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Los que somos jóvenes

Título original: We Who Are Young
  • 1940
  • Approved
  • 1h 20min
CALIFICACIÓN DE IMDb
6.0/10
407
TU CALIFICACIÓN
Lana Turner and John Shelton in Los que somos jóvenes (1940)
Two young office workers working at the same large firm secretly marry and defy their employer's policy against coworker fraternization. When the marriage is discovered, Margy (Turner) is fired. This causes the newlyweds to face serious financial struggles and Bill (Shelton) pursues desperate, perhaps even illegal, measures to make ends meet when the couple learn they are expecting their first baby.
Reproducir trailer2:22
1 video
35 fotos
DramaMisterioRomance

Agrega una trama en tu idiomaTwo young office workers working at the same large firm secretly marry and defy their employer's policy against coworker fraternization. When the marriage is discovered, Margy (Turner) is fi... Leer todoTwo young office workers working at the same large firm secretly marry and defy their employer's policy against coworker fraternization. When the marriage is discovered, Margy (Turner) is fired. This causes the newlyweds to face serious financial struggles and Bill (Shelton) purs... Leer todoTwo young office workers working at the same large firm secretly marry and defy their employer's policy against coworker fraternization. When the marriage is discovered, Margy (Turner) is fired. This causes the newlyweds to face serious financial struggles and Bill (Shelton) pursues desperate, perhaps even illegal, measures to make ends meet when the couple learn they... Leer todo

  • Dirección
    • Harold S. Bucquet
  • Guionista
    • Dalton Trumbo
  • Elenco
    • Lana Turner
    • John Shelton
    • Gene Lockhart
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.0/10
    407
    TU CALIFICACIÓN
    • Dirección
      • Harold S. Bucquet
    • Guionista
      • Dalton Trumbo
    • Elenco
      • Lana Turner
      • John Shelton
      • Gene Lockhart
    • 14Opiniones de los usuarios
    • 1Opinión de los críticos
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 premio ganado en total

    Videos1

    Official Trailer
    Trailer 2:22
    Official Trailer

    Fotos35

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    + 29
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    Elenco principal54

    Editar
    Lana Turner
    Lana Turner
    • Marjorie White Brooks
    John Shelton
    John Shelton
    • William Brooks
    Gene Lockhart
    Gene Lockhart
    • C.B. Beamis
    Grant Mitchell
    Grant Mitchell
    • Jones
    Henry Armetta
    Henry Armetta
    • Tony
    Jonathan Hale
    Jonathan Hale
    • Braddock
    Clarence Wilson
    Clarence Wilson
    • R. Glassford
    Ian Wolfe
    Ian Wolfe
    • Judge
    Hal K. Dawson
    • Salesman
    John Butler
    John Butler
    • Mr. Peabody
    Irene Seidner
    Irene Seidner
    • Mrs. Weinstock
    Charles Lane
    Charles Lane
    • Perkins
    Horace McMahon
    Horace McMahon
    • Foreman
    • (as Horace MacMahon)
    Sam Ash
    Sam Ash
    • Clerk
    • (escenas eliminadas)
    Dorothy Adams
    Dorothy Adams
    • Bellevue Hospital Nurse
    • (sin créditos)
    Ernie Alexander
    • Expectant Father
    • (sin créditos)
    Charles Arnt
    Charles Arnt
    • Eckman
    • (sin créditos)
    Jane Barnes
    Jane Barnes
    • Office Girl
    • (sin créditos)
    • Dirección
      • Harold S. Bucquet
    • Guionista
      • Dalton Trumbo
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios14

    6.0407
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    Opiniones destacadas

    4gvb0907

    Turner Rises Above the Material

    This is a pretty hackneyed melodrama, obviously influenced by "The Crowd" though far inferior. Turner and Shelton play financially strapped newlyweds facing the perils of the Depression. The various crises and the final resolution are predictable and all of the characters are crude stereotypes, especially Gene Lockhart's tyrannical Mr Beamis. Shelton's performance is weak (he was dropped by MGM after this film), but Turner rises above the material and shows she's a star in the making.
    5bkoganbing

    Young love in the Great Depression

    The 'young' in the title of this film are a newlywed couple played by the rising Lana Turner and leveling John Shelton. We Who Are Young tells of the trials and travails of young married folk during the 30s.

    Both are working until Turner takes maternity leave. Shelton who has been raised in a strong work ethic home is being driven slowly crazy by the enforced idleness as he seeks employment in an uncaring world.

    It's hard to explain, but during the Depression years unemployment rose to almost a quarter of the population. If you were raised in a strong work ethic home getting a relief check (welfare in these days) was an act stripping the male of his manhood. That is conveyed quite well by Shelton and Turner is wonderful as the supportive wife and soon to be mother.

    I would compare this film to the James Stewart/Carole Lombard classic Made For Each Other. Made For Each Other is better but it covers a lot of the same ground that We Who Are Young Does.

    Lana Turner's fans will approve.
    7kacarrol-783-577285

    Sweet Movie

    If you don't like classics in general and are not sentimental, then don't watch. However, I think this movies' appeal is to those that enjoy watching a simple little sentimental 40's period movie without references to gangsters, WWII, and want to be a bit soapy. Turner and Shelton were both very young and good looking. Shelton's performance was good for that particular part- I don't think there was anything wrong with it. It is unfair to compare him to Turner, since she went on to become one of Hollywood's greatest actors/actresses. The predicament Shelton's character was in ...would make many a man result to tears and theatrics, even today.
    Doylenf

    Obviously, one of Dalton Trumbo's lesser efforts...

    It's easy to see that MGM was grooming LANA TURNER for stardom around this time. She has the pivotal role of a young wife whose husband has a hard time keeping his job under the strict rules of employer GENE LOCKHART. JOHN SHELTON is the husband who ends up desperately looking for work while his wife is expecting a baby and they have had to have all their furniture repossessed.

    Shelton wasn't really a bad actor but MGM dropped him not long after the film was completed. But Lana shines as the sweet and wholesome wife who stands by her man during hard times. Shelton gets to spout off some dialogue that comes from Dalton Trumbo's slant on the Depression-era tactics and rules of the workplace.

    Obviously, one of Trumbo's lesser scripts has been turned into a film that is more of a programmer than an A-film, despite a cast that includes Gene Lockhart, Grant Mitchell, Henry Armetta and Jonathan Hale. Prices mentioned for wages, rent and furniture are hilarious by today's standards.
    5planktonrules

    A bit of a surprise, coming from MGM.

    0001

    During the 1930s and into the 40s, MGM generally tried to paint a very rosy picture during the Depression. Additionally, Louis B. Mayer himself (the head of the studio) worked very hard to defeat the leftist, Upton Sinclair, during his attempt to win an election. Why? Because Mayer was dreadfully afraid of communism and socialism and fought hard to nip it in the bud. In light of this, how could a film like "We Who Are Young" get made? Could Mayer have missed this one? Surely he must, as it's progressive message clearly is NOT what 'Uncle' Louis wanted America to see!

    The plot of "We Who Are Young" is a lot like "The Crowd" and "Saturday's Children". The films are all about nice young folks who marry and try to grab a part of the American Dream but end up getting royally screwed. Again and again, things in the system seem to conspire against the couple as they try to just get by. At least that is the first 80% of the film--a strong Progressive message from the era...surprisingly strong. Unfortunately for the film, but perhaps fortunate for Mayer and his sentiments, the picture loses its way towards the end and degenerates too much towards sentimentality and lacks the hard edge you find in these other films. Overall, worth seeing but it just misses the mark. And, interestingly, although this is a Lana Turner starring vehicle, her co-star, John Shelton easily outshines her as the beleaguered husband.021

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    La fingida cenicienta
    6.7
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    La ira de los dioses
    7.1
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    La cuesta del olvido
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    Te quiero otra vez
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    La hora fatal
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    Mientras duerme Nueva York
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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Cinematographer John F. Seitz took over as director of photography when Karl Freund fell ill.
    • Errores
      When Margy and Bill leave the office for lunch, briefly reflected in a store window, a crew member is visible sitting at the base of a loudspeaker on a stand..
    • Citas

      William Brooks: [William bursts into Beamis' office] I came for that plan, Mr Beamis. You know, my re-organisation plan that you never read.

      C.B. Beamis: Oh, yes, I... I've been wanting to talk to you about it.

      William Brooks: Yes, well I don't want to talk about it.

      C.B. Beamis: What do you mean?

      William Brooks: I don't find it very pleasant talking with you, Mr Beamis. I worked here three years and the only talks we ever had were when you fired my wife and when you fired me. And that isn't exactly my idea of conversation.

      C.B. Beamis: Now look here, William, I've explained to you that I don't make the rules.

      William Brooks: Well I'm not kicking about your rules. It's the way you operate them. You're a wrong guy, Mr Beamis. You've got the soul of an adding machine. Sure, you can add up the rules alright, you can add up anything that's in black and white. But the one thing that you can never add up, Mr Beamis, is how to give a guy a break.

      C.B. Beamis: Now see here, I don't have to tolerate this. What right have you to speak that way to me?

      William Brooks: I've got the right that comes from spending three whole years of my life in your office. I worked hard for you and did my job well. The only thing I wanted was to get married. Now that isn't asking too much is it? So you fired my wife and when they attached my salary, you fired me. When you take away a family's income, Mr Beamis, you take away its very life. You might just as well have shot me. It would have been kinder. Oh, but I forgot. You don't know anything about being kind.

      C.B. Beamis: I certainly don't. Not if it means shooting people, I don't.

      William Brooks: Well, I wouldn't expect you to understand. I should have saved my breath. You're not human.

      C.B. Beamis: But you are, of course. I've noticed that about you weaklings. You're always twice as human as anybody else.

      William Brooks: So I'm a weakling because I needed help, huh? Well, Mr Beamis, we don't speak the same language.

      C.B. Beamis: I'm afraid you'll find the same difficulty with any employer.

      William Brooks: Nah, no, you had me believing that all bosses are like you. But I've found out differently. I'm going to work for a man who helped me when I needed it. But you wouldn't understand that either.

      C.B. Beamis: I understand it alright. And it's the one thing that I detest. In all my life I've never asked for help or accepted any. What I have, I've gotten through my own efforts. And I'm proud of it.

      William Brooks: Oh, sure, you've got something to be proud of alright - a bank account with a million dollars worth of hatred.

      C.B. Beamis: That's not true.

      William Brooks: Why, every time you walk through that office, you'd feel the hate, if you were human. Yes, I say you're not human and I'll tell you why; it's because you really think that you've never been helped. You've never found out like I have that people could be kind, could understand. You've never found out that people are better than rules. And I'll tell you why you've never found out; it's because you've got a lie in your head. The same lie that you just told me. You've never been helped? Why you and I and everybody from the minute they're born they're being helped. The whole country, our homes, our churches, our schools and what they stand for, nobody could build those alone. We did it together, all of us, the people helping each other, and believe me, Mr Beamis, if any man says that he made his money or built his life without the help of anybody else, he's a fool! He's wore than a fool, he's a liar.

    • Conexiones
      Featured in Red Hollywood (1996)
    • Bandas sonoras
      Sidewalks of New York
      (1894) (uncredited)

      Music by Charles Lawlor

      Played during the opening credits, and as background music and at the end

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 18 de diciembre de 1940 (México)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • We Who Are Young
    • Locaciones de filmación
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, Estados Unidos(Studio)
    • Productora
      • Metro-Goldwyn-Mayer (MGM)
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

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    • Presupuesto
      • USD 362,000 (estimado)
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 20min(80 min)
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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