (1938-1950). Alvin (Danny Mummert) is nice enough to visit the Bumsteads and give flowers to Blondie. h He has a poem to read titled, "The Bumsteads Go To South America". The Bumstead family gets to go on a six-week cruise to South America thanks to Mr. Dithers. Well, a telegram comes for Mr. Dithers. To close a deal at the office, someone must be at the office Tuesday. This is Mr. Dithers health cruise, so that means Dagwood (Arthur Lake) must leave the ship to be at the office. After all Mr. Dithers is Dagwood's boss. But Dithers insists on Blondie (Penny Singleton), Baby Dumpling (Larry Simms) and Daisy too to stay on the ship with him with his compliments. Dagwood says a tearful goodbye. Well, as you will see, Dagwood doesn't quite make it ashore. He is still on the boat and trying to hide from Mr. Dithers. Baby Dumpling meets a little girl and they sing a duet. Penny Singleton gets to sing three beautiful songs and dances too. The next film in the series is BLONDIE IN SOCIETY.

This is the eighth in the Blondie movie series. In this one, the Bumsteads go on a cruise to South America with Mr. Dithers-mainly so the boss can rest. There's also a funny scene involving the mailman, the cab driver, shaving cream, and running. And another when-after it's established Dagwood has to come home to take care of business-the others think they're seeing him on the boat and, oh, watch the movie if you want to find out. Anyway, the whole thing is an excuse to showcase musical numbers of Kirby Grant, Ruth Terry, Tito Guizar, with Arthur Lake displaying his drum skills, Penny Singleton her singing and dancing prowess, and even the boy playing Baby Dumpling (Larry Simms) warbling a little with Janet Burston who was also doing that in the M-G-M-produced-only Our Gang comedies during this time. In summary, Blondie Goes Latin was one of the most enjoyable of the series! P.S. By this time, Ms. Singleton had fallen in love and eventually married producer Robert Sparks so she might have influenced this change of pace! And the person credited with writing the original story is Quinn Martin-presumably the same one eventually responsible for producing "The Fugitive", "Cannon", "The Streets of San Francisco", and "Barnaby Jones".

This is a musical entry in the Blondie franchise of which there are quite a few from the 1930's thru 1950. This was a popular comic strip turned live action. Both our leads...Blondie and Dagwood participate in the musical numbers, Blondie sings and dances while Dagwood plays the drums.

In this episode Dagwood's boss is taking a Latin cruise to rest and he takes Dagwood and his family with him...except at the last minute Dagwood has to stay in order to take care of some business...but he never makes it off the ship and gets accidentally mistaken for a band member...and the band needs him as a drummer to fulfill their contract. This ends up creating some high jinx as Dagwood tries to avoid his boss, while reassuring Blondie that he is ok.

With some beautiful Latin preludes and musical numbers.

A fun Blondie with music and Latin flair, definitely worth watching. Very Family friendly.