Noches de angustia

Carole Lombard ,who at the time sadly had only two more years to live ,shines in her part of a devoted nurse,who gives it all;the first part of the movie is a bit boring,but halfway through it hits its stride ,grabs you and does not leave you till the last pictures ,which avoid the traditional mushy happy end:a nurse's work is never done.

Because "vigil in the night" is primarily,essentially ,a tribute to the nurses in England,a tribute to their admirable work,to their courage when they cure infectious patients ,to their war which is never over:for a measly salary (a nurse says) and only half a day off (at best!);today the nurses condition has improved,but their work is not yet given the credit they deserve ,so "vigil" is still relevant in 2012.The scene of the artificial respiration (by Lucy)has got something of Frank Borzage .Most of all ,in the last scenes,George Stevens makes us feel the camaraderie,the solidarity between the nurses.

I was totally mesmerized by the performance of Carole Lombard and Brian Aherne. She was definitely Academy Award material for this movie. The undercurrent of their secret love for one another is very sexually tense. He is taken with her from the very beginning. This movie makes you long for the old time nurses who wore caps and who were so compassionate. You also long for the old time Doctors who were dedicated and not always looking at their watches to make sure you haven't taken more than a Medicare Minute, or that it's getting close to 5pm.

It is definitely spellbinding. Carole handles herself in such a professional manner and and manages to keep her cool in such demanding settings. She plays a good Samaritan for her sister and puts her own career into jeopardy by taking the blame for her student nurse immature sister. She evokes sentiment in women to do what one has to do and not complain about it.For this reason the story in inspirational. It's got nothing of materialism in it, or agendas that aren't uplifting. You feel good about life after watching this wonderful, don't miss, movie. Please make this available to Schools of Nursing.

The Title Vigil in the Night promotes wonderment, because all kinds of things can happen in the night hours. Thanks, MB

Carole Lombard apparently took some advice from husband Clark Gable about Vigil In the Night. Just as Gable never even attempted a British accent in Mutiny On the Bounty, Lombard eschewed an accent as did Anne Shirley in Vigil In the Night. The rest of the cast is from Hollywood's British colony in this adaption of an A.J. Cronin novel.

Just as that other Cronin work The Citadel is dedicated to the doctors, this one is a shout out to the under-appreciated nurses. Lombard and her sister Shirley are nurses, Lombard a veteran and Shirley just getting started.

When a young diphtheria patient is lost to Shirley's inattention, Lombard takes the rap for her and the film is about Lombard trying to get back to the top of her profession. There's a bit of guilt in Lombard as she feels she may have pressured Shirley to following the same profession. Along the way Lombard meets Brian Aherne who is a similarly dedicated doctor.

They also have to deal with millionaire rake Julien Mitchell who is the head of the hospital board with the power to help and who won't do it, saying they have to economize. He even cites the war as an excuse. As Lombard so graphically points out there's no truce or cease fire in their war against disease.

It's hard to believe that the madcap Carole Lombard of My Man Godfrey is the same stoic nurse in Vigil In the Night. But carry off the role she does. In this film her acting is all in the eyes.

Not as well known as the film adaptions of other A.J. Cronin work like The Keys Of The Kingdom and Hatter's Castle, and The Citadel. But Vigil In The Night can hold its own with any of the other three.

It is indeed surprising to see Carol Lombard in a serious dramatic role, and it shows us the range of her talents. We thus mourn her early demise all the more deeply.

Maltin is correct in that good acting and direction here save a potentially sentimental script from descending into bathos. In fact, the explosively dramatic start undergirds the whole story and gives it an impetus that keeps us involved throughout. The movie wears its age well, and is well worth seeing.

poignant story about ignorance among medical professionals...Carole Lombard is excellent as a conscientious nurse who teams with a local doctor to overcome medical incompetence and prejudice. Her sister, who is also a nurse means well, but complicates matters...Lombard's comedic skills certainly didn't hurt her portrayal, and gave more than the usual depth to a role that could have been one-dimensional...the music is evocative, and it makes the scenes in the children's ward of the hospital especially poignant. The finale, tho corny and reflective of Hollywood mores of that era, is uplifting. Despite a bitter-sweet resolution, it leaves us with an offer of hope for the future.