CALIFICACIÓN DE IMDb
5.7/10
691
TU CALIFICACIÓN
Un reportero casado trotamundos que persigue mujeres en el extranjero se entera de que su esposa lo deja por otra persona. Mientras se apresura a volver a casa para salvar su matrimonio, una... Leer todoUn reportero casado trotamundos que persigue mujeres en el extranjero se entera de que su esposa lo deja por otra persona. Mientras se apresura a volver a casa para salvar su matrimonio, una mujer de Lisboa lo sigue.Un reportero casado trotamundos que persigue mujeres en el extranjero se entera de que su esposa lo deja por otra persona. Mientras se apresura a volver a casa para salvar su matrimonio, una mujer de Lisboa lo sigue.
- Dirección
- Guionistas
- Elenco
Irene Coleman
- Barmaid
- (escenas eliminadas)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I absolutely loved this story!Rita Hayworth,Merle Oberon and Dennis Morgan are energetic and entertaining throughout this whole film.Ralph Bellamy doesn't get the girl,but he's great anyway.Merle Oberon once commented that she thought this movie "was a real dud..I hate it!"She conceded that her children did like it.I thought it was wonderful and I love when Dennis ties Merle's foot to something on the pier and after struggling to get away...can't budge!She falls over into the water and catches a cold...which leads to Morgan and Bellamy arguing over who gets Merle.You'll have to watch this film to find out what happens!
This is a late and modest entry into the screwball comedy genre. As such, all the performers are frenetic, histrionic, and act in broad, bold strokes. Performers falling into water is a running joke. There is no dry humor in this film. Unfortunately, no good lines either; it has a script of shtick patched together from older and better comedies.
But the other woman here acts as an intelligent person and has a natural manner. Since it is Rita Hayworth herself, she is naturally beautiful. It suggests a script writers dilemma: other woman has to be less desirable than the female lead, but they have to be desirable enough for the male lead to be attracted by them. In this movie, Rita Hayworth is so much more appealing in every way than Merle Oberon that it renders the plot silly.
The racial stereotypes are prominent here, with Hattie MacDanial and Butter McQueen doing routines they could have done in their sleep. Had they had sharp,incisive funny lines, we might have had a guilty laugh or two from these offensive stereotypes. As they were simply stereotypes to laugh at, it is now only offensive.
But the other woman here acts as an intelligent person and has a natural manner. Since it is Rita Hayworth herself, she is naturally beautiful. It suggests a script writers dilemma: other woman has to be less desirable than the female lead, but they have to be desirable enough for the male lead to be attracted by them. In this movie, Rita Hayworth is so much more appealing in every way than Merle Oberon that it renders the plot silly.
The racial stereotypes are prominent here, with Hattie MacDanial and Butter McQueen doing routines they could have done in their sleep. Had they had sharp,incisive funny lines, we might have had a guilty laugh or two from these offensive stereotypes. As they were simply stereotypes to laugh at, it is now only offensive.
For me the brightest spots of this movie are Rita Hayworth and Dennis Morgan. The love triangle, which also includes Merle Oberon, is complicated by interference from Ralph Bellamy and others (at times it's difficult to be sure whose side Rita is on.) Standing by are Hattie McDaniel and Butterfly McQueen, who are rooting for Morgan all the way. The backdrop of the newspaper business - as well as the presence of Ralph Bellamy - reminds one slightly of "His Girl Friday." Not a terrifically funny comedy, but worthwhile, especially for fans of any of the cast members.
Another reviewer used the word "trite" to characterize the plot of this film. Amen to that! As for the film as a whole? How about lame? Really lame!
Since this was a 1940s Warner Brothers production featuring several of that studio's stalwart players, I had high hopes when I saw it for the first, and almost certainly ONLY, time. But, really, this is a silly story that is hardly ever funny and simply makes everyone involved look foolish. (Butterfly McQueen absolutely sobs her way through this movie. Makes you wish someone had taken her apron and gagged her with it!)
I love the WB product of the 1940s, but this is really a let down. Don't expect anything like "Christmas in Connecticut"!
Since this was a 1940s Warner Brothers production featuring several of that studio's stalwart players, I had high hopes when I saw it for the first, and almost certainly ONLY, time. But, really, this is a silly story that is hardly ever funny and simply makes everyone involved look foolish. (Butterfly McQueen absolutely sobs her way through this movie. Makes you wish someone had taken her apron and gagged her with it!)
I love the WB product of the 1940s, but this is really a let down. Don't expect anything like "Christmas in Connecticut"!
It's Rita Hayworth day on TCM! the cast list is just a roll call of great stars at Warner Brothers. Here, she's Irene, dancing in a nightclub in Lisbon, with Rick Mayberry (Dennis Morgan). trouble is, he's married. but at least Rick is honest, and tells Irene he's already married. released in May 1941, so a couple months BEFORE WW II breaks out. we were still happy and upbeat. even two guys dancing together, in the club. progressive, for 1941 ! Irene is ALSO on the plane home, so that will probably complicate things. Hattie McDaniel and Butterfly McQueen work for Susan (Merle Oberon, aka MRS. Mayberry !) McDaniel and McQueen had BOTH just had huge roles in Gone with the Wind. Ralph Bellamy is Owen Wright (Mister Right, of course) Susan's new boyfriend. they got chummy while Rick was traveling the world, getting chummy with Irene! George Tobias was a master of accents, and here, he's Rick's photographer. we all know him better as Abner, the next door neighbor on Bewitched. James Gleason is his boss back home, and doesn't help matters any. the bottom line here is that Susan can't seem to really decide if she's still in love with Rick, and strings both guys along to see if Rick still loves her. gets annoying after a while. and everyone is in on the act. so many shenanigans. does she still love him or not?? Directed by Lloyd Bacon. no oscars, but made some great films. this one was a bit too silly and overdone for me. i enjoyed the scene where Hattie McDaniel ends up with the bouquet and starts walking down the aisle. funny, considering it was filmed in 1941. different times.
¿Sabías que…?
- TriviaWarner Bros. technicians duplicated a Boeing 314 Clipper in order to match studio shots with those filmed on location at Lisbon and LaGuardia airports. Boeing built only 12 of these airplanes from 1938 to 1941.
- ErroresWhen Rickey goes into the hotel bathroom and closes the door, the key is on his side but yet he's locked in from the other side. When he leaves the bathroom, the key is back on the other side.
- Citas
Owen Wright: You certainly are intuitive.
Sue Mayberry: You certainly are transparent.
- ConexionesFeatured in Of Black America: Black History: Lost, Stolen or Strayed (1968)
- Bandas sonorasHungarian Dance No. 6
(1869) (uncredited)
Written by Johannes Brahms
Played by the orchestra at the Lisbon Cafe
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Affectionately Yours
- Locaciones de filmación
- Lisboa, Portugal(airport)
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 28 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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Principales brechas de datos
By what name was Vuelve a ser mía (1941) officially released in India in English?
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