Colegialas musicales

I won't dwell on the content of the film itself (skip to the last paragraph) because there seem to be enough reviews by people more familiar with the movie than I am. But I just had to say that the DVD quality is surprisingly good.

If you're like me and you bought the MillCreek 10000 Family Classics (or whatever outrageous number of old flicks they managed to cram on a few DVDs), you're probably seeing spots from all the less-than-crisp digital transfers of these old movies, most of which are public domain with low quality sources.

Well, good news, somehow the original source of this film remained in surprisingly good condition. It's on par with some of the expensive, digitally remastered stuff out there. That alone makes this a historic document worth having in your collection, especially if you can get it for a dollar at your local grocery store.

Now about the film itself. It's very entertaining, but don't expect an airtight story. At times it requires some supreme leaps of logic and suspension of disbelief. But if you can get past that, it's all in good fun, the music is timeless, and the comedy is cute. Note that this is very much a "dated" film, meaning there are a lot of references to 1940s culture which many of us may not get. There are a few celebrity impersonations that went completely over my head. Similarly, some of the jokes just flew by me, including the humorous title "All-American Co-Ed" which is a gendrical impossibility (at the time, "all-american" meant "male", and "co-ed" meant "female"). And then there are more unfortunate cultural references of 1940s sexism "A woman doesn't want a mind; she wants a husband" and somewhat narrow racial stereotypes showing black people as uneducated simpletons who can never seem to conjugate their verbs properly. But my point is that this film must be viewed through a 1940s lens, and you'll realize it's all intended in good fun.

After watching this on one of the local PBS station's digital channels and reading through other reviews I felt I should add one as well. I found this movie to be very funny, and not all in ways it was intended to be. I generally don't care for musicals, yet I enjoyed this movie.

Simply because it's old and somewhat dated, some lines are funny now that weren't necessarily intended to be then. But the jokes and some of the other lines aren't bad. From what I gather, these movies were made to be the warm-up act for other features, so if you're expecting Oscar-worthy material, you'll be disappointed. Taken for what it is, though, a sort of cheesy drag comedy, it's not too bad; it's certainly more watchable than some other films done around the same theme. You need some suspension of disbelief, but even there it's not too bad.

I suspect they played with the script here and there to give screen time to feature particular actors - Kent Rogers' scene where he does a Charlie McCarthy impression particularly seems tacked on for the relatively simple task he performs while doing this (which I won't spoil).

Towards the end you find out where Lady Gaga must have gotten her inspiration, some of the costumes in the girls' show are so preposterous I was laughing at them as well. Which more than likely was intentional. Most are only seen for a short time, I would imagine because much movement in them is not possible.

And I'm not sure I understand what is particularly racist about the scenes featuring black actors. At least from my understanding the jobs they're shown holding wouldn't be unusual for real African-Americans to have during those times; and the scenes involving the washerwoman you could just as easily substitute a ditsy blonde woman (say along the lines of Betty White's character in The Golden Girls) and it would still work. Perhaps people see this and feel it's a slight to all blacks implying they're dumb, but dumbness doesn't know race, and I've known real people who are ditsy enough you might be able to play that scene in real life and get away with it. The only thing that I see that's stereotypical is their dialog and that's just a product of the era.

It's somewhat amusing to see Alan Hale Jr. in a role more along the lines of what Bob Denver would later play in Gilligan's Island, while Noah Beery behaves more like the Skipper would.

What? this film is 65 years old? It plays like a sequel to PRISCILLA QUEEN OF THE DESERT or a prequel to SOME LIKE IT HOT. Apart from WONDERBAR I have never seen such a gay movie...in fact the ad line in 1941 (!) was "The year's gayest comedy" . It is gay in the way gay is a modern GAY expression. The head of the girls school, a single matronly sort, (keen to rub one girl's 'chest') takes a look at a pic of one girl posing with vegetables and exclaims "Look at those beautiful tomatoes!" and on it goes. There's a song on a train that the girls sing to each other: "I am up at the crack of Dawn (because I have been dreaming of you)".. Honestly! Rude risqué and believe it or not, a full scale drag queen comedy. Apparently there is a university called Quinceton (as in Princeton for Queens) which has a fraternity of good lookin' fellas who all do drag. See that opening scene: They're all in it! Tutus and all... They decide to send one guy to the girls school...in full drag.... The big finale has a song in it about how the Farmer's daughter is alone on the farm since the men have gone to war. The lyric repeated over and over is that "she's can't just rumba with an old cucumber"...... it's not just ME is it ?...hearing this and gasping in laughter and astonishment? Is it? Why are these lyrics in this film this way.. and all the drag antics.... this film is as modern today as any other drag film... and as rude. This gay coded one sidestepped the Hayes office in a dress... and an old cucumber. Hilarious! the DVD is excellent quality too. The music score is terrific: 2 Oscar noms. Because the DVD is spotless this film looks like a new production; and the modern risqué mindset makes it absolutely almost up to date. What also helps is the cast of 20 somethings ...especially the boys each of whom have modern haircuts. Noah Beery Jnr turns up late in the film styled exactly like someone you would see in a magazine today. Incredible;a 65 year old drag show! yeesh! Silent star Harry Langdon is a treat to see too.

Got my Mill Creek Entertainment DVD collection of "20 Movie Pack Musicals" and decided to watch the second shortest picture in there called All-American Co-Ed which clocks in at 49 minutes. This was one of Hal Roach's "streamliners" which were too long for a short but too short to actually be called a feature. It's basically a musical comedy about a man from Quinceton (former silent Our Ganger Johnny Downs) infiltrating a girls college called Mar Brynn in drag. You'll have to watch the movie to see why. Anyway, this was an amusingly silly fluff piece that should provide interest to fans of Harry Langdon, Frances Langford, Noah Beery, Jr., Alan Hale, Jr. (yes, the future Skipper of "Gilligan's Island"), Dudley Dickerson (an occasional Three Stooges supporting actor playing the stereotypical porter role but also getting to do some entertaining singing and dancing), and, since I always like to identify any player from my favorite movie, It's a Wonderful Life, Lillian Randolph. The last one has the unfortunate task of playing someone who's scared of ghosts and thinks one has inhabited her laundry room but the segment is so over-the-top that one can't get too offended. Since this movie was made during the Production Code, there are some mild double entendre jokes that I found amusing. There's also some funny slapstick humor that got me in stitches such as what happens to the Beery and Hale characters. There's also another guy, Kent Rogers, who does some good celebrity impersonations like that of Gary Cooper as well as Edger Bergen and Charlie McCarthy. Among the entertaining songs is one that got an Oscar nomination called "Out of the Silence" with words and music by Lloyd B. Norlind, sung by Langford with a chorus of women behind her. There's also a couple of enjoyable numbers by a forgotten trio called The Tanner Sisters. Like I said, the whole thing is fluff that doesn't always make sense but if you have an hour to fill, you won't be bored with All-American Co-Ed. P.S. Roach's son, Hal, Jr. made up the story and his daughter Margaret plays one of the co-eds.

About as light-weight as a puff of smoke, the movie still manages to be a rather delightful surprise. The songs are pretty forgettable, though LeRoy Prinz's choreography helps compensate. And catch that opening—I had to look twice to make sure I wasn't imagining. The premise is a loaded one. A boys' fraternity gets revenge on an all-girls' school by dressing one of the brothers as a girl and sending him over to cause trouble. Actor Downs in drag is a hoot and some boy's nightmare blind date. Naturally, he falls for one of the girls, but can't give away his disguise. There're a number of cute set-ups, energetically executed by a lively cast, including yokels Beery Jr. and Hale. Watching Downs negotiate a girdle while lying on a bed is a real hoot. All in all, it's an amusing little farce, rather like Alan Dwan's two farcical set-ups of the same period, Getting Gertie's Garter (1945), and Up in Mabel's Room (1944).