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This is such a charming film. It concerns young hopefuls who want to get into Hollywood. The lead is played by Linda Darnell, and the script was written based upon what really happened to her only the year before. Both in real life and in this film's story, Linda was discovered by a travelling Hollywood talent scout (in reality she came from Dallas, in the film from the fictitious small town of Rockville, Arkansas). She then went to Hollywood, took a screen test, but was sent back home because she was discovered to be only 15 (but returned anyway). In the film, she is sent back home because she was 16 going on 17, precisely the age she really was when she made this film. I have already had occasion to praise Darnell's brilliant film debut (when she was 15 going on 16) the previous year, in HOTEL FOR WOMAN (1939, see my review). Darnell met with a terrible fate, however. In 1965, aged 41, she was sitting and watching this very film on television when a fire broke out in the house and she died of burns. The young male lead in the film is John Payne, aged 28. Payne was a very fine fellow, as I discovered the only time I met him. He and my mother had known each other in Virginia, though he was a few years older. She and I went to see him backstage at a play, where we had a jolly chat. He came from a wealthy background and had the easy and confident manner of someone who had been born with a silver spoon in his mouth. But he did not choke on the spoon, and instead became an excellent movie actor. I have always thought that he should have been in better films, but he was mostly a star of B pictures. By the time this film was made, he had already appeared in ten films in only four years. In this one he sings as well as acts. He and Darnell are summoned to Hollywood for screen tests at the same time and meet on the train. The other lead actors in the film are Roland Young, who plays the talent scout, and Charlotte Greenwood who plays his colleague. They are both superb, being the old pros that they were. I note that Darnell's biography on IMDb wrongly names her character in this film as Carolyn Ayres, whereas the correct name is Carolyn Sayres. The film was directed by Walter Lang, who is best known for WITH A SONG IN MY HEART (1952, about Jane Froman), CALL ME MADAM (1953), THERE'S NO BUSINESS LIKE SHOW BUSINESS (1954), and THE KING AND I (1956), all of which were smash hits. The 1950s were truly the glory days of Walter Lang, who retired in 1961 after having directed 66 films. Donald Meek plays a supporting role in this film and it is a serious part, unlike his usual whimsical ones. The film is romantic and full of youthful zest and hope. It makes a great change from gloom and doom, of which we have so much these days. One little touch amused me, namely that in order to demonstrate his small-town naivete upon arriving in Hollywood, John Payne pronounces the name of Charles Laughton as 'Charles 'Laffton'. Perhaps that was an in joke, since one thing Charles Laughton in person certainly was not was someone who could be described as a laugh a minute. He could be quite horrid. This film is very much a breath of fresh air, though very much an early forties film with all the manners and mores of those days, which seem so innocent today. How strange to think that only a year after this film was released, the world would be plunged into war and joie de vivre would dry up. This film was thus one of the last gasps of cheerfulness in the cinema before life became grim.

Star Dust the film with the famous Hoagy Carmichael-Mitchell Parish song played in the background is loosely based on its star's own story of how she obtained her place in the cinema firmament. Linda Darnell does well in playing a version of herself and we wouldn't see anything like it again until MGM starred Mario Lanza in That Midnight Kiss.

Young Linda plays a would be hopeful who shares a connection with her discoverer. Former comic actor Roland Young now a talent scout for the studio that is headed by William Gargan. Darnell shares a connection to Young through her late mother and he takes a fatherly interest in her career even though at first he tries to discourage her from ever thinking about a show business career.

In that he has a rivalry with another studio executive Donald Meek who is marvelous as a typical 'yes' man. He's got an interest himself in Mary Beth Hughes that's a more prurient interest and he'll damage Darnell to promote Hughes.

John Payne is also on hand as an All American football player who is another of Young's discoveries. His character is without a doubt based on Johnny Mack Brown who tore up the playing fields for the Crimson Tide of Alabama before coming to Hollywood. Payne gets an opportunity to sing one forgettable song in Star Dust. Singing the title song is yet another of Young's discoveries Mary Healy who is helped along by studio drama coach Charlotte Greenwood.

Though Payne and Darnell are the leads and the film is based somewhat on Darnell's own story the film is really driven by the rivalry between Young and Meek. Star Dust shows both its young leads off to good advantage and Darnell's place in Hollywood was certainly secure.

"Star Dust" is a highly fictionalized story about two* young people who want to make it in moving pictures. One is a 17 year-old who has a LOT of ambition and gumption (Linda Darnell) and the other is a college football player with a lovely tenor voice (John Payne). They are spotted by a talent scout (Roland Young) and at first he's interested in Darnell...though it turns out he knew and was in love with her mother long ago, and he's afraid she'll get hurt. Regardless, they arrive in Hollywood where their biggest obstacle is another talent scout (Donald Meek) who is determined to sink these prospects. Can they somehow STILL make it?

I think the biggest reason for this film was to highlight the very young Darnell...who really was 17 and just signed to a contract with Twentieth Century-Fox. And, while the studio in the film is called Amalgumated, it's really Twentieth Century-Fox...and the studio head (William Gargan) plays the Daryle Zanuck sort of role.

Overall, this is a nice, fun film and although Darnell's big scene that impressed everyone at the end seemed overacted, it works well. In many ways, it's like "A Star is Born"...though not quite on the level of this classic film.

*There is a third Hollywood hopeful (Mary Beth Hughes), though he part is VERY small in comparison to the other two.

Roland Young was riding the crest of his popularity in the "Topper" series of films, and he gives another of his trademark performances in "Star Dust." He happily moved into small character performances the following year, across from Ginger Rogers and Henry Fonda in the mega-hit "Tales of Manhattan," with such an extravaganza of talent that even stars like Young had comparatively minor roles. He was well into his fifties and glad to have steady work without the burden of full stardom.

By this time, 1941, the industry was in full swing, with A List superstars like Rogers and Bogart and Grant commanding enormous salaries thanks to their bankable box office appeal, and "Star Dust" shows the glow that surrounded the Hollywood Myth.

All of the studios had adopted Ginger's mother Lela's idea of in-house acting schools, and the new Hollywood actresses all worked in the stylized 'acting voice' that we hear in "Star Dust" from the very young Linda Darnell. The '40s crop of actresses all adopted this style of voice, from Lana Turner and Rita Hayworth, to Darnell and Tierney, Bergmann and Gardner, with the razor sharp diction and the slightly accented 'T's, a pseudo-dialect that was to hold sway all the way through Marilyn Monroe's era in the '50s, and in television right into the 1980s. The older '30s stars like Rogers and Stanwyck and Colbert maintained their more natural voices for the rest of their careers, and so it's a bit ironic to note that these actresses outlasted all but the biggest of the '40s group.

Look quick to see George Montgomery in a bit part here, early in his career. John Payne is terrific in this lighthearted role, a far cry from his amazing Noir characters a few years later. Fun movie!

"Star Dust" is the film that Linda Darnell watched on the night she was caught in the fire that would take her life the next day.

Darnell plays Carolyn Sayres, a young girl determined to get her chance in Hollywood when a studio agent (Roland Young) comes along looking for new talent. He rejects her because she's too young, but Carolyn forges a letter to the studio head and wins a screen test. On the train to Los Angeles, she meets a handsome football player (John Payne) who is also a fresh discovery. Once in Hollywood, they meet the third winner of a screen test, a talented singer (Mary Healy).

Little do any of them know that studio politics interfere with their chances, but the drama coach (Charlotte Greenwood) believes in Carolyn and finds a way to get her test before the head of the studio.

This film, the basic plot anyway, was remade years later as the awful "Dancing in the Dark," a musical starring Betsy Drake. "Star Dust" is much better, featuring the beautiful Darnell, handsome Payne and the magical singing of Mary Healy. It also has shots of Graumann's Chinese Theatre as Payne and Darnell see how their feet match up to stars' feet in cement.

Linda Darnell got a very early start in Hollywood. She was 15 when Fox wanted to sign her, but when they learned her age, they sent her home. When they found out that she'd won a contest with the first prize a contract at Universal, they brought her back out. She started out great guns, and then she got married. Zanuck, unable to promote her as a virginal ingénue, lost interest. Darnell returned a little later as sultry and sexy and played some of her best roles.

Sitting in her old secretary's house in Illinois at the age of 41, trying to do her taxes, and watching this film must have been an odd experience for Darnell, who by then had alcohol and money problems and was trying to make a comeback. It wasn't to be; she died in the hospital the next day. A sad end for the beautiful young woman of "Star Dust."