El agente matrimonial

Frankie Darro as a studio page boy and Mantan Moreland as a janitor team up to solve a murder in Up In The Air. Singer Lorna Gray is shot to death during a rehearsal when the lights go out and a gun goes off. It's up to Frankie and Mantan to solve the crime especially since the cops are a pair of thickheaded detectives.

I have to say the film does have some funny moments. It also has some offensive ones. Both Darro and Moreland are aspiring radio artists and they've worked up a comedy sketch not unlike the act Moreland did in nightclubs with Ben Carter. But putting Darro in blackface was downright disrespectful. Later on in one of the Charlie Chan films Moreland does do that act with Carter and you should catch it if possible.

As it turns out Gray has quite a past and it's her past that's the key to solving her murder and that of Gordon Jones who wants to be a cowboy singer and get on the air.

For a Monogram Picture, not bad, but we sure didn't need the blackface.

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Richard Cross's review published on Letterboxd:

"Is I where I think I is or am I where I hope I ain't?" asks Manton Moreland of the bulging eyes and comical double-takes. He plays wing man to an ok Frankie Darro in this dull murder thriller, and, like us, he's sadly where he hoped he ain't.

Plot- a radio singer is murdered amid a room full of radio executives. The investigating cops thrash around leaving the real insight to the studio page-boy and his jokester buddy.

Bouncy programmer from low-budget Monogram. Pairing live-wire Darro with sparky negro Moreland was a bold touch. Together they turn a ho-hum whodunit into a fast paced romp with snappy lines and easy-going humor. Moreland does his patented big-eyed shtick and racialized humor that may offend some modern audiences. Still, he's treated more as Darro's pal than as comic relief in a movie that's more like a buddy flick than a mystery. In fact, Moreland's got more of a featured role than his usual down-the-list supporting role. I wouldn't be surprised that Monogram had a more permanent pairing in mind here.

The rest of the cast goes through its paces in professional style, though director Bretherton adds neither atmosphere nor nuance, which may, nevertheless, have been intended to spotlight the two leads. At the same time, the winsome Reynolds captivates with an adorable stage presence I could have stood more of. My only gripe is that I was expecting scenes in a broadcasting studio showing the radio technology of the day. Unfortunately, there are none, only stage performances. Nonetheless, that's along with some revealingly live street scenes from Hollywood Blvd., circa 1940.

All in all, it's quick hour of 40's amusement, with a cross-racial buddy pairing unusual for its time.

Here is yet another example of the Monogram product. Frankie Darro, Mantan Moreland and Marjorie Reynolds are top-starred in this modest yet enjoyable programmer centered around the murder of an obnoxious radio singer. The songs are pleasant enough and the mystery diverting. Modern viewers may cringe at a routine which puts Darro in blackface opposite Moreland in a sketch Moreland performed with another actor in the past. It is funny though, and the whole production runs 61 minutes and passes the time pleasantly enough. This came on one of those Mill Creek compilation sets and the quality is pretty good for a public-domain picture.

Up in the Air, a quickie 1940 B movie cranked out on a tight budget and on an even tighter shooting schedule, is worth viewing at least once. It's representative of all those cheap bread-and-butter movies the studios churned out designed to fill the lower bill of America's movie houses. If you don't have some familiarity with these films you just won't understand what a lot of Hollywood was about before and, to a degree, right after WWII. For every Clark Gable, Rita Hayworth and John Ford, there were thousands of journeymen, men and women, directing, writing, acting in and making possible all these movies. The movie, only 61 minutes long, is a comedy murder mystery which was a popular staple back then. This time the formula also calls for songs. There are three original ones and, like the movie, they're not bad. It stars a long forgotten actor named Frankie Darrow, who was big stuff in the B movie business back in the mid-Thirties through the mid-Forties. Darrow was a small, lean guy who got his start as a child actor. His big years were spent playing jockeys and high school students. At 5' 3" and when tastes changed right after WWII, Darrow was quickly left behind after he returned from the Navy. By 1950, when he was 33, he was only getting bit parts. He and a partner finally bought a bar in Hollywood, a bad move. Darrow became a serious alcoholic, but at least a relatively good-natured one. Except for occasional movie and television bits, he was washed up. If you admire Robby the Robot in Forbidden Planet, Darrow was one of two men hired to take turns being inside Robby to make him move. That's show biz, kids.

One other interesting thing to note. This is one of seven films Darrow made between 1939 and 1941 in which he always plays a young man named Frankie and always partners with a buddy named Jeff. The two invariably get mixed up in mystery, with Frankie determined to solve the crime and Jeff reluctantly backing him up. The interesting thing is that Jeff in these seven movies always is played by Mantan Moreland. Although Moreland does his trademark eye-popping, it's not as exaggerated as it usually was. There's almost none of the foot- shuffling and chitlin dialect that Hollywood made its black actors use. Except for one, thankfully brief (but funny) comedy routine Darrow and Moreland do as Rastus and Mose with Darrow in blackface (but which Moreland dominates), the Jeff character is, for Hollywood of the period, unusually color blind.

With Up in the Air, Darrow plays Frankie Ryan, an energetic and confident young man employed as a page at Amalgamated Broadcasting Company. His ambition is to snag a comedy spot on one of its radio shows. He meets Anne Mason (Marjorie Reynolds), newly hired as a lobby greeter who wants to be a singer. Wouldn't you know it, Rita Wilson, the snooty and well-known singer on one of Amalgamated's top shows, takes a bullet in the heart during a rehearsal. Frankie is determined to find the killer, promote Anne into the singing slot, and at least get a comedy try-out chance with Jeff in front of the producers. Frankie is the kind of inexhaustibly active fellow who always snaps his fingers when he gets an idea, then charges out of the room, or down the hall, or up the stairs, or through a doorway. Eventually, sometimes with the help of the police and sometimes not, Frankie, with Jeff close behind, makes the killer come forth. There are no great surprises. The acting is competent and the movie moves quickly through its 61 minutes. Up in the Air isn't a waste of time exactly, but it helps if you do a little reading about Darrow and Hollywood's B-movie factories.

About those three songs. Unlike the movie, they're worth experiencing more than once. "Doin' the Congo," written by Edward Kay, Lew Porter and Johnny Lange, is a very nice Latin rhythm number. "Somehow or Other" and "By the Looks of Things," written by Kay and Harry Tobias, are light swing numbers. "By the Looks of Things," especially, is a song that is much better than it needed to be. Marjorie Reynolds sings all three.