El gato negro

The Black Cat is directed by Albert S. Rogell and written by Robert Lees and Robert Neville. It stars Basil Rathbone, Hugh Herbert, Broderick Crawford, Bela Lugosi and Gale Sondergaard. Music is by Hans J. Salter and cinematography by Stanley Cortez.

Henrietta Winslow, a cat-loving old dear, is coming to the end of her days. Tonight her parasitic family have gathered at the Winslow mansion to rub their hands with glee as Henrietta's will is read out. But.......

.....Henrietta knew that whom the black cat follows – dies!

"That house is doubly blest. Which to the feline friends gives rest"

It's hardly a classic from the old dark house murder mystery treadmill, but The Black Cat is enormous fun and gets the sub-genre staples spot on. It's a big old fashioned mansion that is host to the creepy shenanigans, complete with secret passageways, revolving booths, suits of armour and roaring fires. There's even a creepy cat crematorium annex in the grounds as well! Naturally it's a stormy night, and naturally the collection of weasels and deviants start getting bumped off one by one. Cue much shrieking, blaming, dodging and the odd red herring. The mystery element is strong, with a good reveal preceding a fiery finale, and there's some high energy antics thrown in for good measure; the latter concerns Crawford's character who jumps through armour, leaps off a balcony and constantly falls down on the floor. Cast are working on a par with the material, with the highlights being Crawford, Sondergaard (who is deliciously spooky) and Herbert (who is the Lou Costello type comedy relief).

More comedy than creeper, but a comfortable recommendation for fans of similar movies. 6.5/10

I say "attempts" because most of the comedy just falls flat. This could have been a great little thriller if Broderick Crawford and Hugh Herbert's bumbling around in the dark could have been omitted. Instead, this film comes across more inane than sinister.

I give it 6/10 because the mystery is good enough and the atmosphere is pure Universal horror. The background of the story is that a wealthy elderly lady has provided her estate as a haven for homeless cats, complete with creepy crypt and crematorium for them when they die. She has just dodged another bout with death through illness when she decides to read her will to her greedy relatives ahead of time. Shortly afterwards the elderly woman dies mysteriously, followed by the discovery of an addendum to the will, followed by the mysterious deaths of other members of the household, all during the period of one dark and stormy night. For some reason Universal figured the presence of an investigating protagonist would not be enough for this one - that injecting some bumbling good guys in the spirit of Abbott and Costello would be a good idea, but they (Broderick Crawford and Hugh Herbert) just distract the viewer from the mystery aspect with their lame attempts at humor.

The sad part of this film is how little Bela Lugosi is given to do. At this point in his career he is pretty much relegated to walking around and looking creepy.

The housekeeper's name (Gale Sondergaard) was "Abigail Doone".

Review: Even tho' this is a Great film, the first person to be murdered should've been Hugh Herbert! With his presence, this film can't decide whether it's a mystery trying to be a comedy, or vice-versa. It's STILL a great, spooky film, tho! Norm Vogel

Hoping that wealthy, cat-loving matriarch, Henrietta Winslow (Cecilia Loftus) lies near death, her greedy relatives, led by the snobby Montague Hartley (Basil Rathbone), gather at her mansion for the imminent reading of the will. Vexing them all, the old woman lives, and decides to read them her will anyway. Henrietta soon meets with a terrible "accident", and the homicidal hellishness commences.

THE BLACK CAT is another "old dark house" mystery / comedy set in a gargantuan estate, complete with secret passages and a kitty crematorium! The obligatory thunderstorm arrives just in time for the perfect evening. Stars Broderick Crawford as the kindly Hubert Smith, Gale Sondergaard as the intimidating housekeeper, Abigail, and Bela Lugosi as the lurking groundskeeper, Eduardo.

A fun, fiendish film with a nice twist in its tale!...

1941's "The Black Cat," not to be confused with Bela Lugosi's 1934 classic, is merely another 'Old Dark House' murder-mystery in a comic vein, in the wake of 1939's "The Cat and the Canary." The unfunny comedy relief is supplied by Hugh Herbert, while the remainder of the stalwart cast maintain interest throughout, despite a severely dragging middle in which virtually nothing of interest happens, one red herring topping another. The young Broderick Crawford is certainly likable, and pairs nicely with lovely Anne Gwynne, but top-billed Basil Rathbone is reduced to playing a weasely scoundrel, fooling around with beautiful Claire Dodd behind the back of desperate wife Gladys Cooper, to the annoyance of her devoted stepson (Alan Ladd). Henrietta Winslow (Cecilia Loftus) has been at death's door for some time, but makes certain that her many cats will be taken care of, along with longtime housekeeper Abigail Doone (Gale Sondergaard) and caretaker Eduardo Vidos (Bela Lugosi); when she gets stabbed to death with a long hatpin, hardly anyone bats an eye in the assumption that the old lady simply fell on it. One of the nicer aspects of the film is that the titular black cat actually becomes the hero during the admittedly thrilling climax, first alerting Crawford to his girl's danger, then causing a falling candle to set the killer ablaze. Claire Dodd was enjoying a resurgence at Universal ("In the Navy," "The Mad Doctor of Market Street"), where she had previously starred in 1934's "Secret of the Château," while the relatively unknown Alan Ladd remained a year away from stardom in "This Gun for Hire" (he's actually the only one sporting a gun for protection!). Lugosi is genuinely amusing but sadly wasted with less than 4 minutes screen time, happily hamming it up in numerous gag photos on set; Gale Sondergaard, the one cast member from "The Cat and the Canary," remains stuck in dour mode, the attractive actress allowing her uniform to call attention to an impressive bosom. No classic but entertaining (the screenwriters better known for the 1948 "Abbott and Costello Meet Frankenstein"), "The Black Cat" appeared 4 times on Pittsburgh's Chiller Theater, while its 1934 counterpart was served up on 8 occasions.